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Slayer are a thrash metal band from Huntington Park, California, U.S., formed in 1981 by guitarists Jeff Hannemann and Kerry King.
One of the highly-revered ‘big four’ of the thrash metal genre, alongside their contemporaries Metallica, Megadeth and Anthrax, Slayer have always been defined by two thing; the ferocity and speed with which they play, and the deeply dark nature of their thematic approach and lyricism, where pretty much nothing has been off limits - everything from Satanism to necrophilia has cropped up over the course of their ten records to date. The group is currently comprised of King on guitar, bass-playing frontman Tom Araya, drummer Paul Bostaph and guitarist Gary Holt; founding guitar player Hannemann passed away last year. The band made their name with their third album, “Reign in Blood”, in 1986; that record’s kind-of title track “Raining Blood” is effectively their signature song.
They’ve continued to both entertain, influence and provoke in equal measure ever since; from (albeit inadvertently) managing to release a record entitled “God Hates Us All” on September 11th, 2001 to routinely being accused of Nazi sympathies, Slayer have certainly earned more than their fair share of notoriety, but it’s perhaps in terms of their huge influence on the genre of metal in general that they’ll be best remembered over time; everybody from System of a Down to Slipknot to Darkthrone have attributed some of their style to Slayer over the years, proving their towering stature within the metal community.
Slayer is frighteningly intense live. You could either get your skull cracked open in a mosh pit or from the sheer amplitude of Kerry King’s guitar. But that’s the thrill of attending a Slayer concert.
It is impossible to be anything other than fully engaged at a Slayer show with red lights of doom blaring on the stage, pentagrams and World War II imagery depicted in the background, and stacks of guitar amps blaring in your face at full volume all while trying to avoid getting beat to a pulp in a mosh pit. Slayer’s performance is fast and loud with their songs relying on fast tremolo picking, booming double bass pedals pounding away at the bass drums, and dueling guitars playing chaotic melodies in irregular scales creating dissonant sounds.
Slayer has a unique style of performing by playing at rapidly fast tempos and tuning their guitars to very low pitches getting deeper, heavier sounds. Slayer has gained critical acclaim already being nominated for five grammys, and are considered one of the most influential metal bands having directly inspired the genres of death metal and black metal. The singer, Tom Araya, adds much charisma to Slayer’s style with his death-like screams, and the violent imagery depicted in Slayer’s lyrics puts Slayer in a hardcore level of their own.
It is unpredictable what one might see at a Slayer concert. You might see a fan carving an upside down cross in their skin or you might see someone in a wheelchair crowd surfing, as I saw at my first Slayer concert. One thing you can predict is a mind-blowing thrill of a ride.
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Slayer Still Stay True to Roots
Slayer still know how to deliver the goods and deliver them well in a world where so much music has become formulaic. The band performed older and newer numbers such as Angel of Death, South of Heaven and Reign in Blood at a high octane level of energy, all against a backdrop of upside down crosses. During the song Angel of Death, the backdrop also displayed a variation on the Heineken beer logo, showing and paying homage to the late guitar player Jeff Hanneman who passed away last year. What I found most memorable was the pit area, seemingly a sea of fans moshing constantly throughout the set and making it appear as if the floor itself were moving!
Opening for Slayer were thrash and groove metal bands Exodus and Suicidal Tendencies. Both set the stage and night for a great fusion of different yet similar music genres and sub genres. Gary Holt, veteran ax man for Exodus, did double duty churning out guitar solos and riffs for both them and in his gig with Slayer at the end of the night, proof positive that he has truly hit the ground running with the latter band! A grand night out as always with them!
What a crap-hole of a venue. Google maps kept sending us to the VIP entrance (which of course costs more $$$). Parking was a nightmare, it rained and was muddy. Everything was monetized, down to the height of the chairs you were allowed to bring in. Water was allowed in sealed containers only (unopened with the little ring attached, yeah this was wasteful). Wow -- $16 beers, no thanks. $45 per tee-shirt in the merch, even for the opening bands. You have to pay to get closer to the band. Pit tickets were upwards of $200+, what a joke. The cameras and projection screens weren't even turned on until Lamb of God. Beers of fishing quality were being sold for $10 a can, and the good beers were $16 each. My wife got a shot that was $15. Sound was ok. Cannibal Corpse played for a whole 20 minutes. We were up in the lawn-grass area and there was fresh manure spread on the hillside, wafting in our direction. Ironic due to the crappy quality of our experience.
Can't wait for Maryland Deathfest 2019 and Devastation on the Nation 2019-- Two shows that I spent a lot less money on and get a lot more trve cvlt metal out of.
They rocked!!! I saw them in Bakersfield where it was standing room only, and the pit was awesome. That being said, if you're not down for that, you can still stand (mostly) in peace. It was LOUD. Which is AWESOME. But for the songs I didn't know, I put in earplugs to save my hearing just a little. Defnitly at bring at least a pair (I lost mine in the moshpit and had to use beer stained, trampled, earplugs). And the show was great, they keep the intensity going the whole way through. Even my dad, who didn't know a single song, enjoyed the concert just from the intensity in the pit and onstage. Tom engaged the crowd a little, but for the most part it was all about the music. I would've liked an encore, but eh my ears were dead anyways. Overall great show, I can't wait to see them again.
I saw each of the final tour legs that hit Ohio and each was amazingly awesome! The sounds was great. The viewing was great (we had floor), it’s sad for me to think this is the end but I feel like they may do festivals and a one off here or there. I will surely attend! I drag my husband to these shows and he is not a Fuckin Slayer fan at all, but he even admitted these final tours are pretty awesome even though once Fuckin Slayer comes on, it just sounds like one giant song to him until we leave. Lol I disagree, but he did not grow up with them the same as me. I will be a die hard Fuckin Slayer to the end and can’t wait to see what is in store for them in the future! Final Leg Tour Number 9 maybe???? Regardless, I will be there! Fuckin Slaaaaaayyyerrrr!!!!
Slayer came out on stage completely apathetic. Like they couldn't wait to get out of our state! I've been a life long fan since 84' and this was not a great performance. Yes they sounded good stage pyrotechnic were ok,but they played with no emotion or heart at all. Tom got all pissed off over something in the mosh pit. Stopped playing for at least 9 minutes in middle of set. Then cussed out the crowd told off Albuquerque then played 4 more songs cut set short no oncour just walked off stage. What assholes!! People pay a lot of money. For him to do that is bull shot!!don't plan to ever pay for another Slayer show again!
There's few words that can be said about this band and this show that would do them justice.
Slayer is an amazing band overall and I've been listening to them since I was a teenager. I was never disappointed about the quality of their albums.
The show was simply sensational! Besides the sweet music played by the band the stage props were really great.
The fire show was another incredible piece, I really loved how some of the flames were forming a pentagram.
Their band logo burning while they played Angel of Death was really great!
I'm never good with endings, but all I can say is that I loved it!
I know that saying "that was fire!" is a pretty common and basic way of praising something, but considering the actual fire on stage and sparks of energy throughout the show, there really can't be a better way to describe it. They put on one hell of a show. You can see Tom's great sincerity towards the audience in his talks between some songs. They really looked like they enjoyed themselves, and of course the audience did as well. Whole band played great, hard, and LOUD.
(Be prepared to hear that often)
Loud heavy fast sweaty long hair and brilliant time!
I've been a fan of slayer since about 1988 and it was great to go to a gig where everyone was not there filming it instead just taking in the brutal power of Slayer!
All the classics were played with a few new songs off the new record "Repentless" you can't argue when a band like Slayer roll into town turn up no encores and smash through 20 brutally fast thrash classics. I left minus a phone in my sweat soaked t-shirt and absolutely loved this gig.
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‘He’s Dead to Me’: Kerry King Blasts Dave Lombardo in New Interview
While talking to Rolling Stone about his upcoming new solo album, Kerry King tears into former Slayer drummer Dave Lombardo. […]
Kerry King Says His New Solo Project Is an ‘Extension of Slayer’
Kerry King talks about his brand new solo project, which will be debuting this year, and expresses that it’s an “extension of Slayer.” […]
The Other Legendary Thrash Band Slayer’s Kerry King Played In
Although Slayer was always Kerry King’s main squeeze, he did time with these other thrash icons while his band was getting off the ground. […]
The Classic Slayer Album That Half The Band Hated When It Came Out
Sometimes in a band, democracy rules. And that means bands sometimes put out records that not every member is in love with. This one just happened to be a Slayer classic. Here’s the story. […]
When Slayer Accidentally Wrote One of the Best Hardcore Records of the 2000s
Back in the 2000s Slayer released an album that, while featuring lots of thrash, proved to also be an awesome work of hardcore. […]
Why Kerry King is Mad at Slayer
The legendary guitarist was not happy that his band of multiple decades called it quits. Here’s why. […]
Dave Lombardo Denounces Slayer Nazism Accusations, Says People Missed Point of Lyrics
Dave Lombardo comments on past accusations made against Slayer and reflects on one of the band’s most controversial songs. […]
Serj Tankian Talks System of a Down Opening For Slayer: ‘We Were F***ing Scared’
Frontman Serj Tankian reflects on how nerve-racking it was for System of a Down to open for Slayer in the late 1990s. […]
The Ten Best Albums From The Big Four Of Thrash
With 50 studio albums between them, it can be hard to know where to start with the Big Four of Thrash. These are their best 10 records. […]
The 10 Greatest Drumming Performances in Heavy Metal
A band is only as good as their drummer, and these tracks prove just how lucky these groups are when it comes to percussionists. […]
Upcoming Slayer Festivals Appearances
Upcoming slayer concerts near me.
Heavy Song of the Week: Kerry King Strikes Back with the Blistering Ripper “Idle Hands”
King's first post-Slayer track is a full-bore thrash ripper.
February 9, 2024
Kerry King: Ex-Slayer Bandmate Dave Lombardo Is "Dead to Me"
The guitarist also opens up on Philip Anselmo and Tom Araya.
February 5, 2024
Kerry King Announces Debut Solo Album, Unveils Band Members and First Single "Idle Hands": Stream
The Slayer guitarist's lineup includes drummer Paul Bostaph, bassist Kyle Sanders, guitarist Phil Demmel, and Death Angel vocalist Mark Osegueda.
Kerry King Enlists Producer Josh Wilbur for Debut Album from Eponymous Band: Exclusive
The Slayer guitarist's new project is set to release an as-yet-untitled LP in 2024.
January 16, 2024
Sonic Temple Festival 2024 Lineup: Disturbed, The Original Misfits, Pantera, and Slipknot
The fest is set for May 16th through the 19th in Columbus, Ohio.
December 4, 2023
Slayer's Show No Mercy to Receive 40th Anniversary Reissue on "Blood"-Filled Vinyl
A deluxe edition vinyl set and an extremely limited "blood"-filled vlnyl variant will be available.
November 15, 2023
Kerry King Hints That Post-Slayer Project Is "Coming in 2024"
A teaser image from the guitarist implies that the project could be revealed next year.
November 6, 2023
The 13 Scariest Metal Songs
In a genre where there are thousands of frightful tracks to choose from, these are 13 of the scariest.
October 31, 2023
Dave Lombardo: Slayer Were the Best "Big Four" Thrash Metal Band
In a new interview, the drummer makes an argument why Slayer bested Metallica, Megadeth, and Anthrax.
October 20, 2023
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Slayer's Kerry King
Photo: Daniel Knighton/Getty Images
Slayer Announce Final U.K. Tour Dates With Anthrax, Lamb Of God
The legends of thrash metal have revealed the dates for their final run of U.K. shows
GRAMMY-winning gods of thrash metal Slayer are finally hanging up their guitar straps and retiring from life on the road.
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Amid their previously announced European farewell tour, the band have now revealed their final shows in the U.K., with a planned run of six dates across England, Scotland and Ireland.
Along for the ride are Anthrax — GRAMMY-nominated icons of thrash in their own right — and GRAMMY-nominated metalcore rockers Lamb Of God , with additional tour support from death metal pioneers Obituary.
In a 2016 Loudwire interview, bassist Tom Araya joked, "After 35 years, it's time to like, collect my pension."
Slayer's final sonic assault on the European territories will kick off on Nov. 1 in Dublin, Ireland, and run through Dec. 8, where it will sow its final seeds of mayhem in Helsinki, Finland.
Tickets to all shows will go on sale on May 18.
Catching Up On Music News Powered By The Recording Academy Just Got Easier. Have A Google Home Device? "Talk To GRAMMYs"
Photo: Jeff Kravitz/FilmMagic
GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.
Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.
A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.
This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly . Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system.
"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."
Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!
He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.
"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly .
"Hip-hop. Ice Cube . This is for hip-hop," he said. "This is for Snoop Dogg , Doggystyle . This is for Illmatic , this is for Nas . We will live forever. Believe that."
To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal , Anna Wise and Thundercat ). He also won Best Music Video for the remix of Taylor Swift 's "Bad Blood."
Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN ., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers .
Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes.
10 Essential Facts To Know About GRAMMY-Winning Rapper J. Cole
Photo: Rachel Kupfer
A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea
James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.
It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown . The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.
Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.
Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton , who created P-funk, an expansive, Afrofuturistic , psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic . Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis , Silk Sonic , and Omar Apollo; and Kendrick Lamar , Flying Lotus , and Thundercat , respectively.
In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.
Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels , while its sparkly sprinklings can be heard in pop from Dua Lipa , Doja Cat , and, in full "Soul Train" character, Silk Sonic . There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin ’s global sonic collage.
There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music , Amazon Music and Pandora .
Say She She
Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.
While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism . Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and " Norma " is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers , from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."
Moniquea 's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’ s "Get It Right" and Gladys Knight ’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.
Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat .
Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.
Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.
L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.
During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo , is a sunny, playful French disco journey.
Franc Moody 's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.
Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether .
The Rise Of Underground House: How Artists Like Fisher & Acraze Have Taken Tech House, Other Electronic Genres From Indie To EDC
Photo: Steven Sebring
Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage
"One foot in the past and one foot into the future," Billy Idol says, describing his decade-spanning career in rock. "We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol."
Living Legends is a series that spotlights icons in music still going strong today. This week, GRAMMY.com spoke with Billy Idol about his latest EP, Cage , and continuing to rock through decades of changing tastes.
Billy Idol is a true rock 'n' roll survivor who has persevered through cultural shifts and personal struggles. While some may think of Idol solely for "Rebel Yell" and "White Wedding," the singer's musical influences span genres and many of his tunes are less turbo-charged than his '80s hits would belie.
Idol first made a splash in the latter half of the '70s with the British punk band Generation X. In the '80s, he went on to a solo career combining rock, pop, and punk into a distinct sound that transformed him and his musical partner, guitarist Steve Stevens, into icons. They have racked up multiple GRAMMY nominations, in addition to one gold, one double platinum, and four platinum albums thanks to hits like "Cradle Of Love," "Flesh For Fantasy," and "Eyes Without A Face."
But, unlike many legacy artists, Idol is anything but a relic. Billy continues to produce vital Idol music by collaborating with producers and songwriters — including Miley Cyrus — who share his forward-thinking vision. He will play a five-show Vegas residency in November, and filmmaker Jonas Akerlund is working on a documentary about Idol’s life.
His latest release is Cage , the second in a trilogy of annual four-song EPs. The title track is a classic Billy Idol banger expressing the desire to free himself from personal constraints and live a better life. Other tracks on Cage incorporate metallic riffing and funky R&B grooves.
Idol continues to reckon with his demons — they both grappled with addiction during the '80s — and the singer is open about those struggles on the record and the page. (Idol's 2014 memoir Dancing With Myself , details a 1990 motorcycle accident that nearly claimed a leg, and how becoming a father steered him to reject hard drugs. "Bitter Taste," from his last EP, The Roadside , reflects on surviving the accident.)
Although Idol and Stevens split in the late '80s — the skilled guitarist fronted Steve Stevens & The Atomic Playboys, and collaborated with Michael Jackson, Rick Ocasek, Vince Neil, and Harold Faltermeyer (on the GRAMMY-winning "Top Gun Anthem") — their common history and shared musical bond has been undeniable. The duo reunited in 2001 for an episode of " VH1 Storytellers " and have been back in the saddle for two decades. Their union remains one of the strongest collaborations in rock 'n roll history.
While there is recognizable personnel and a distinguishable sound throughout a lot of his work, Billy Idol has always pushed himself to try different things. Idol discusses his musical journey, his desire to constantly move forward, and the strong connection that he shares with Stevens.
Steve has said that you like to mix up a variety of styles, yet everyone assumes you're the "Rebel Yell"/"White Wedding" guy. But if they really listen to your catalog, it's vastly different.
Yeah, that's right. With someone like Steve Stevens, and then back in the day Keith Forsey producing... [Before that] Generation X actually did move around inside punk rock. We didn't stay doing just the Ramones two-minute music. We actually did a seven-minute song. [ Laughs ]. We did always mix things up.
Then when I got into my solo career, that was the fun of it. With someone like Steve, I knew what he could do. I could see whatever we needed to do, we could nail it. The world was my oyster musically.
"Cage" is a classic-sounding Billy Idol rocker, then "Running From The Ghost" is almost metal, like what the Devil's Playground album was like back in the mid-2000s. "Miss Nobody" comes out of nowhere with this pop/R&B flavor. What inspired that?
We really hadn't done anything like that since something like "Flesh For Fantasy" [which] had a bit of an R&B thing about it. Back in the early days of Billy Idol, "Hot In The City" and "Mony Mony" had girls [singing] on the backgrounds.
We always had a bit of R&B really, so it was actually fun to revisit that. We just hadn't done anything really quite like that for a long time. That was one of the reasons to work with someone like Sam Hollander [for the song "Rita Hayworth"] on The Roadside . We knew we could go [with him] into an R&B world, and he's a great songwriter and producer. That's the fun of music really, trying out these things and seeing if you can make them stick.
I listen to new music by veteran artists and debate that with some people. I'm sure you have those fans that want their nostalgia, and then there are some people who will embrace the newer stuff. Do you find it’s a challenge to reach people with new songs?
Obviously, what we're looking for is, how do we somehow have one foot in the past and one foot into the future? We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol.
You want to do things that are true to you, and you don't just want to try and do things that you're seeing there in the charts today. I think that we're achieving it with things like "Running From The Ghost" and "Cage" on this new EP. I think we’re managing to do both in a way.
** Obviously, "Running From The Ghost" is about addiction, all the stuff that you went through, and in "Cage" you’re talking about freeing yourself from a lot of personal shackles. Was there any one moment in your life that made you really thought I have to not let this weigh me down anymore ? **
I mean, things like the motorcycle accident I had, that was a bit of a wake up call way back. It was 32 years ago. But there were things like that, years ago, that gradually made me think about what I was doing with my life. I didn't want to ruin it, really. I didn't want to throw it away, and it made [me] be less cavalier.
I had to say to myself, about the drugs and stuff, that I've been there and I've done it. There’s no point in carrying on doing it. You couldn't get any higher. You didn't want to throw your life away casually, and I was close to doing that. It took me a bit of time, but then gradually I was able to get control of myself to a certain extent [with] drugs and everything. And I think Steve's done the same thing. We're on a similar path really, which has been great because we're in the same boat in terms of lyrics and stuff.
So a lot of things like that were wake up calls. Even having grandchildren and just watching my daughter enlarging her family and everything; it just makes you really positive about things and want to show a positive side to how you're feeling, about where you're going. We've lived with the demons so long, we've found a way to live with them. We found a way to be at peace with our demons, in a way. Maybe not completely, but certainly to where we’re enjoying what we do and excited about it.
[When writing] "Running From The Ghost" it was easy to go, what was the ghost for us? At one point, we were very drug addicted in the '80s. And Steve in particular is super sober [now]. I mean, I still vape pot and stuff. I don’t know how he’s doing it, but it’s incredible. All I want to be able to do is have a couple of glasses of wine at a restaurant or something. I can do that now.
I think working with people that are super talented, you just feel confident. That is a big reason why you open up and express yourself more because you feel comfortable with what's around you.
Did you watch Danny Boyle's recent Sex Pistols mini-series?
I did, yes.
You had a couple of cameos; well, an actor who portrayed you did. How did you react to it? How accurate do you think it was in portraying that particular time period?
I love Jonesy’s book, I thought his book was incredible. It's probably one of the best bio books really. It was incredible and so open. I was looking forward to that a lot.
It was as if [the show] kind of stayed with Steve [Jones’ memoir] about halfway through, and then departed from it. [John] Lydon, for instance, was never someone I ever saw acting out; he's more like that today. I never saw him do something like jump up in the room and run around going crazy. The only time I saw him ever do that was when they signed the recording deal with Virgin in front of Buckingham Palace. Whereas Sid Vicious was always acting out; he was always doing something in a horrible way or shouting at someone. I don't remember John being like that. I remember him being much more introverted.
But then I watched interviews with some of the actors about coming to grips with the parts they were playing. And they were saying, we knew punk rock happened but just didn't know any of the details. So I thought well, there you go . If ["Pistol" is] informing a lot of people who wouldn't know anything about punk rock, maybe that's what's good about it.
Maybe down the road John Lydon will get the chance to do John's version of the Pistols story. Maybe someone will go a lot deeper into it and it won't be so surface. But maybe you needed this just to get people back in the flow.
We had punk and metal over here in the States, but it feels like England it was legitimately more dangerous. British society was much more rigid.
It never went [as] mega in America. It went big in England. It exploded when the Pistols did that interview with [TV host Bill] Grundy, that lorry truck driver put his boot through his own TV, and all the national papers had "the filth and the fury" [headlines].
We went from being unknown to being known overnight. We waited a year, Generation X. We even told them [record labels] no for nine months to a year. Every record company wanted their own punk rock group. So it went really mega in England, and it affected the whole country – the style, the fashions, everything. I mean, the Ramones were massive in England. Devo had a No. 1 song [in England] with "Satisfaction" in '77. Actually, Devo was as big as or bigger than the Pistols.
You were ahead of the pop-punk thing that happened in the late '90s, and a lot of it became tongue-in-cheek by then. It didn't have the same sense of rebelliousness as the original movement. It was more pop.
It had become a style. There was a famous book in England called Revolt Into Style — and that's what had happened, a revolt that turned into style which then they were able to duplicate in their own way. Even recently, Billie Joe [Armstrong] did his own version of "Gimme Some Truth," the Lennon song we covered way back in 1977.
When we initially were making [punk] music, it hadn't become accepted yet. It was still dangerous and turned into a style that people were used to. We were still breaking barriers.
You have a band called Generation Sex with Steve Jones and Paul Cook. I assume you all have an easier time playing Pistols and Gen X songs together now and not worrying about getting spit on like back in the '70s?
Yeah, definitely. When I got to America I told the group I was putting it together, "No one spits at the audience."
We had five years of being spat on [in the UK], and it was revolting. And they spat at you if they liked you. If they didn't like it they smashed your gear up. One night, I remember I saw blood on my T-shirt, and I think Joe Strummer got meningitis when spit went in his mouth.
You had to go through a lot to become successful, it wasn't like you just kind of got up there and did a couple of gigs. I don't think some young rock bands really get that today.
With punk going so mega in England, we definitely got a leg up. We still had a lot of work to get where we got to, and rightly so because you find out that you need to do that. A lot of groups in the old days would be together three to five years before they ever made a record, and that time is really important. In a way, what was great about punk rock for me was it was very much a learning period. I really learned a lot [about] recording music and being in a group and even writing songs.
Then when I came to America, it was a flow, really. I also really started to know what I wanted Billy Idol to be. It took me a little bit, but I kind of knew what I wanted Billy Idol to be. And even that took a while to let it marinate.
You and Miley Cyrus have developed a good working relationship in the last several years. How do you think her fans have responded to you, and your fans have responded to her?
I think they're into it. It's more the record company that she had didn't really get "Night Crawling"— it was one of the best songs on Plastic Hearts , and I don't think they understood that. They wanted to go with Dua Lipa, they wanted to go with the modern, young acts, and I don't think they realized that that song was resonating with her fans. Which is a shame really because, with Andrew Watt producing, it's a hit song.
But at the same time, I enjoyed doing it. It came out really good and it's very Billy Idol. In fact, I think it’s more Billy Idol than Miley Cyrus. I think it shows you where Andrew Watt was. He was excited about doing a Billy Idol track. She's fun to work with. She’s a really great person and she works at her singing — I watched her rehearsing for the Super Bowl performance she gave. She rehearsed all Saturday morning, all Saturday afternoon, and Sunday morning and it was that afternoon. I have to admire her fortitude. She really cares.
I remember when you went on " Viva La Bam " back in 2005 and decided to give Bam Margera’s Lamborghini a new sunroof by taking a power saw to it. Did he own that car? Was that a rental?
I think it was his car.
Did he get over it later on?
He loved it. [ Laughs ] He’s got a wacky sense of humor. He’s fantastic, actually. I’m really sorry to see what he's been going through just lately. He's going through a lot, and I wish him the best. He's a fantastic person, and it's a shame that he's struggling so much with his addictions. I know what it's like. It's not easy.
Musically, what is the synergy like with you guys during the past 10 years, doing Kings and Queens of the Underground and this new stuff? What is your working relationship like now in this more sober, older, mature version of you two as opposed to what it was like back in the '80s?
In lots of ways it’s not so different because we always wrote the songs together, we always talked about what we're going to do together. It was just that we were getting high at the same time.We're just not getting [that way now] but we're doing all the same things.
We're still talking about things, still [planning] things:What are we going to do next? How are we going to find new people to work with? We want to find new producers. Let's be a little bit more timely about putting stuff out.That part of our relationship is the same, you know what I mean? That never got affected. We just happened to be overloading in the '80s.
The relationship’s… matured and it's carrying on being fruitful, and I think that's pretty amazing. Really, most people don't get to this place. Usually, they hate each other by now. [ Laughs ] We also give each other space. We're not stopping each other doing things outside of what we’re working on together. All of that enables us to carry on working together. I love and admire him. I respect him. He's been fantastic. I mean, just standing there on stage with him is always a treat. And he’s got an immensely great sense of humor. I think that's another reason why we can hang together after all this time because we've got the sense of humor to enable us to go forward.
There's a lot of fan reaction videos online, and I noticed a lot of younger women like "Rebel Yell" because, unlike a lot of other '80s alpha male rock tunes, you're talking about satisfying your lover.
It was about my girlfriend at the time, Perri Lister. It was about how great I thought she was, how much I was in love with her, and how great women are, how powerful they are.
It was a bit of a feminist anthem in a weird way. It was all about how relationships can free you and add a lot to your life. It was a cry of love, nothing to do with the Civil War or anything like that. Perri was a big part of my life, a big part of being Billy Idol. I wanted to write about it. I'm glad that's the effect.
Is there something you hope people get out of the songs you've been doing over the last 10 years? Do you find yourself putting out a message that keeps repeating?
Well, I suppose, if anything, is that you can come to terms with your life, you can keep a hold of it. You can work your dreams into reality in a way and, look, a million years later, still be enjoying it.
The only reason I'm singing about getting out of the cage is because I kicked out of the cage years ago. I joined Generation X when I said to my parents, "I'm leaving university, and I'm joining a punk rock group." And they didn't even know what a punk rock group was. Years ago, I’d write things for myself that put me on this path, so that maybe in 2022 I could sing something like "Cage" and be owning this territory and really having a good time. This is the life I wanted.
The original UK punk movement challenged societal norms. Despite all the craziness going on throughout the world, it seems like a lot of modern rock bands are afraid to do what you guys were doing. Do you think we'll see a shift in that?
Yeah. Art usually reacts to things, so I would think eventually there will be a massive reaction to the pop music that’s taken over — the middle of the road music, and then this kind of right wing politics. There will be a massive reaction if there's not already one. I don’t know where it will come from exactly. You never know who's gonna do [it].
Living Legends: Nancy Sinatra Reflects On Creating "Power And Magic" In Studio, Developing A Legacy Beyond "Boots" & The Pop Stars She Wants To Work With
Graphic: The Recording Academy
Hear All Of The Best Country Solo Performance Nominees For The 2023 GRAMMY Awards
The 2023 GRAMMY Award nominees for Best Country Solo Performance highlight country music's newcomers and veterans, featuring hits from Kelsea Ballerini, Zach Bryan, Miranda Lambert, Maren Morris and Willie Nelson.
Country music's evolution is well represented in the 2023 GRAMMY nominees for Best Country Solo Performance. From crossover pop hooks to red-dirt outlaw roots, the genre's most celebrated elements are on full display — thanks to rising stars, leading ladies and country icons.
Longtime hitmaker Miranda Lambert delivered a soulful performance on the rootsy ballad "In His Arms," an arrangement as sparing as the windswept west Texas highlands where she co-wrote the song. Viral newcomer Zach Bryan dug into similar organic territory on the Oklahoma side of the Red River for "Something in the Orange," his voice accompanied with little more than an acoustic guitar.
Two of country's 2010s breakout stars are clearly still shining, too, as Maren Morris and Kelsea Ballerini both received Best Country Solo Performance GRAMMY nods. Morris channeled the determination that drove her leap-of-faith move from Texas to Nashville for the playful clap-along "Circles Around This Town," while Ballerini brought poppy hooks with a country edge on the infectiously upbeat "HEARTFIRST."
Rounding out the category is the one and only Willie Nelson, who paid tribute to his late friend Billy Joe Shaver with a cover of "Live Forever" — a fitting sentiment for the 89-year-old legend, who is approaching his eighth decade in the business.
As the excitement builds for the 2023 GRAMMYs on Feb. 5, 2023, let's take a closer look at this year's nominees for Best Country Solo Performance.
Kelsea Ballerini — "HEARTFIRST"
In the tradition of Shania Twain , Faith Hill and Carrie Underwood , Kelsea Ballerini represents Nashville's sunnier side — and her single "HEARTFIRST" is a slice of bright, uptempo, confectionary country-pop for the ages.
Ballerini sings about leaning into a carefree crush with her heart on her sleeve, pushing aside her reservations and taking a risk on love at first sight. The scene plays out in a bar room and a back seat, as she sweeps nimbly through the verses and into a shimmering chorus, when the narrator decides she's ready to "wake up in your T-shirt."
There are enough steel guitar licks to let you know you're listening to a country song, but the story and melody are universal. "HEARTFIRST" is Ballerini's third GRAMMY nod, but first in the Best Country Solo Performance category.
Zach Bryan — "Something In The Orange"
Zach Bryan blew into Music City seemingly from nowhere in 2017, when his original song "Heading South" — recorded on an iPhone — went viral. Then an active officer in the U.S. Navy, the Oklahoma native chased his muse through music during his downtime, striking a chord with country music fans on stark songs led by his acoustic guitar and affecting vocals.
After his honorable discharge in 2021, Bryan began his music career in earnest, and in 2022 released "Something in the Orange," a haunting ballad that stakes a convincing claim to the territory between Tyler Childers and Jason Isbell in both sonics and songwriting. Slashing slide guitar drives home the song's heartbreak, as Bryan pines for a lover whose tail lights have long since vanished over the horizon.
"Something In The Orange" marks Bryan's first-ever GRAMMY nomination.
Miranda Lambert — "In His Arms"
Miranda Lambert is the rare, chart-topping contemporary country artist who does more than pay lip service to the genre's rural American roots. "In His Arms" originally surfaced on 2021's The Marfa Tapes , a casual recording Lambert made with Jack Ingram and Jon Randall in Marfa, Texas — a tiny arts enclave in the middle of the west Texas high desert.
In this proper studio version — recorded for her 2022 album, Palomino — Lambert retains the structure and organic feel of the mostly acoustic song; light percussion and soothing atmospherics keep her emotive vocals front and center. A native Texan herself, Lambert sounds fully at home on "In His Arms."
Lambert is the only Best Country Solo Performance nominee who is nominated in all four Country Field categories in 2023. To date, Miranda Lambert has won 3 GRAMMYs and received 27 nominations overall.
Maren Morris — "Circles Around This Town"
When Maren Morris found herself uninspired and dealing with writer's block, she went back to what inspired her to move to Nashville nearly a decade ago — and out came "Circles Around This Town," the lead single from her 2022 album Humble Quest .
Written in one of her first in-person songwriting sessions since the pandemic, Morris has called "Circles Around This Town" her "most autobiographical song" to date; she even recreated her own teenage bedroom for the song's video. As she looks back to her Texas beginnings and the life she left for Nashville, Morris' voice soars over anthemic, yet easygoing production.
Morris last won a GRAMMY for Best Country Solo Performance in 2017, when her song "My Church" earned the singer her first GRAMMY. To date, Maren Morris has won one GRAMMY and received 17 nominations overall.
Willie Nelson — "Live Forever"
Country music icon Willie Nelson is no stranger to the GRAMMYs, and this year he aims to add to his collection of 10 gramophones. He earned another three nominations for 2023 — bringing his career total to 56 — including a Best Country Solo Performance nod for "Live Forever."
Nelson's performance of "Live Forever," the lead track of the 2022 tribute album Live Forever: A Tribute to Billy Joe Shaver , is a faithful rendition of Shaver's signature song. Still, Nelson puts his own twist on the tune, recruiting Lucinda Williams for backing vocals and echoing the melody with the inimitable tone of his nylon-string Martin guitar.
Shaver, an outlaw country pioneer who passed in 2020 at 81 years old, never had any hits of his own during his lifetime. But plenty of his songs were still heard, thanks to stars like Elvis Presley , Kris Kristofferson and Waylon Jennings . Nelson was a longtime friend and frequent collaborator of Shaver's — and now has a GRAMMY nom to show for it.
2023 GRAMMY Nominations: See The Complete Nominees List
- 1 Slayer Announce Final U.K. Tour Dates With Anthrax, Lamb Of God
- 2 GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
- 3 A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea
- 4 Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage
- 5 Hear All Of The Best Country Solo Performance Nominees For The 2023 GRAMMY Awards
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Slayer Tour 2024 Tickets & Dates
Slayer tour 2022 | concerts information, slayer information about concert.
Slayer’s farewell tour continues to grow, with the legendary thrash metal band announcing today that they’ve added a new North American leg to their 2020 itinerary. The new run of dates will see the band supported by Lamb of God, Amon Amarth, and Cannibal Corpse.
The spring jaunt marks the tour’s fifth leg overall, and third North American leg, kicking off May 2nd at the Ak-Chin Amphitheatre in Phoenix, Arizona, and running through a May 25th gig at the Xfinity Center in Mansfield, Massachusetts. It will be sandwiched in between a the tour’s fourth leg, which will cover Australia, New Zealand, Japan, and the Philippines, and the sixth leg, which will see the band returning to Europe.
The band posted a new chapter of their ongoing series of mini-docs about their formative years. In the new, third episode, the group covers a lot of ground: their first recording, (the song “Aggressive Perfector” for the third installment of Metal Blade’s Metal Massacre LP) their early albums and the hiring of drummer Paul Bostaph after the departure of founding drummer Dave Lombardo.
Slayer Final Tour Dates 2024:
May 2 - Phoenix, Ariz. @ Ak-Chin Amphitheatre May 3 - Albuquerque, N.M. @ Isleta Amphitheatre, May 5 - El Paso, Texas @ UTEP/Don Haskins Center May 7 - Edinburg, Texas @ Bert Ogden Arena May 8 - Dallas, Texas @ The Pavilion at Toyota Music Factory May 10 - Tampa, Fla. @ MidFlorida Credit Union Amphitheatre May 11 - West Palm Beach, Fla. @ Coral Sky Amphitheatre May 13 - Huntington, W.V. @ Big Sandy Superstore Arena May 14 - Columbia, Md. @ Merriweasther Post Pavilion May 16 - Noblesville, Ind. @ Ruoff Home Mortgage Music Center May 17 - Bonner Springs, Kansas @ Providence Medical Center Amphitheater May 19 - Clarkston, Mich. @ DTE Energy Music Center May 20 - Youngstown, Ohio @ Covel Centre May 22 - Ottawa, Ontario @ Canadian Tire Centre May 24 - Camden, N.J. @ BB&T Pavilion
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M72 world tour 2023/4.
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- Moscow Travel and City Excursions
Our 20 Best Moscow Day Tours of 2022
See all that Moscow has to offer by choosing one or more of our incredible Moscow day tours. Visit Red Square , St. Basil’s , the Kremlin or perhaps a vodka museum and the fantastic Moscow metro system , we have it all. Our expert, informative and fun guides will help you get to know Europe’s largest city. Please click on the day tour details to learn more or contact us for more information about our Moscow tours using the form at the side of the page. You can also schedule a call with one of our Russian travel specialists to learn more.
Head to the heart of Moscow with a professional guide on a 4-hour private walk through the city center. See Tverskaya and Old Arbat streets, Theatre Square with the world-famous Bolshoi Theatre, and the former KGB headquarters...
- Schedule Daily 09:00 - 20:00
- Languages English-speaking guide is guaranteed. Other languages are on request.
- Walking tours Transportation is not included
- PRIVATE TOUR This is a private tour, there won't be other people in your group
Panoramic City Tour. This Moscow tour is a great start to your trip and the best way to get acquainted with many of the city’s major highlights. Our professional guide will escort you on a route that includes Vorobyevi...
- Schedule Daily 09:00 - 18:00
- Tours by car Transportation by private car/minivan is included
This tour offers a detailed look into the history and present-day life of the Jewish community of Moscow. On the tour, you will visit sites connected with the cultural and religious life of different Jewish families, as well...
- Schedule Monday, Tuesday, Wednesday, Thursday, Sunday 11:00 - 20:00 Friday 10:00 - 14:00 Saturday not available
The tour begins with a drive or walk down Tverskaya Street – a Soviet masterpiece. In the years of Soviet power, Tverskaya began to undergo a transformation: it was widened to two and a half times its original size,...
This is a very interesting and insightful tour. You will visit places connected with Stalin’s terror - a time of great repression and fear. You will be shown monuments to the victims of the repression. You will then...
You will be told of the street’s interesting history and view the street’s artisan culture. You will also have the opportunity to view and purchase souvenirs from the street’s many craftsmen....
The Kremlin is truly a fascinating structure, at the same time it is an ancient tower, the city’s former military fortification, a palace, an armory, the sovereign treasury and the workplace of the Russian President....
- Schedule Monday, Tuesday, Wednesday, Friday, Saturday, Sunday 10:00 - 17:00 Thursday not available
This world-famous gallery contains masterpieces of Russian art beginning in the 10th century up until today. You will view exquisite Russian icons and paintings from the 18th and 19th century including works by Rublyov, Karavak,...
- Schedule Monday not available Tuesday, Wednesday, Sunday 10:00 - 17:00 Thursday, Friday, Saturday 10:00 - 20:00
Tour of the Novodevichy Monastery. Founded in 1524 by Grand Prince VasiliIoanovich, the original convent was enclosed by fortified walls and contained 12 towers. The structure served as a convent for women of noble birth...
- Schedule Daily 09:00 - 17:00
The Moscow Metro is one of the largest and most grandly built metro systems in the world. It was meant to be a showcase of the Soviet Union’s achievements for both the Russians themselves and for visitors from abroad....
- Schedule Daily 10:00 - 17:00
The history of Kolomenskoye stretches back for centuries. In 1380, Dmitri Donskoi’s army passed through Kolomenskoye on their way to the Kulikovo battlefield, and it was here that Donskoi celebrated his victory over...
- Schedule Monday not available Tuesday, Wednesday, Thursday, Friday, Sunday 10:00 - 17:00 Saturday 11:00 - 18:00
Considered by some to be the Russian Vatican, Sergiev Posad is the temporary residence of the Patriarch of the Russian Orthodox Church. The Trinity St. Sergius Monastery (Lavra) was built in the first half of the 1340s by...
The Tsaritsyno Estate is located in the southern part of Moscow. The estate was constructed for Catherine the Great by the Russian architects Bazhenov and Kazakov in a romantic gothic style. The complex includes a landscape...
- Schedule Monday not available Tuesday, Wednesday, Thursday, Friday 11:00 - 17:00 Saturday 11:00 - 19:00 Sunday 11:00 - 18:00
The Kuskovo Estate often called the Moscow Versailles due to its perfectly preserved French park, is an example of an 18th century, luxurious Moscow summer residence. Its history dates back to 1715, when the village of Kuskovo...
- Schedule Monday, Tuesday not available Wednesday, Thursday, Friday, Saturday, Sunday 10:00 - 18:00
Vodka is an important component of Russian life, an element of national identity and everyday culture. We invite you to visit the Vodka Museum and feel the atmosphere of long-gone centuries. You will get to know the story...
- Schedule Daily 10:00 - 19:00
Take this opportunity to learn more about the Russian writer Lev Tolstoy. During the visit to the museum you will see part of a vast collection of exhibits connected to Tolstoy and his family including books and personal...
- Schedule Monday not available Tuesday, Wednesday, Friday, Saturday, Sunday 10:00 - 17:00 Thursday 12:00 - 19:00
This apartment museum located close to Patriarch Ponds became the prototype of the "bad apartment" described in the novel "The Master and Margarita." Currently the museum's collection includes more than three thousand...
- Schedule Monday not available Tuesday, Wednesday, Friday, Saturday, Sunday 12:00 - 19:00 Thursday 14:00 - 21:00
Express to Russia specializes in Moscow city excursions, an essential part of your Moscow travel itinerary. We offer a large variety of day excursions throughout Moscow and its suburbs. From Red Square and the Kremlin to a city tour of Moscow’s Old Arbat Street or the Moscow metro , an excursion specializing in Stalin and the KGB and much more. No travel to Moscow is complete without taking a few of our day tours that most meet your interest in Russia.
Moscow City Tours
Our Moscow day excursions can be organized on foot or with transport. All of our excursions are led by an experienced guide, specializing in the subject matter of the tour. Excursions are privately run and can be booked for 1 traveler all the way up to large groups of travelers. We run our Moscow city tours in every season. This is because travel to Moscow is excellent in any season. In the summer take a stroll through Gorky Park or take a riverboat tour along the Moskva River. In the winter, see Moscow’s winter wonderland of ice and snow and then settle in for a cozy lunch or dinner with a hot bowl of borsht. In winter, spring and fall, you can beat the crowds at all of Moscow’s main attractions and museums. Regardless of when you come, Express to Russia will make sure that your trip is one of your best vacations ever.
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Representatives from the following countries will be participating in the event: Algeria, Argentina, Armenia, Azerbaijan, Bahrain, Brazil, Bulgaria, Chile, China, Chile, Colombia, Croatia, Cuba, Egypt, Ethiopia, Georgia, India, Iran, Israel, Kazakhstan, Kenya, Kyrgyzstan, Kuwait, Madagascar, Mongolia, Morocco, Oman, Pakistan, Palestine, South Africa, Saudi Arabia, Serbia, South Africa, Spain, Tajikistan, Turkiye, Uganda, Uzbekistan, UAE, Yemen, Zimbabwe.
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About Grand Skate Tour
The Grand Skate Tour is a series of skate events that brings together professional and amateur skateboarders from all over the world. Aiming to showcase the talent, creativity, and versatility of skateboarding, the GST seeks to raise awareness of the sport, creating an unforgettable experience for both participants and spectators.
Inviting skateboarders from all continents, the GST serves as a bridge that connects riders from around the world and builds a global skateboarding community. The GST supports skateboarders in their pursuit of excellence on the international stage, including on the path to the 2024 Paris Olympics.
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TESTAMENT Announces Summer 2024 European Tour
San Francisco Bay Area thrash metal veterans TESTAMENT will embark on European summer festival tour, "The Legacy & The New World Order" . This tour promises to be an explosive celebration of the band's enduring legacy and their influential presence in the thrash metal scene.
Kicking off on July 15, 2024, in Malmö, Sweden, TESTAMENT will embark on a thrilling journey across Europe, delivering their signature sonic onslaught at renowned festivals and venues.
Chuck Billy , the formidable frontman of TESTAMENT , expressed his excitement about the upcoming tour, stating: "We're thrilled to bring 'The Legacy & The New World Order' set to Europe. It's always special to connect with our fans across the globe, and this tour will be no exception. Get ready for a relentless onslaught of thrash metal mayhem!"
Guitarist Eric Peterson added: "The European metal scene has been a crucial part of our journey, and we can't wait to share the stage with some incredible bands and create unforgettable memories with our fans."
Summer 2024 tour dates:
July 15 - SE - Malmö, Slagthuset (with BEHEMOTH) July 16 - SE - Uppsala, Parksnäckan (with BEHEMOTH) July 18 - FI - Laukaa, John Smith Rock Festival July 19 - ET - Tallinn, Noblessner Foundry (with BEHEMOTH) July 21 - PL - Warsaw, Progresja Summer Stage (with BEHEMOTH, GAEREA) July 23 - SK - Kosice, Hádzanárska Hala (with BEHEMOTH, GAEREA) July 24 - SK - Tolmin, Tolminator Festival July 25 - RS - Novi Sad, SKCNS Fabrika July 27 - BG - Sofia, Arena Sofia (with BEHEMOTH, PESTILENCE) July 28 - GR - Athens, Release Athens (with BEHEMOTH, PESTILENCE) July 31 - RO - Rasnov, Rockstadt Extreme Fest August 02 - DE - Roitzschjora, Full Rewind Festival August 03 - DE - Wacken, Wacken Open Air August 05 - DE - Karlsruhe, Substage (with HAVOK, SPIRITWORLD) August 06 - AT - Feldkirch, Poolbar (with SYLOSIS, HAVOK) August 07 - DE - Ulm, Roxy (with HAVOK, DUST BOLT) August 08 - CZ - Brutal Assault Festival August 10 - BE - Kortrijk, Alcatraz Festival August 11 - FR - Cercoux, Festival 666
In a recent interview with Michael Spedden of the 97 Underground radio station, Chuck spoke about TESTAMENT 's recording and touring plans for the coming months, including a visit to the European continent in the summer. He said: "That's the norm. We usually go to Europe every summer. So right now we're on kind of a time restraint because we're working on a new record. We're writing it right now. And we have to get it done and record it before we leave in July. That's our goal. So right now we're working hard on that. So there's only a few shows before July, which is these two one-offs, the special shows we're gonna do in Connecticut and West Virginia; one's at the Foxwoods and one's at Hollywood Casino. And those shows we're gonna play [ TESTAMENT 's first two albums] 'The Legacy' and 'The New Order' in their entirety, because in March we're gonna re-release those on Nuclear Blast Records . So, we really wanna take time off, get a break from writing a record — come out, celebrate these early records with us — and then get right back in the studio and finish recording. So, we're looking forward to it. Going out and playing live is what we do. We love it. So to take a break and go do some fun stuff like this, we're looking forward to it."
Last month, TESTAMENT guitarist Alex Skolnick told Radioactive MikeZ , host of the 96.7 KCAL-FM program "Wired In The Empire" , about the progress of the songwriting sessions for the band's follow-up to 2020's "Titans Of Creation" album: "Well, we got delayed a little bit by the fact that 2020 basically didn't exist [due to the coronavirus pandemic]. It's a year that went away. And then there was so much touring to make up for. And for about a year of that, we had Dave Lombardo [ex- SLAYER ] on drums, which was fantastic. And he's become a great friend and a great musician, but he's also spread very thin in many different bands. And now we have Chris Dovas [playing drums with us]. And he's a guy old enough to be any of our sons. But he is just unbelievable. He really brings the right energy. I mean, he brings the energy that the music had in the early days. So, yeah, we've been working with him on new material. I know Eric 's [ Peterson , TESTAMENT guitarist] been getting together with him. Eric has been on the East Coast a couple of times and we've gotten together and hashed out material. So between their sessions and my sessions and the recordings that we have, there's a lot of sketches that are done on digital audio workstations. There's a lot — there's a lot of stuff. I made a list and there's almost a couple of dozen sketches that just need to be consolidated and arranged. [We have to] find the best parts, develop them a little more, add vocals, but it's definitely well on its way."
Skolnick went on to say that there is no set timetable for the release of the next TESTAMENT album. "You can't rush it," he explained. "I think this band learned very early on, you can't rush it. Like the times in the past that the band sort of rushed to put out a recording, it never felt completely satisfactory. So sometimes it takes longer than it should, but you can always count on a good result."
Last August, Dovas was asked by Pod Scum if it was "unnerving" to step into a group whose list of previous drummers includes such heavyweights as Lombardo and Gene Hoglan . He responded: "It was, especially at first because I knew that a lot of eyes were on me, and also I looked up to the band since I was a kid. Especially Lombardo and Gene — those are two of my favorite drummers right there. So to be put in that situation of taking over for them, I felt like I had a lot of responsibility and a lot of… I felt like I had something to prove a little bit, and I'm still practicing a lot and I just wanna do the best that I can do. Right now I'm not really nervous anymore because I've done two full tours with them now and we're working on the [new TESTAMENT ] album and the friendship has been developing now and we all get along super well. They've welcomed me with open arms and it's been great and the fans have been great. I've been putting hours and hours of practice into it to make sure that I can do the best that I could do. And I look up to Dave and I look up to Gene as well, so, yeah, I just wanna play the songs well live and keep making the band sound good."
Asked what his role has been so far in the creative process for TESTAMENT 's next album, Chris said: "I don't know exactly what I'm allowed and what I'm not allowed to share yet, but what you've seen publicly, though, right now is that Eric and I have been working on a lot of stuff together. And so it's been really cool to get into their brains, in a way, and how they write stuff. I'm used to people sending me tracks with scratch MIDI drums or programmed drums or something, and I've gotta put my drums to them and then hop on a Zoom call and we can edit things and move stuff around. But with them, Eric and I, he set a timer at one point for, like, 20 minutes and we would just jam random ideas. And then sometimes we'd make mistakes and stuff and that would be cool, and we could take that… It's very organic, though, and it's very involved, I guess. It's a different way of writing and I'm super excited to be a part of that method of writing. And I could see why they're so successful for all these years, now finally being a part of this current writing cycle, I guess."
In July 2023, Peterson said that he and Dovas had spent a few days working on material for TESTAMENT 's next studio album. Eric shared a few photos on his Instagram and wrote in an accompanying message: "Had a very productive week with the kid! Mr. @chrisdovas and I worked up new 7 jam ideas ranging from thrash to nwobhm mixed in w/ black thrash to dark heavy hard rock blues…let's see what happens! super stoked so far!"
Dovas shared the same pictures on his social media and he added: "New TESTAMENT material in the works! Eric and I have been working hard all week on new ideas. Stoked so far!"
In a 2023 interview with Loud TV , Peterson said that the new TESTAMENT material is shaping up to be "fucking killer." He added: "I'm a fan. For me, I wouldn't release anything unless I'm a fan of what I'm doing. I have to get goosebumps. When I hear it, I'm, like, 'Yeah.' And then, of course, I play it for friends. A few of them go, 'Ehh.' But most of them go, 'Fuuuck!' Except Chuck — Chuck goes, 'Eh.' And then four years later, [he goes], 'That's the best song ever. Write more shit like that.' I'm, like, 'Yeah, but four years ago you said that sucked.'"
Peterson was also full of praise for Dovas , who officially joined the band last year as the replacement for Lombardo . Eric said: "When we were auditioning for new drummers, his video tape was the number one for me. And then, of course, Dave Lombardo called us, so we just kind of pushed everything aside; we said, 'Okay, we'll try Dave .' And when Dave was, like, 'Oh, I've got this show coming up. I've got this show coming up,' I went back to my [videos], [and I said], 'Oh, yeah, this guy.' I remember the other guys going, 'Let's call Paul Bostaph .' 'Let's call John Tempesta .' And, of course, they would probably do it, but with the stipulation of, like, 'I can only do this date,' 'I can only do this date.' I called Chris . He was, like, 'I'm in. I'll do everything .' And so we tried him, and were just, like, 'What?!' Perfect tempo. Everything correct — bam, bam. Very polite. Really nice guy. I can't say enough good things about him. He's just a really good drummer. He's 24; he's my son's age. Young blood back in TESTAMENT . For me, too, he loves black metal, so he was, like, [into] blast beats. But he also graduated from a school called Berklee. So jazz… He's very fluent. He's not, like, 'Oh, I only know blast beats.' He knows blues… TESTAMENT 's really diverse — we have ballads, we have rock songs, we have blast beats. That's just it — when he came to visit me before this tour, we were rehearsing for the tour but we would go back to my house at night, do some Jager really late at night and just start jamming at my house. And the next morning we were, like, 'Woah!' Really cool shit. So I'm excited for the next record. It's gonna be killer."
Lombardo , who was the guest drummer on TESTAMENT 's 1999 studio album "The Gathering" , formally joined the long-running San Francisco Bay Area act in early 2022. The former SLAYER drummer is currently a member of the MISFITS , MR. BUNGLE , EMPIRE STATE BASTARD and SATANIC PLANET , among others. He also played with SUICIDAL TENDENCIES from 2016 up until 2020.
Prior to joining TESTAMENT as a full-time member, Dovas previously filled in for Lombardo on the first six dates of TESTAMENT 's summer/fall 2022 leg of "The Bay Strikes Back Tour" . Lombardo was unable to make those gigs due to a scheduling conflict with the MISFITS .
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