magical mystery tour chords album

The Beatles

• Magical Mystery Tour (ver. 2)
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Magical Mystery Tour (ver. 2) (Chords)

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Written by Lennon-McCartney

• Man ! I Feel Like A Woman !
• You're Still The One
• From this Moment
• Forever and for Always
• Any Man of Mine
• That don't impress me much

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The Beatles

Magical mystery tour (ver. 2).

by   FEDE_LENNON

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Written by Lennon-McCartney

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Magical Mystery Tour chords

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Magical Mystery Tour

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The Beatles

• 1_Magical Mystery Tour

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Magical Mystery Tour

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• The Beatles

Magical Mystery Tour chords

By the beatles.

The chords of Magical Mystery Tour by The Beatles are D, A, E, G, Gm. The level of this song is 3 out of 5, so medium level.

Jacob Collier’s latest project: 6 years, 4 albums, thousands of voices

The grammy-winning multi-instrumentalist says the ‘djesse’ volumes are just the beginning.

Remember 2018? When Brett Kavanaugh was confirmed as a Supreme Court justice? When that Thai youth soccer team was rescued from a cave? When the biggest internet debate was whether an audio voice said “Yanny” or “Laurel”?

Such was the zeitgeist when then-23-year-old Jacob Collier embarked on a project called “Djesse,” a mnemonic reference to his own initials, that would span four albums, six years, a pandemic and 100,000 vocalists. By then, the multi-instrumentalist and producer had already won a Grammy for an a cappella arrangement originally posted to YouTube.

But despite (or perhaps because of) mentorship from living legends like Quincy Jones and Herbie Hancock, Collier craved collaboration. His first album, “In My Room,” released in 2016, had earned him wunderkind status, but it was created, as the title suggests, in solitude at his London home. So six years ago, he decided he’d make a massive album (first one, then two, then three, then, finally he decided, four parts) that featured his heroes.

Each of four “Djesse” volumes explores a different “sonic landscape,” with collaboration as the “one epic North Star,” Collier says over Zoom from a hotel room in Mexico City. It’s mid-April, the first day of a tour that will take him around North America and Europe this year.

The series’s first volume, he says, was orchestral — massive and gentle — where the second was focused on folk. The third, more experimental and digital, was released in 2020. That left four years (and a pandemic) between the third and fourth installations; the finale remained a mystery to Collier.

Then came a breakthrough. At his live shows, Collier creates his own orchestra of audience members. (His mother, Suzie Collier, is a violinist, conductor and professor at the Royal Academy of Music.) He conducts thousands of fans as a giant instrument, siphoning different melodies from each corner of the venue. “It’s like I’m playing an organ, but the organ is humans,” he says. “There’s something really magical about that.”

The audience choir became the centerpiece of “Djesse Vol. 4,” released in February. “The album essentially was to be a kind of celebration of the human voice, which was one of my first loves in the world of music,” he says. “My first contributions to the music world were a cappella. So it really felt like the ultimate full-circle moment.”

The album, grand, sprawling and entirely genre-less, is heralded by an even more diverse list of credits, including Paul Simon, John Mayer, Lizzy McAlpine, Shawn Mendes, Lawrence and Brandi Carlile. Between Morse code, ambient animal sounds and dozens of languages, it also features the 100,000 voices of audience choirs Collier has conducted on his tours. In a testament to his “North Star” commitment, musicians from every continent but Antarctica lend their talents.

Collier has kept busy since wrapping his work on “Djesse” with brand deals (read: seriously loud Crocs ) and a casual gig playing piano during Joni Mitchell’s Grammy performance . But his feelings in the wake of completing this series are complicated.

“There’s an amount of grief that I’m not living for something as big as this anymore,” he says. “But the fact that it’s a real, physical, living, breathing, public thing is beautiful and surreal.”

So what comes after a seismic artistic endeavor? In the beginning, Collier figured this accomplishment would place him just at the starting line.

“When I was starting the ‘Djesse’ process, I had this loose idea that by the time I finished Volume 4, I’d be equipped and ready to start my career, like my actual contributions to the world of music,” he says. (Reminder: Collier, 29, has six Grammys.) “I don’t know when I’d be qualified, other than when I feel ready. So I would definitely just encourage everyone to jump right into the thing that excites them and trust in it, because I think that’s one massive thing I’ve learned from ‘Djesse,’ is the idea of trusting the north of it all.”

May 1 at 7:15 p.m. at the Anthem, 901 Wharf St. SW. theanthemdc.com . $50-$70.