star trek discovery auf sky

The fifth and final season of Star Trek: Discovery will be available to stream from 5 April, only on SkyShowtime

Seasons one to three of the series will be available to stream on service from 8 march, with season four available from 22 march, the trailer for the new season has also been released by skyshowtime today.

SkyShowtime confirmed today that the fifth season of Star Trek: Discovery will be available to stream exclusively on the service from 5 April. Seasons one to four of the series will land on SkyShowtime in March, ahead of the new season launch.

The fifth and final season of Star Trek: Discovery will find Captain Burnham and the crew of the U.S.S. Discovery uncovering a mystery that will send them on an epic adventure across the galaxy to find an ancient power whose very existence has been deliberately hidden for centuries. But there are others on the hunt as well … dangerous foes who are desperate to claim the prize for themselves and will stop at nothing to get it.

Star Trek: Discovery season five cast members include Sonequa Martin-Green (Captain Michael Burnham), Doug Jones (Saru), Anthony Rapp (Paul Stamets), Mary Wiseman (Sylvia Tilly), Wilson Cruz (Dr. Hugh Culber), David Ajala (Cleveland “Book” Booker), Blu del Barrio (Adira) and Callum Keith Rennie (Rayner). Season five also features recurring guest stars Elias Toufexis (L’ak) and Eve Harlow (Moll).

The series is produced by CBS Studios in association with Secret Hideout and Roddenberry Entertainment. Alex Kurtzman, Michelle Paradise, Heather Kadin, Aaron Baiers, Olatunde Osunsanmi, Sonequa Martin-Green, Frank Siracusa, John Weber, Rod Roddenberry and Trevor Roth serve as executive producers. Alex Kurtzman and Michelle Paradise serve as co-showrunners.

Seasons one to four of Star Trek: Discovery will be available to stream on SkyShowtime from March. The series is distributed by Paramount Global Content Distribution.

Additional titles from the Star Trek franchise that are available to stream now on SkyShowtime include: Star Trek (2009), Star Trek Beyond , Star Trek Into Darkness , Star Trek: Nemesis , Star Trek (1966) S1-3, Star Trek: Deep Space Nine S1-7, Star Trek: Enterprise S1-4, Star Trek: Prodigy S1, Star Trek: Strange New Worlds S1-2, Star Trek: The Next Generation S1-7, and Star Trek: Voyager S1-7.

SkyShowtime is available direct-to-consumer via the SkyShowtime app across Apple iOS, tvOS, Android devices, Android TV, Google Chromecast, LG TV, Samsung, and through the website: www.skyshowtime.com.

For more details, please visit:

Website:  www.skyshowtime.com Newsroom: https://corporate.skyshowtime.com

LinkedIn:  www.linkedin.com/company/skyshowtime

X (formerly known as Twitter):  www.twitter.com/SkyShowtime  

About SkyShowtime

SkyShowtime is Europe’s newest streaming service. A joint venture of Comcast and Paramount Global, SkyShowtime brings together the best of Hollywood and local entertainment in one place.

From movies, and original series from the iconic brands of Universal Pictures, Paramount Pictures, Nickelodeon, DreamWorks Animation, Paramount+, SHOWTIME®, Sky Studios, and Peacock to SkyShowtime Original series, SkyShowtime is Europe’s new home for premium entertainment.

Launched across all of its markets in 2023, SkyShowtime is available in: Albania, Andorra, Bosnia & Herzegovina, Bulgaria, Croatia, Czechia, Denmark, Finland, Hungary, Kosovo, Montenegro, North Macedonia, Norway, Netherlands, Poland, Portugal, Romania, Serbia, Slovakia, Slovenia, Spain and Sweden. It is available through select television providers in some markets and across Apple iOS, tvOS, Android devices, Android TV, Google Chromecast, LG TVs, Samsung Smart TVs, and the web.

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Launched across all of its markets in 2023, SkyShowtime is available in Albania, Andorra, Bosnia & Herzegovina, Bulgaria, Croatia, Czechia, Denmark, Finland, Hungary, Kosovo, Montenegro, North Macedonia, Norway, Netherlands, Poland, Portugal, Romania, Serbia, Slovakia, Slovenia, Spain and Sweden. It is available through select television providers in some markets and across Apple iOS, tvOS, Android devices, Android TV, Google Chromecast, LG TV, Samsung Smart TVs, and the web.

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• SkyShowtime NDSM-Plein 6 1033WB Amsterdam

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‘Star Trek: Discovery’ Coming To SkyShowtime In Europe – All 5 Seasons

| February 29, 2024 | By: TrekMovie.com Staff 27 comments so far

If you live in a country in Europe that doesn’t have Paramount+ you have not been able to stream Star Trek: Discovery , but that all changes in March.

Disco on SkyShowtime

In Europe, Paramount Global has divided things up for streaming with the biggest markets (UK/Ireland, Germany/Austria/Switzerland, France, and Italy) getting a localized version of Paramount+ and the rest of the continent getting SkyShowtime, a joint venture with Comcast. When SkyShowtime launched last February it didn’t include all of the original Paramount+ Star Trek shows. But now S tar Trek: Discovery is finally arriving on the streaming service.

Seasons 1 – 3  of Discovery will be available to stream from March 8 and season 4 arrives on March 22. This is great news for fans in European countries without Paramount+ who lost access to the series when it was removed from Netflix at the end of 2021, shortly before the launch of season 4. Pluto did stream season 4 live in some markets but for most fans in SkyShowtime countries, this will be the first time getting access to the fourth season.

SkyShowtime will then debut the fifth and final season of  Discovery  on April 5, one day after the Paramount+ debut.

Here is SkyShowtime’s version of the new trailer…

Star Trek on SkyShowtime

SkyShowtime also includes the new Paramount original shows Star Trek: Strange New Worlds and Star Trek: Prodigy . In addition, the service has every season of the classic Star Trek shows (TOS, The Next Generation , Deep Space Nine , Voyager , and Enterprise ). Currently, SkyShowtime also has all three Kelvin Universe Star Trek movies as well as Star Trek: Nemesis . Amazon Prime Video streams Star Trek: Lower Decks and  Picard in the SkyShowtime markets.

In an interview with THR earlier this month, SkyShowtime CEO Monty Sarhan talked up their Star Trek offerings, saying “And we superserve fans. If you look at Star Trek, we have so much of this amazing franchise from Paramount. We have Star Trek: Strange New Worlds and Voyager , Deep Space Nine , Star Trek: The Next Generation , Star Trek The Original Series , we have Enterprise – all of that, and we have almost all the movies. So if you’re a Star Trek fan, SkyShowtime is the place for you.”

Here is a SkyShowtime video from 2023 featuring Star Trek: Strange New Worlds  stars Rebecca Romijn and Anson Mount answering fan questions…

As a joint venture with Paramount Global and Comcast SkyShowtime offers a selection of content from Universal Pictures, Paramount Pictures, Nickelodeon, DreamWorks Animation, Paramount+, Showtime, Sky Studios, and Peacock along with original programming. It could be seen as a model for a potential joint venture that could bundle Paramount+ and Peacock together, which has reportedly been in discussion by Paramount and Comcast .

Here is a look at what’s coming in 2024 on SkyShowtime

SkyShowtime is available in Albania, Andorra, Bosnia & Herzegovina, Bulgaria, Croatia, Czechia, Denmark, Finland, Hungary, Kosovo, Montenegro, North Macedonia, Norway, Netherlands, Poland, Portugal, Romania, Serbia, Slovakia, Slovenia, Spain and Sweden. It is available through select television providers in some markets and across Apple iOS, tvOS, Android devices, Android TV, Google Chromecast, LG TV, Samsung Smart TVs, and the web.

SkyShowtime is also introducing a new lower-cost ad-support tier in all of their markets starting April 23 with monthly subscription pricing starting at €3.99 to €5.99 (depending on the market).

For more info visit skyshowtime.com .

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Courageously spending millions of dollars to withhold content to spite Netflix, only to then not be able to show it to millions of viewers for another two and a half years, by which time the show is cancelled. Brilliant strategy.

Netflix was also providing funding for the show right (or at least, they were paying to be able to have the worldwide rights)? Paramount essentially paid money to be given less money, and then narrowed their audience in the process?

I seem to recall reading that Netflix paid so much to air the show internationally that it essentially funded the series.

that’s 100 percent true… they were paying over 100 million… then paramount gave it back and cancelled the deal before season 4 started pulling the rug out from under overseas fans. paramount even bragged about owning disco fully. then paramount paid for season 5 all by themselves… cut the order to 10 to save money and cancelled it before it even aired and delayed it another year. still doesn’t make sense. the show was paid in full by netflix until they ended the deal.

I guess on one hand you have to applaud them for thinking long term and truly wanting Star Trek to feel exclusive to one site. And also to ultimately have fans just pay for one site to watch all the new shows on instead of the multitude of places now.

But yeah it was also short sighted and they way overestimated people’s willingness to subscribe to yet another streaming site just to watch one show. And I’m guessing the overwhelming majority of Trek fans abroad would rather have Netflix since they still have all the classic shows which is 700 hours of Star Trek they can watch and Discovery with just a few seasons and episodes isn’t a huge pull for most unless they really love the show.

Now of course the show got cancelled over it partly due to Paramount hurting for money and cutting content. I’m sure that $100 million is looking mighty good right now.

Why the vitriol?

There’s a difference between deriding a corporate strategy and being a rude d*ck about a person for no good reason.

They clearly overestimated how much people wanted to watch Discovery or paying for another service to watch it and it cost Discovery in the end. A highly stupid move and the show probably could’ve went another 1-2 seasons.

And not being able to time the negotiations to coincide with when the service was up and running in more places was bonkers.

Yep! Made no sense. Especially since also Star Trek isn’t even that big abroad outside a few places, so it was never going to be a huge pull like it would be in America. I doubt few people in Italy were on pins and needles to get Discovery.

It wasn’t even people not wanting to pay for another service. Paramount+ simply wasn’t available in a lot of markets where people can watch Netflix.

Yeah obviously the bigger problem lol. Yeah none of it made any sense.

Talking about “shooting yourself on the foot”. Although sometimes I wonder how Paramount is being lead, with all the shenanigans about Trek movie announcement and now this total dropping of the ball. They should probably get a Ferengi to lead the company.

It’s wild. They waste money on a lot of things public and internal, but also are always imposing austerity measures – Paramount Pictures has probably been more known for being stingy over the last 35 years more than it has for its stretches of largesse. They announced a whole new slew of measures today that affect the studio, CBS, and Paramount+, on top of recent layoffs.

“SkyShowtime also includes the new Paramount original shows Star Trek: Strange New Worlds and Star Trek: Prodigy. In addition, the service has every season of the classic Star Trek shows (TOS, The Next Generation, Deep Space Nine, Voyager, and Enterprise).”

_____________________________________

Good for our fandom siblings across the pond who’ve been wanting to see the shows but have had to wait. But man, it really feels like CBS, Paramount, Viacom, or whatever corporate entity whose name we’re using this week to refer to Trek ’s owner-custodians has way more trouble than it should getting this franchise in front of appreciative eyeballs.

I wonder sometimes about the focus on exclusivity, and how it seems there’s typically just one carrier for a given Trek series in a given market. Not so many years ago (back when there was nothing newer in the franchise than Discovery ), at least here in the US one could stream the classic shows on not just one but several different services. Netflix, Hulu, Prime, and (for a short while) CBS: All Access all had the classic shows – TOS, TAS, TNG , DS9 , Voyager , Enterprise – simultaneously, rather than them being exclusive to just one single outlet. Eventually, as the old licensing agreements expired, the shows disappeared from Netflix, Hulu, and Prime (unless one got CBS:AA / Paramount+ as a Prime add-on channel), as they tried to make exclusive Trek a selling point for Paramount+, but that meant the franchise had less reach and exposure.

Obviously it’s better for us if Star Trek shows and movies are available through as many outlets as possible, but I can’t help but wonder whether it might be better for its corporate master, too. Would they ultimately do better keeping Star Trek exclusive to Paramount+ as a means of incentivizing subscriptions, or would the overall corporate empire make more money by licensing it out non-exclusively to a bunch of different services, like they did several years ago?

Only they have the data on which subscribers are only really watching for the legacy Star Trek content. I would think getting an infusion of licensing cash is a better business call than gatekeeping the legacy shows and movies since they can always claim Paramount+ is the only place to find the new shows. I understand the inclination to not try to feed the Netflix beast, but they have more money to burn than Paramount Global. It’s time to at least do some light “arms trading” again.

the netflix beast was paying for the entire discovery budget until paramount ended the deal before season 4 began. leaving the overseas fans with nothing. they killed the fanbase overseas and gave back 100 million dollars at the same time even though they weren’t ready to launch overseas p+. none of that made sense. and now netflix had prodigy which is kind of hilarious.

the only way trek grows is for people to find it… and no one’s gonna find shows exclusive on paramount plus. that means you have to be looking for trek specifically. i became a trekkie finding it accidentally on local tv years ago. they should sell trek everywhere… legacy or new show and new shows are soon to be legacy shows.

The issue for Paramount is that they can’t get a handle on how to best benefit from that growth. Licensing Trek out exposes it to more people and brings them lucrative fees and likely a fair amount of trickle down merchandising revenue. Probably would stoke some renewed interest in new content, be it legacy sequels or more shows like Discovery.

Licensing also benefits competing streamers and feeds them in a market Paramount has a vested interest in on two fronts – as a fellow streamer with a sizable base but profitability issues, and as a broadcaster with a huge but waning empire that Netflix wants to destroy.

If all competitors fall by the wayside and Netflix is the only streamer, then it will have too much outsized power in all aspects of negotiations, and that’s a real danger. As an aside, Hollywood studios really should have left Netflix, Apple and Amazon to negotiate with the unions separately – they are not playing the same long game.

Paramount is also so used to having an outsized stake in the distribution and revenue new Trek ventures generate, Prodigy being exclusively on a rival streamer it has no investment in is pretty wild.

In the end, content is still king and Paramount+ needs a big library and a steady stream of new shows to remain relevant, but I agree they could stand to start licensing again, otherwise they’ll never be able to afford paying for it.

i became a trekkie when i was home sick as a kid and came across it… city on the edge and ive loved all of it ever since… with varying degrees of love. i agree it should be available to everyone at some point so people can find it. if it’s exclusive to one streaming channel few people get then that means people need to search out trek specifically.

Originally I supported the idea of Star Trek being exclusive to one site. It would funnel fans to one site obviously and save them money in the long term. Seeing where things are today I couldn’t have been more wrong.

I obviously understand keeping the new shows in one place but I imagine it was the classic shows most people watched and that probably created more new fans for the base because it was accessible in so many places. I would see people saying they watch watched Star Trek for the first time on Netflix or Hulu.

Now it forces new fans to subscribe to a site many still don’t see eager to subscribe to. And when it was already on 3 other sites, chances are everyone had at least one of them as a regular subscriber.

It seems to have made the fanbase much smaller, especially since there seem to be very little new fans checking out the new shows because it’s just very limited on where to watch it

I’m really hoping in the future the classic shows gets distributed to other streamers again (but still staying on P+ of course). And maybe in time for the newer shows too. Paramount+ is just not a strong enough site to bring in more fans and the new shows feel like they are in a tiny bubble due to lack of exposure.

And when you have MAX which has over twice the amount of subs and with a higher monthly cost now licensing their DC content to Netflix again maybe it’s time for Paramount to follow suit

(this is more about paramount being a mess vs star trek but) paramount was getting paid 100 million plus from netflix to air discovery overseas which paid for the entire budget. when they gave the money back and took the show back, they acted so proud that they owned it all… they even announced it and bragged disco was all theirs. then they made the first season with no money coming in from netflix, cut it to 10 eps… and cancelled it before it even aired and delayed it a year. it’s strange. the show was free for them until they axed the netflix deal.

and i remember when that happened… so many overseas fans had the rug pulled out from under them. and it was done like days before the premiere. i remember ripping the episodes for people overseas and sending it to them because they had no other option.

going all the way back to the 70s and paramount’s attempt to create a new network using star trek which eventually turned into the motion picture… to them using voyager to launch UPN then enterprise on the CW and Discovery for cbs all access then paramount plus and who knows what is next… it just shows they’ve never had any idea what they are fully doing but they use star trek every time.

it’s amazing we have as much good star trek as we do thanks to the dedicated writers and creatives, considering the mismanagement at paramount for decades. i think the 80s were the most solid for the management side at paramount.

This idea that Netflix paid for the show is outdated and needs to die.

We have public records of Seasons 1 and 2 budgets based on the tax credits they received and the amount spent in Canada alone. Then add above-the-line costs and post-production.

https://www.mpa-canada.org/press/star-trek-discovery-on-an-economic-mission-for-ontario-spending-over-257-million-in-just-two-seasons/

netflix paid for the show completely. it was what it was. i worked at paramount and enterprise and have friends there who still are in the know and this is not only true it’s old news. i knew this before season 1 even ended. they gave netflix the money back then cut the order then ended it then erased prod and very quickly went from announcing a trek a week all year to 2 shows… and im sure the new cw-like show will be much cheaper. nothing anyone can do but truth is truth. trek always survives. and people always love the new shows 10-20 years later.

Yes despite it all we now have over 800 hours of it which is amazing even if you don’t like all of it.

Paramount clearly sees it’s value over 50 years later but it has been mismanaged here and there, the latest being the new movies and probably overestimating the amount of new shows since they are now cutting back on those and the films are still DOA despite having so much promise in the beginning.

But we are still getting a steady stream of new stories and content and it beats the dry well of having no new show on for over a decade and just a few Kelvin movies every 3-4 years.

As far as I’m aware SkyShowtime do not broadcast anything above 1080p, and no HDR… and it seems even the audio may be limited to stereo. Speaking of which, Prodigy on Netflix only has stereo sound and not the full 5.1!

Hilarious how some of the same fans who whine incessantly about DSC are suddenly so uber-concerned about Europe’s access to it.

Actually, you are not able to see Lower Decks season 3 and 4 in the Skyshowtime region as Amazon Prime only has season 1 and 2, at least in Denmark…

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Star Trek: Discovery tore itself apart for the good of Star Trek’s future

And it helped set the tone for where Star Trek is now

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If you were to jump directly from the first episode of Star Trek: Discovery to its finale — which just debuted on Paramount Plus — the whiplash would throw you clear out of your seat like your ship had suffered an inertial damper malfunction. Since its first two chapters premiered on CBS All Access in 2017, the series has moved to a different ship and a different century, and has acquired an almost entirely different set of characters. Moreover, Discovery has received a radical tonal refit, evolving in fits and starts from a dark and violent war story to a much sunnier action-adventure serial.

Though it never won the mainstream attention or critical acclaim of its spinoff, Strange New Worlds , nor the gushing fan adulation of Picard ’s Next Gen reunion , Discovery spearheaded Star Trek’s return to television , the franchise’s maiden voyage into the frontier of premium streaming content. Like any bold pathfinder, Discovery encountered obstacles, suffered losses, and made some major course corrections. But, if you ask the cast and crew, the adventure has been more than worth the tumultuous journey.

Tacking into the wind

“We were on wobbly legs for a long time,” admits star Sonequa Martin-Green, whose character, Michael Burnham, has had the rug pulled out from under her a number of times over the course of the series. In the first season and backstory alone, Burnham lost her parents, saw her mentor murdered, was tried for mutiny, discovered that her first love is a Klingon sleeper agent, and was betrayed by not one but two Mirror Universe doppelgängers of trusted Starfleet captains.

Move over, Deep Space Nine — this was instantly the grimmest canonical depiction of the Star Trek universe on screen. Season 1 of Discovery was rated TV-MA and featured more blood and gore than the franchise had ever seen, not to mention an instance of graphic Klingon nudity. (Actor Mary Wiseman recalls seeing her co-star Mary Chieffo walking the set wearing prosthetic alien breasts and thinking, What the hell? ) The corpse of Michelle Yeoh’s character is cannibalized by Klingons off screen, and her successor, portrayed by Jason Isaacs, turns out to be a manipulative psycho from the Mirror Universe who tries to mold Burnham into his plaything.

The bleak, adult-oriented tone was not the only sticking point with Star Trek purists, as Discovery would take place a decade before the original 1960s Star Trek but have a design aesthetic much closer to that of the 2009 movie reboot, leading to some irreconcilable clashes with continuity. The show’s serialized, season-long arcs were a far cry from the familiar “planet of the week” stories of most previous incarnations of the franchise. Then there was Burnham’s backstory as the never-before-mentioned human foster sister to Trek’s iconic Vulcan Spock , a creative decision that has “clueless studio note” written all over it. Even ahead of its debut, Discovery faced vocal opposition from the fan base for straying so far from their notion of what Star Trek was supposed to be. (Not to mention the revolting but quite vocal faction of fans who were incensed that Star Trek had “gone woke,” as if it hadn’t been that way the whole time.) Many of Discovery ’s detractors flocked toward The Orville , a Fox series starring and created by Seth MacFarlane that was essentially ’90s-style Star Trek with the occasional dick joke thrown in. The Orville offered fans alienated by Discovery ’s vastly different approach to Star Trek a more familiar (but far less ambitious) alternative.

The grim Klingon War story was the brainchild of co-creator Bryan Fuller, who had been a member of the Star Trek: Deep Space Nine and Voyager writers rooms before creating cult series like Pushing Daisies and Hannibal . Fuller would end up departing Team Discovery before production even began, asked to resign after a string of creative differences with the studio. New showrunners Aaron Harberts and Gretchen J. Berg carried out a version of Fuller’s plans without him, and then oversaw the show’s first major pivot. Discovery ’s second season was immediately brighter, more colorful, and cozier with established Star Trek lore. (This is the arc that would introduce the versions of Pike , Spock , and Number One who now lead Strange New Worlds .) But things weren’t so sunny behind the scenes — Harberts and Berg were fired midway through the season after writers accused the duo of creating an abusive work environment.

As different as Discovery would eventually stray from the HBO-style drama of its first season, co-creator Alex Kurtzman feels that the mission of the series has never changed.

“One of the things that we set up in season 1 is that we knew that Burnham would start as a mutineer and end up a captain,” says Kurtzman. “What was exciting about that is that we knew it would take time.”

Captain on deck

It was after Harberts and Berg’s departure that Kurtzman, who had remained involved but been primarily occupied with the development of the growing television Star Trek franchise as a whole, took the helm of Discovery himself. Before long, he would promote writer and co-executive producer Michelle Paradise to the role of co-showrunner, which she would retain for the remainder of the series. Just as the late, great Michael Piller did during the third season of The Next Generation , Paradise brought a sense of stability and confidence to Discovery , which reverberated onto set.

“I commend Michelle Paradise and the rest of the writers because this show evolved ,” says Martin-Green. “Our initial showrunners, Aaron Harberts and Gretchen Berg, they made their impact and that’ll never be erased, but landing where we did with Michelle co-showrunning with Alex Kurtzman, jumping farther than any Trek had gone before, I feel that’s when our feet were solid on the ground and when we really established our identity.”

Season 2 fell into a steady rhythm that felt more in tune with Kurtzman’s “movie every week” philosophy, never far in tone from the reboot film trilogy on which Kurtzman served as a writer and producer. The steady presence of Michelle Yeoh’s deliciously amoral Emperor Georgiou was a major boon, essentially becoming Star Trek’s answer to Buffy ’s Spike or Dragon Ball Z ’s Vegeta. However, Discovery was also undeniably borrowing clout from legacy characters Pike and Spock, and the constant friction with established canon wasn’t sitting well with Kurtzman or the audience.

The season ended with a surprising twist that resolved the continuity problems but also changed the entire nature of the show. The titular starship and its crew would be propelled 930 years into the future, past the furthest fixed point in Star Trek’s continuity. No longer forced to tiptoe around the sacred canon, Discovery was free to sprint in a bold new direction. Once again and in a more tangible way, it was a whole new show.

“If the folks who came in had sort of taken us off the rails that would have been a very different experience,” says Anthony Rapp, who portrays the prickly Commander Paul Stamets. “But Michelle Paradise came through as such a shining light and a beautiful presence in our lives. She took the show into this territory of being able to have the heart in its center in a way that felt very grounded and meaningful, and really helped us to make that transition.”

An open sky

Season 3 of Discovery offered Kurtzman, Paradise, producing director Olatunde Osunsanmi, and the rest of the creative team a rare opportunity to completely rewrite Star Trek’s galactic map . Not since the launch of The Next Generation in 1987 had a writers room been able to venture onto such “fresh snow,” as Paradise puts it. In the 32nd century, beyond the furthest point explored in the established Trek canon, the righteous United Federation of Planets has all but collapsed in the aftermath of “the Burn,” a mysterious space calamity. Some longtime friends are now adversaries, and even Earth has become an isolationist state. The USS Discovery, displaced in time, becomes the means by which to reconnect the shattered galaxy. It’s not hard to read this as a mission statement for Star Trek as a whole — a relic from another time, back to offer hope to a bleak present.

Season 3’s 13-episode arc restored a bit of Star Trek’s space Western roots, with warp drive a rare and costly luxury in the ravaged 32nd century and half the galaxy dominated by a vast criminal empire known as the Emerald Chain. Michael Burnham spent much of the season out of uniform, having found a new purpose as a more roguish freelance courier alongside the sweet and savvy Cleveland Booker (David Ajala). This is arguably the most interesting version of the show, as Michael questions whether or not Starfleet — the institution whose trust she has worked so hard to restore — is still her home.

By the end of the season (and right on schedule with Fuller and Kurtzman’s original plans), Michael Burnham finally accepts her destiny and becomes captain of Discovery. More subtly, this altered the premise of the show for a third time, as the central question of “Will Michael ever become captain?” had been answered in the affirmative. But, since she’d already been the central character and a figure of improbable cosmic import, the change was mostly cosmetic. And symbolic — Martin-Green considers her presence “being Black, and a woman, and a captain sitting in that chair” to be her greatest contribution to Star Trek. After three seasons of struggle and uncertainty, Burnham could now be as aspirational a character as Picard , Sisko, or Janeway .

The tone on which the show settled at the end of season 3 would be the one that finally stuck. Where the series had initially been bloody and brooding, it was now squarely an adventure show featuring a cast of characters with a boundless and demonstrative love for each other. The crew would face mortal danger each episode and a galactic-level threat each season, bolstered by very expensive-looking visual effects and a rousing score. At the same time, many conflicts both large and small would eventually be resolved by characters talking through their feelings and finding common ground. This was exhausting as often as it was compelling, but it was consistent. For its final two seasons, viewers could finally know what to expect from Star Trek: Discovery .

Discovering itself

This “feelings over phasers” approach was not for everyone, but it was never intended to be. Even from the outset, before Paramount began pumping out more Star Trek series to target different facets of the fan base, Discovery was never meant to be a definitive Star Trek experience that checked every box.

“You’ll never be able to be everything to everybody,” says Michelle Paradise. “The goal was always to make the best version of Discovery . It’s a different kind of Star Trek. It’s serialized, it’s fewer episodes, it’s a movie every week. That’s a thing that will appeal to many people, and for some people it won’t be their cup of tea.”

Discovery has bounced up and down my personal ranking of Star Trek series a number of times during its run, more than any of its past or present siblings. I have begun each season of the show with great excitement, and that excitement is frequently exhausted by season’s end. Most Trek series have good years and bad years. To me, Discovery suffers from being simultaneously brilliant, innovative, lazy, cringe, inspiring, and eye-rolling at all times, only in different measures. It features the franchise’s strongest lead actor since Patrick Stewart, and a supporting cast that has never been leveraged to my satisfaction. In my career, I have written more words about Star Trek: Discovery than any other television series, and I still haven’t made up my mind about it. For as many cheerleaders and haters as the show must have, I imagine there are many more viewers who feel the way I do — it’s a show that I wanted to love, but never fully fell in love with.

As Discovery disappears in the aft viewport, some will bid it a fond farewell, some will be blowing it raspberries, and some will turn away with total disinterest. But regardless of how well Discovery itself is remembered in the coming years, it has already made a substantial impact on the franchise. It paved the way for every Trek series that followed, including three direct spinoffs. Its second season was the incubator for Strange New Worlds , now the most acclaimed Trek series in a generation. Michelle Yeoh had such fun in her recurring role on Discovery that, even after winning an Academy Award , she was still keen to return for the upcoming Section 31 TV movie . Discovery ’s 32nd-century setting will continue to be explored in the new Starfleet Academy series , leaving the door open for some of its characters to return.

Even the new shows that have no direct relationship to Discovery have benefitted from the precedent it set by being different from what came before. Lower Decks is an animated sitcom, Prodigy is a kid-targeted cartoon , Picard is… a bunch of different things that don’t work together , but they are all different shows. Star Trek was one thing, and beginning with Discovery , it became many things. And for Star Trek, an institution that preaches the value of infinite diversity in infinite combinations, that’s a legacy to be proud of.

Star Trek: Discovery is now streaming in full on Paramount Plus.

Star Trek: Discovery boldly goes where no Trek has gone before by saying religion is... OK, actually

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Star Trek: Discovery final season trailer promises emotional goodbye

"Last dance?"

Set 10 years before the events of Star Trek: The Original Series , Discovery follows Sonequa Martin-Green as Captain Michael Burnham, after she starts a war between the United Federation of Planets and the Klingon Empire and becomes eventual captain of the titular USS ship.

With a release date for the final season confirmed earlier this month , a second trailer has landed – and it looks like it's going to be an emotional affair.

Related: New Star Trek movie starts filming as Ted Lasso and Power stars join cast

In the latest trailer (available to watch above), Captain Burnham can be heard saying: "It has been a hell of a journey. But everything ends someday." Other characters chime in with their own poignant takes on what it means to be part of the Discovery's crew, before Burnham asks: "Last dance?"

There's some classic Star Trek action previewed (lots of phaser blasts and explosions), with one of the universe's "greatest powers ever known" up for grabs that could be "dangerous in the wrong hands".

In the trailer's final moments, the crew are seen embracing each other, with another voiceover from Burnham, this time saying: "My crew. My family I found in Star Fleet. We made a pretty good team."

Related: Star Trek: Discovery 's Anson Mount addresses MCU return

The spin-off's ensemble cast has also featured Doug Jones, Shazad Latif, Michelle Yeoh, Anthony Rapp, Mary Wiseman, Jason Isaacs , Wilson Cruz, Anson Mount , David Ajala, Rachael Ancheril, Blu del Barrio and Tig Notaro over its four existing seasons.

Martin-Green has previously opened up about experiencing a "kaleidoscope of emotions" upon learning of the show's ending.

Speaking to Entertainment Weekly , she said: "My reaction when I heard Star Trek was ending – well, Star Trek: Discovery ... man, it was a kaleidoscope of emotions.

"There was definitely the bittersweetness, but then there was this really powerful sense of peace as well because of what we did, what we created, and what we were all able to be a part of. So, yeah, bitter and sweet, but peaceful at the same time."

Star Trek: Discovery seasons 1-4 are streaming on Paramount+ . A fifth and final season will premiere with two episodes on April 4, 2024.

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Star Trek: Discovery

The fifth and final season of Star Trek: Discovery finds Captain Burnham and the crew of the U.S.S. Discovery uncovering a mystery that will send them on an epic adventure across the galaxy to find an ancient power whose very existence has been deliberately hidden for centuries. But there are others on the hunt as well … dangerous foes who are desperate to claim the prize for themselves and will stop at nothing to get it.

Star Trek: Discovery Seasons 1-4 are streaming exclusively on Paramount+ in the U.S., the UK, Canada, Switzerland, South Korea, Latin America, Germany, France, Italy, Australia and Austria. Seasons 2 and 3 also are available on the Pluto TV “Star Trek” channel in Switzerland, Germany and Austria. The series streams on Super Drama in Japan, TVNZ in New Zealand, and SkyShowtime in Spain, Portugal, Poland, The Nordics, The Netherlands, and Central and Eastern Europe and also airs on Cosmote TV in Greece. The series is distributed by Paramount Global Content Distribution.

Season four of Star Trek: Discovery finds Captain Burnham and the crew of the U.S.S. Discovery facing a threat unlike any they’ve ever encountered. With Federation and non-Federation worlds alike feeling the impact, they must confront the unknown and work together to ensure a hopeful future for all.

Follow the voyages of Starfleet on their missions to discover new worlds and lifeforms, and one Starfleet officer, Michael Burnham, who learns that to truly understand all things alien, she must first understand herself.

Cast of Characters

Need a refresher before the second season debuts on Netflix on July 1?

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Star Trek: Discovery

Star Trek: Discovery is the seventh series set in the Star Trek universe. Created by Bryan Fuller and Alex Kurtzman , Discovery was originally set roughly a decade before Star Trek: The Original Series , set primarily aboard the starship USS Discovery , before jumping from the 23rd century to the 32nd century .

The series was announced by StarTrek.com on 2 November 2015 . According to the press release, " The brand-new Star Trek will introduce new characters seeking imaginative new worlds and new civilizations, while exploring the dramatic contemporary themes that have been a signature of the franchise since its inception in 1966 . " [1]

It is produced by CBS Studios and Secret Hideout ; the executive producers are Fuller, Kurtzman, and Heather Kadin .

The first series to be developed for the CBS All Access subscription platform, it began airing on 24 September 2017 , with a preview broadcast of the premiere episode, " The Vulcan Hello ", on the CBS network ; the second episode being released on All Access on the same day. In the US, subsequent episodes were released exclusive to CBS All Access. The first season ran for a complete fifteen episodes, being released on successive Sundays, finishing on 11 February 2018 , with a mid-season break between November and January. [2] [3] The second season ran for fourteen episodes, between 17 January 2019 and 18 April 2019 , again released via CBS All Access, this time on successive Thursdays. The third season ran for thirteen episodes, also on Thursdays, from 15 October 2020 to 7 January 2021 .

Outside the US, the series was available on Netflix from 25 September 2017 and ending on 16 November 2021 , except in Canada, where Space and Z carry the series in English and French, respectively. The series was slated to begin a global rollout on Paramount+ in 2022. [4] However, on 24 November 2021 , it was announced that the program would instead release beginning on 26 November 2021 with the first two episodes in all markets where Paramount+ is currently available, with new episodes releasing weekly. In those markets still without the service, it will be made available on the free ad-supported streaming service Pluto TV on the same timetable. [5]

CBS aired the first season of Discovery on terrestrial broadcast, beginning on 24 September 2020 , exactly three years after " The Vulcan Hello " first aired. [6]

Discovery was the first official Star Trek live-action production the former franchise owner, Paramount Pictures , neither owned nor was involved with on any level (although since Viacom and CBS re-merged to form ViacomCBS in 2019 , Star Trek television is once again under the same corporate umbrella as Paramount – a distinction made even less significant after ViacomCBS rebranded itself as Paramount Global in February 2022 ).

On 2 March 2023 , it was announced that the series' fifth season would be Discovery 's last and will air in 2024 . [7] [8]

• 1.1 Special guest star
• 1.2.1 32nd century
• 1.2.2 23rd century
• 2.1 Season 1
• 2.2 Season 2
• 2.3 Season 3
• 2.4 Season 4
• 2.5 Season 5
• 3.1 Writing
• 3.4 Casting
• 3.5 Participation interest
• 3.6.1 Tie-ins
• 3.6.2 Products
• 4 Reactions
• 5 Related topics
• 7 External links
• Sonequa Martin-Green as Michael Burnham
• Doug Jones as Saru
• Anthony Rapp as Paul Stamets
• Mary Wiseman as Sylvia Tilly
• Wilson Cruz as Hugh Culber (2019–2024)
• Shazad Latif as Ash Tyler (2017–2019)
• Rachael Ancheril as D. Nhan (2020)
• Blu del Barrio as Adira Tal (2021–2024)
• Tig Notaro as Jett Reno (2021–2024)
• Callum Keith Rennie as Rayner (2024)
• Jason Isaacs as Gabriel Lorca (2017–2018)
• Anson Mount as Christopher Pike (2019)
• David Ajala as Cleveland Booker (2020–2024)

Special guest star

• Michelle Yeoh as Philippa Georgiou / Philippa Georgiou (mirror) (2017–2020)

Recurring characters

32nd century.

• Ian Alexander as Gray Tal
• Andreas Apergis as Xi
• Noah Averbach-Katz as Ryn
• Avaah Blackwell as Ina
• David Cronenberg as Kovich
• Orville Cummings as Christopher
• Luca Doulgeris as Leto
• Shawn Doyle as Ruon Tarka
• Oded Fehr as Charles Vance
• Rothaford Gray as Tareckx
• Eve Harlow as Moll
• Ache Hernandez as Kyheem
• Chelah Horsdal as Laira Rillak
• Vanessa Jackson as Audrey Willa
• Hiro Kanagawa as Dr. Hirai
• Janet Kidder as Osyraa
• Ian Lake as Tolor
• Alex McCooeye as Lee'U
• Linford Mark Robinson as L'Teis Kardashev
• Seamus Patterson as Harral
• Katherine Trowell as Bandra
• Tara Rosling as T'Rina
• Phumzile Sitole as Diatta Ndoye
• Giovanni Spina as Sta'Kiar
• Elias Toufexis as L'ak
• Jake Weber as Zareh
• Annabelle Wallis as Zora
• Adrian Walters as Taahz Gorev

23rd century

• Jayne Brook as Katrina Cornwell
• Mary Chieffo as L'Rell
• Conrad Coates as Terral
• Emily Coutts as Keyla Detmer
• Raven Dauda as Tracy Pollard
• James Frain as Sarek
• Riley Gilchrist as Shukar (mirror) / Shukar
• Harry Judge as Gorch (mirror) / Gorch
• Mia Kirshner as Amanda Grayson
• Patrick Kwok-Choon as Gen Rhys
• Clare McConnell as Dennas
• Kenneth Mitchell as Kol , Aurellio
• Sara Mitich and Hannah Cheesman as Airiam
• Sara Mitich as Nilsson
• Ali Momen as Kamran Gant
• Chris Obi as T'Kuvma
• Oyin Oladejo as Joann Owosekun
• Ethan Peck as Spock
• Rebecca Romijn as Una Chin-Riley
• Ronnie Rowe, Jr. as R.A. Bryce
• Christopher Russell as Milton Richter
• Damon Runyan as Ujilli
• Sonja Sohn as Gabrielle Burnham
• Hannah Spear as Siranna
• Alan van Sprang as Leland
• Terry Serpico as Brett Anderson
• Rekha Sharma as Ellen Landry / Ellen Landry (mirror)
• David Benjamin Tomlinson as Linus
• Sam Vartholomeos as Danby Connor
• Chris Violette as Britch Weeton
• Romaine Waite as Troy Januzzi
• Bahia Watson as May Ahearn
• Rainn Wilson as Harry Mudd

Episode list

DIS Season 1 , 15 episodes:

DIS Season 2 , 14 episodes:

DIS Season 3 , 13 episodes

DIS Season 4 , 13 episodes

DIS Season 5 , 10 episodes [9]

Development

William Shatner claimed that a " 3 movie deal and then a new series [has] been in the cards since 2007 - 2008 . " [10] After the release of the Star Trek reboot in 2009 , Alex Kurtzman and Roberto Orci pitched an animated series to CBS, similar to their series Transformers: Prime for The Hub (now Discovery Family). [11] However, Orci said the success of the first film did not indicate whether a new show would be viable, explaining, " One movie doesn't make a trend. Two movies starts to indicate that there is a trend and it's viable. It will become more real as the year goes on. " [12]

By 2009, Bryan Fuller desired to produce a new live-action Star Trek series. " I told my agent and told the people of J.J. Abrams ' team I want to create another Star Trek series and have an idea that I'm kicking around, " he explained.

" I would love to return to the spirit of the old series with the colours and attitude [...] [of] the '60s fun and I would love to take it back to its origin [...] Star Trek has to recreate itself. Otherwise, all the characters start to feel the same. You always have a captain, a doctor, a security officer, and you have the same arguments based on those perspectives. It starts to feel too familiar. So all those paradigms where it takes place on a starship have to be shaken up. " [13]

In 2013 , after the release of Star Trek Into Darkness , a CBS Broadcasting representative reiterated interest in reviving Star Trek for television, in response to a comment from Abrams that he had heard the studio was not interested. [14] On 19 January 2014 , Fuller stated he "would drop everything" in order to become the showrunner for a Star Trek television series, commenting,

" I think it's finding a philosophy about it [that would be important], and I think there is such an interesting philosophy happening now with our identity as a planet and taking responsibility for what's happening on the planet, and I think I would make it about identity, in a specific way. " [15]

Meanwhile, however, Brannon Braga mentioned "the word on the street" was that " they probably won't do one until the movies have run their course, " while Rod Roddenberry concurred with this by saying he believed there would not be another series until after the conclusion of the films. [16] [17] In an October 2015 interview, comics writer Mike Johnson suggested the Tholians might "cause major trouble for the Federation" in the next Star Trek television series. ("Top 50 Alien Species!", Star Trek: Ongoing issue #50, " Live Evil, Part 1 ") Another idea for a new live-action Star Trek series, conceived by Worf actor Michael Dorn , would have focused on Worf as a captain . As early as 7 November 2015 , Dorn confirmed the newly announced series will not be the concept he had wanted. [18]

Netflix , Amazon , and Hulu all offered money to distribute the show, [19] but CBS Corporation President and CEO Leslie Moonves opted to develop the series as CBS All Access' first piece of original content, anticipating that millions would subscribe to watch the show. He also revealed,

" Our international distribution guy is going crazy; he can't wait to get out to the marketplace and sell [it]. Right away, we're more than halfway home on the cost of the show from international alone. The risk is small in seeing the track record. " [20]

Robert Hewitt Wolfe speculated the decision also " allows for good budgets so it makes sense for Star Trek." [21]

On 9 February 2016 , it was officially announced that Bryan Fuller would serve as showrunner on the new Star Trek series. David Stapf, President of CBS Television Studios, explained,

" When we began discussions about the series returning to television, we immediately knew that Bryan Fuller would be the ideal person to work alongside Alex Kurtzman to create a fresh and authentic take on this classic and timeless series. Bryan is not only an extremely gifted writer, but a genuine fan of Star Trek . Having someone at the helm with his gravitas who also understands and appreciates the significance of the franchise and the worldwide fan base was essential to us. "

Fuller himself said, " It is without exaggeration a dream come true to be crafting a brand new iteration of Star Trek with fellow franchise alum Alex Kurtzman and boldly going where no Star Trek series has gone before. " Added Kurtzman,

" Bringing Star Trek back to television means returning it to its roots, and for years those roots flourished under Bryan's devoted care. His encyclopedic knowledge of Trek canon is surpassed only by his love for Gene Roddenberry 's optimistic future, a vision that continues to guide us as we explore strange new worlds. " [22]

On 26 February 2016 , it was announced that Nicholas Meyer would be joining the show as a consulting writer and producer. [23] In an interview conducted the next day , Meyer expressed hope in getting to write some episodes, but was not yet sure how big the writing staff would be. Still to begin work on the show, Meyer said he was waiting to be notified when to do so. He did, however, have some ideas about what the new show would entail. Meyer elaborated,

" I think it's going to be a different Star Trek . It will go in a different direction. And I think that is probably good. Because the thing that mainly troubles me about Star Trek is the fear of it being maybe re-treads of itself [....] And I think that Bryan [Fuller] – who is a very clever fellow – has ideas – some of which I’ve heard – that are innovative and different. Different is what got me interested. "

Meyer also said Fuller considered Star Trek VI: The Undiscovered Country to be his touchstone for the new series. [24]

On 3 March 2016 , it was announced that Rod Roddenberry and Trevor Roth would be joining the show as executive producers. [25]

On 17 March 2016 , two photographs apparently showing behind-the-scenes test shots surfaced, but were later proven to be from an unrelated project. [26]

On 22 April 2016 , Pop Goes The News reported that it would be filmed in Toronto, Canada, saying CBS had booked studio space back in September 2015. [27] According to CBS' VP of communications Kristen Hall, however, CBS hadn't yet confirmed the shooting location by this point. [28]

Also in April 2016, Mark Worthington was confirmed as the series' production designer. Worthington's resume, in addition to confirming his own involvement, also revealed that Alex Kurtzman would direct the pilot episode. [29]

On 30 April 2016 , it was reported that the show would be filmed at Toronto's Pinewood Toronto Studios . [30] On 2 May 2016 , the Toronto location was confirmed in a tweet by CBS. [31] This marked the second time (after Star Trek Beyond ) that a Star Trek live-action iteration was not to be produced physically in Hollywood, [32] in itself a further indication of the diminishing relevance of Hollywood as a motion picture production hub, a trend that had set in in the early 2000s. [33] [34]

On 3 May 2016 , it was reported that the show would be available in weekly installments rather than a whole season all at once. Its premiere would simultaneously air on CBS' TV network and All Access, with subsequent episodes exclusive to All Access (for US viewers). [35]

On 18 May 2016 , the first teaser trailer, along with the logo for the show, was released, simply naming the series as " Star Trek ". [36]

On 6 June 2016 , it was reported that the project's code name might be "Green Harvest". [37] The Canadian industry union IATSE 873 confirmed the working title as "Green Harvest" and dated the filming between 26 September 2016 and 15 March 2017 . [38]

In a red carpet interview at the Saturn Awards on 22 June 2016 , Fuller revealed that the first season would be comprised of a thirteen-episode story arc. Filming was scheduled to take place from September 2016 to March 2017 . [39] This was to be the second season-long story arc in Star Trek history, the first having been in season 3 of Enterprise .

Fuller noted, " We are not subject to broadcast standards and practices. So we can have profanity if we choose – not that I want to see a Star Trek with lots of profanity. But we can certainly be more graphic than you would on broadcast network television. " [40] That also meant episodes could be longer than a typical broadcast show. [41]

On 18 July 2016 , Netflix was announced as the international broadcaster for the series in countries where it is available outside the US and Canada. In Canada, the series would air on Space in English and on Z in French. [42]

On 1 August 2016 , Bryan Fuller suggested that the series would be set prior to The Original Series , stating that the registry number of the Discovery was a clue as to the placement of the series in the timeline. He also stated that it would be possible to read a connection, "or not", to Section 31 in some aspect of the first season. [43]

On 8 August 2016 , Bryan Fuller tweeted a picture on Twitter for a makeup test for Discovery which was possibly a hint for the inclusion of an Andorian . [44]

On 10 August 2016 , Bryan Fuller announced that the series would take place in 2255 . [45] According to Fuller, the basis for the first season would incorporate "an incident in the history of Starfleet that had been talked about but never fully explored." [46]

In a radio interview on 27 August 2016 , Fuller revealed more details. The female lead would be the first officer of the Discovery and referred to as " Number one ", honoring Majel Barrett-Roddenberry 's character from TOS : " The Cage ". [47]

On 9 September 2016 , Fuller tweeted that the events of TOS : " Balance of Terror " would provide the "touchstone" for the series' story arc. [48]

On 14 September 2016 , Fuller announced that the series premiere would be delayed until May 2017, in order to ensure the quality of the show was not compromised. CBS agreed with the move. [49]

Variety reported, on 26 October 2016 , that Bryan Fuller would no longer oversee day-to-day operations on the show, but would remain executive producer. He was to remain involved in breaking stories and providing support for showrunners Gretchen J. Berg and Aaron Harberts . Sources indicated that CBS, while satisfied with the materials he had created, was concerned that Fuller had too much on his plate with his involvement in other work. This included Starz's then-upcoming drama American Gods . [50] Akiva Goldsman joined the show to provide additional support. [51] Fuller later clarified with Newsweek , on 2 December 2016 , that he was no longer involved with the production. [52]

According to issue #1 of the 2017 Emmy Magazine (p. 21), Star Trek: Discovery has a reported budget of US$6 to US$7 million per episode. [53]

At the CBS upfront presentation on 17 May 2017 , it was announced the first season had been extended to fifteen episodes. Talking Trek (now After Trek ), a post-episode discussion show, was also announced. [54]

The premiere date for the series was announced on 19 June 2017 , when it was revealed that the first season would be split into two airing blocks. [55]

On 23 October 2017 , it was announced that the series had been renewed for a second season, which began filming in April 2018. [56] [57]

On 27 February 2019 , it was announced that the series had been renewed for a third season, with Michelle Paradise becoming co-showrunner with Alex Kurtzman . [58]

The renewal for the series' fourth season was announced on 16 October 2020 ; the renewal for the fifth season was announced on 18 January 2022 . [59] [60]

Aaron Harberts and Gretchen Berg have said the characters will be more conflicted and not as perfect as characters from previous Star Trek series. Harberts said they would hold true to Gene Roddenberry's idealised view of future Humans with " how we solve those conflicts. So we do have our characters in conflict, we do have them struggling with each other, but it's about how they find a solution and work through their problems. " [61]

Having the female protagonist be given the traditionally male name of Michael is one of Fuller's signature motifs: other examples include Chuck in Pushing Daises and Jaye on Wonderfalls . [62]

In contrast to previous shows, the writers are ready to kill off characters even if their actors aren't planning to leave the series. [63]

Due to Gene Roddenberry 's belief religion would die out by the 23rd century , writer Kirsten Beyer felt references to God should be avoided, quipping to Jason Isaacs when he ad-libbed on set "for God's sakes", that "for f–'s sake" would be more likely. [64] Gretchen Berg later clarified, " I don't necessarily agree with [Isaacs'] quote. On a show about diversity and with different points of view, I feel like you have to accept that some people believe in God, some people want to worship a potato, and some people don't want to believe in anything. I think there is room for that on Star Trek . " [65] Harberts later confirmed that the incident had been taken out of context and was specific to Lorca at that juncture, not the show in general. He also expressed interest in exploring the issue of faith or lack of it in later episodes. [66]

Even when the series was yet to begin airing, a second season had already been mapped out, with a third season beginning to be mapped out. [67]

The writers regularly consult Memory Alpha. According to Harberts, the series' writing team are themselves "fanatical" about fact-checking the information they discover on the wiki. For example, they sometimes rewatch, or ask researcher Anthony Maranville to rewatch, an entire episode based on a single detail from one of Memory Alpha's many entries. [68]

Writing for Season 2 began in January 2018. [69]

In August 2020 Kurtzman said that writing for Discovery had continued during the COVID-19 pandemic, with the writers' room meeting via Zoom. [70] On 16 October 2020 Season 4 was officially announced.

The teaser title card for Discovery

Bryan Fuller was adamant the Klingon make-up be updated for the show. Aaron Harberts noted, " In the different versions of Trek , the Klingons have never been completely consistent. We will introduce several different houses with different styles. " [71] According to Neville Page , who also designed the Klingons for Star Trek – though the Klingon scenes were cut from that film as released – and Star Trek Into Darkness , Fuller mandated most of them should be bald. [72] Page, and fellow lead designer, Glenn Hetrick  continued to identify the baldness as an enduring part of Fuller's intentions for the Klingons, allowing them to reveal what was on their heads (such as in AT : " Lethe ").

The lead costume designer is Gersha Phillips . The Starfleet uniforms were originally similar to those in the original series. [73]

The teaser clip presented at the San Diego Comic-Con on 23 July 2016 was scored by Fil Eisler as an audition for the show. At the following year's panel, Jeff Russo was announced as the series' composer, and it was revealed that he had already completed work on the Discovery theme. [74] Russo recorded the theme, along with the score for the first episode, with a sixty-piece orchestra in Los Angeles on 27 July 2017 . [75]

Russo returned for Season 2. [76]

The show was announced to have a female lead. [77] The first cast member, Michelle Yeoh , was revealed by Nicholas Meyer in an interview on 22 November 2016 . [78] Anthony Rapp and Doug Jones were confirmed the following week. [79]

Bryan Fuller commented that the cast should be diverse. "Star Trek is a show of firsts. And in researching the characters for this new iteration of Star Trek , I've been talking to Mae Jemison , who's the first black woman in space, and who saw Star Trek in the '60s and who saw Nichelle Nichols on the bridge of a ship and said, 'I see myself in space.' So there's something wonderful about the legacy that Nichelle Nichols represents as giving a gift to people who weren't previously able to see themselves in the future. We are going to be continuing that tradition of progressive casting and progressive character work to be an inclusive world. " He also said "eventually, eventually" there will be appearances from previously established characters. [80]

On 24 May 2016 , it was reported that some fans wished to see Castle and Firefly alumnus Nathan Fillion in the series. [81] It was even suggested that this was why Fillion ended his commitment to Castle . [82] Bryan Fuller ideally wanted Angela Bassett and Rosario Dawson ; Bassett declined due to prior obligations, and there is no evidence Dawson was ever approached for consideration. [83]

Star Trek alumnus Tony Todd also expressed interest in working on the new series and even confirmed he is on a casting list of the studio. [84] [85]

In late October, it was reported the cast would feature, in addition to the female lead, an openly-gay male lead, a female and a male admiral , a male Klingon captain, and a British male doctor. [86]

Early news stories of Sonequa Martin-Green's casting in December 2016 identified her character as "Lieutenant Commander Rainsford"; [87] CBS' official announcement on 3 April 2017 changed the name to "Burnham".

On 28 April 2017 , it was announced that Shazad Latif had been re-cast as Lt. Tyler, being replaced in the role of Kol by Kenneth Mitchell. Three other cast members were also added: Rekha Sharma as Commander Landry, Clare McConnell as Dennas, and Damon Runyan as Ujilli. [88]

Wilson Cruz's casting as Dr. Culber was revealed at the San Diego Comic-Con panel on 22 July 2017 .

Participation interest

Marina Sirtis has expressed interest in reprising her role as Deanna Troi in a phone interview with MZNOW , saying, " I loved playing her... It would be interesting to me to go back now, twenty years later and kind of go 'who did she become? Who is she now?' I would find that very interesting, and I would love to do that. " [89]

Both Kate Mulgrew and Jeri Ryan have expressed interest in reprising their roles as Kathryn Janeway and Seven of Nine respectively. In an interview with the TODAY show, Mulgrew said, " I want to be the admiral and I want to boss them around. " Ryan, in an interview with Digital Spy , said, " My understanding is that it's in a very different world from any of the previous shows – but never say never. It'd be fun to just drop in and revisit her – not that I want to revisit her all the time! " [90]

Scott Bakula , Jonathan Frakes , and Nichelle Nichols have also expressed interest in appearing on the series. [91] [92] [93]

In an interview with "Variety", Martin-Green's Walking Dead co-star Andrew Lincoln expressed his desire to appear on the show, possibly with alien make-up on. [94]

According to Michael Dorn 's publicist, brief discussions were held between Discovery producers and Dorn about a possible role on the show, but that there are no plans for him to appear on it at this time. An Orlando Sentinel writer expanded on the publicist's statement by stating that Dorn was offered less than one percent of what he had been paid for his last appearance as Worf. [95]

Robert Duncan McNeill has stated that he had to turn down the chance to direct an episode of Discovery due to being unavailable but that he would "love to do it". [96]

The show's title was revealed by Bryan Fuller at the San Diego Comic-Con on 23 July 2016 with a clip of the title ship, the USS Discovery (NCC-1031). [97] [98] The promo was produced in three weeks and scored by Fil Eisler as an audition for the show. It greatly resembled the Ralph McQuarrie concept art for the canceled film Star Trek: Planet of the Titans , which the staff could not confirm at the time for legal reasons. [99]

Fuller also announced, at a press junket immediately thereafter, the show would be set in the prime timeline, though Fuller declined to say exactly when in that timeline it would be set.

↑ John Van Citters has chosen "DSC" as the series' official abbreviation. [100] This is consistent with the studio's use of "VGR" for Star Trek: Voyager , but MA will use the abbreviation "DIS" for Discovery , for consistency with using "VOY" for Voyager .

On 31 January 2017 , a trailer was released, showing behind-the-scenes footage of early filming. [101]

Ahead of the CBS upfront presentation on 17 May 2017 , the first official promotional image of the series was released, featuring Yeoh and Martin-Green in character on location in Jordan. [102] At the presentation, Martin-Green appeared to debut the first full trailer for the series, which was released online immediately afterward. [103] A trailer featuring the same footage recut was released by Netflix at the same time. [104]

The first official teaser poster for the series was released alongside the trailer, with a second released to accompany the announcement of the season premiere date. Two further limited edition posters were released at San Diego Comic-Con in July 2017 . At the Discovery panel on 22 July 2017 , a second full trailer debuted, featuring the first footage of Isaacs' Captain Lorca and Wilson's Harry Mudd. The trailer was released online shortly after the panel. [105] [106]

The overall first year publicity efforts of CBS Television Studios on behalf of Discovery were coordinated by its Vice President Communications Kristen Hall , [107] which earned her an industry award nomination in 2018, the ICG Publicists Award; she did not win, however. [108]

Season 3 title card

At the Mission New York convention in September 2016 , it was announced that IDW Publishing would produce comics (written by Mike Johnson ) and that Gallery Books would produce novels (the first by David Mack ) tying into the series. Both tie-in lines are coordinated with the events of the series, and are supervised by Discovery writer Kirsten Beyer. [109]

In August 2017 , it was announced that Star Trek Timelines would be updated to include characters and ships from Discovery , including Philippa Georgiou, Michael Burnham, and Saru. [110] [111] In October 2017 , more Discovery characters were added to the game including Gabriel Lorca, Ash Tyler, and Harry Mudd. [112] A month-long event, Discovery: A New Frontier , gave players the opportunity to acquire other characters and ships from the series. [113]

In September 2017 , to mark the start of the series, Perfect World made Discovery 's Starfleet uniform available to players of Star Trek Online for a limited period. [114] In January 2018 , the publisher announced that the " Discovery Lock Box" would be added to the game, giving players the chance to win ships, weapons and equipment based on those of the series, including the Crossfield -class , the Sarcophagus , and the Walker -class . [115] Starting in the autumn of 2018, Age of Discovery allows players to create a character from the Discovery era. [116] Later additions include the uniforms worn by the crew of the ISS Charon and ISS Shenzhou and several weapons used by the Emperor .

Under Eaglemoss Collections ' Hero Collector imprint, Penguin Random House published the Star Trek: Discovery Designing Starships volume of the Designing Starship reference book series on 3 September 2019 . From an in-universe perspective, a number of DIS ships are also covered in the Star Trek: Shipyards - Starfleet Ships 2151-2293 volume from the Shipyards series. Starfleet ships from the show's third season will also be covered in the second edition of the Star Trek: Shipyards - Starfleet Ships 2294 to the Future reference book . [117]

Anovos produced a phaser pistol prop replica in December 2017 [118] and released a phaser rifle late in 2018. It began to retail Starfleet uniforms (replica costumes) in the summer of 2018 [119] and markets upscale "Studio-Scale Filming Miniatures" of the USS Discovery , USS Shenzhou , and USS Enterprise ( as seen in DIS ) along with a number of Eaglemoss and QMx products. [120] [121] Rubie's Costume Company also produces DIS costumes.

In January 2018, Eaglemoss Collections ' Hero Collector brand premiered the Star Trek: Discovery The Official Starships Collection partwork , featuring starship miniatures , dedication plaques , and a figure from the series. Other ships from the series were also released as larger models within the Star Trek: The Official Starships Collection , and polyresin busts of DIS characters were featured in the company's Star Trek: The Official Busts Collection . Following the release of its 33rd (numbered) issue in 2021, the company's DIS starships will be marketed as part of the Star Trek Universe: The Official Starships Collection .

QMx debuted its magnetic DIS Starfleet insignia badges at the San Diego Comic-Con in July 2017. FanSets launched its first wave of collectible Discovery pins in August 2017. [122]

Hallmark released a Keepsake Christmas ornament depicting the USS Discovery in July 2018. Another DIS ornament that featured Commander Saru and Michael Burnham was released a year later.

Beginning in August 2018, McFarlane Toys began to retail a series of seven-inch articulated figures which will eventually feature characters from DIS. [123] [124] [125] Toy weapons and accessories for role-play were planned but the production of phaser pistol toys was halted after regulatory issues (and the ensuing retailer reticence) came to light, due to the toys' perceived resemblance to real firearms.

Titan Merchandise debuted DIS "Titans" vinyl figures at a 2018 convention and planned to put them into wide retail release during 2019. [126]

Gentle Giant released a Saru bust in the summer of 2018, followed by figurines of Michael Burnham and the Torchbearer. Its toy division, Gentle Giant Toys , announced that it planned to release Fleet Flyers "starship danglers" in the autumn of 2018 but they did not reach retail and had been placed "on hold" as of February 2019. [127] [128] [129]

Branded as Polar Lights products, Round 2 began to release plastic model kits (and display models) of DIS starships in early 2019. [130]

Ukonic/Robe Factory released a USS Discovery pizza cutter in 2021.

On 13 July 2021 , ViacomCBS Consumer Products and Playmates Toys jointly announced that the latter had acquired new licensing for " action figures, vehicles and ships, role play and other toy categories ", and slated the first of these products for retail release in 2022. Among other Star Trek series and films, this licensing encompasses Star Trek: Discovery , Star Trek: Lower Decks , Star Trek: Picard , and Star Trek: Prodigy . [131]

Rick Berman responded to the new series with cautious optimism. On his Twitter feed, he tweeted, " I wish them nothing but good luck and smooth sailing. Just hope it stays true to Gene's vision. " [132]

Brannon Braga likewise wished the new series well, commenting on his Twitter feed, "Star Trek is a vast canvass with many artists. Constantly evolving. Godspeed to Mr Kurtzman. " [133] Braga additionally remarked, " Hopefully with the new series they can get back to more meditative storytelling. " In Braga's opinion, the new series is vital to ensuring Star Trek continues for another fifty years. He stated, " It's all about making sure the next television show is really good and finds a new generation of viewers to keep it going. " ( SFX , issue 270, p. 68) He later commented, " With Discovery , I am honestly as excited to see it as any other Star Trek fan. I devour each new trailer the moment it comes out. " [134]

Robert Hewitt Wolfe admitted to not knowing anything about the new series, apart from having read about it online, and stated he is currently too busy to write for it. He also commented, " Sounds like it could be great though. " As for the way the new series will be released, he stated, " Subscription streaming is an extremely successful model & allows for good budgets so it makes sense for Star Trek." Wolfe tweeted a "congrats" message to Bryan Fuller, upon him being named as the series' showrunner, adding, " You have the conn. Do us proud. " [135] [136] [137]

David A. Goodman reacted to news of the series by saying, " Hope it's good, will watch it even if it's bad. " [138]

As for whether he and wife Denise Okuda will be involved in working on the new series, Michael Okuda remarked, " We'd love to be involved. Kurtzman already has a talented, experienced team from the last two films, but who knows? " [139] Regarding the announcement that the series will be run by Bryan Fuller, Michael Okuda stated, " Congrats, Bryan! Go boldly! " [140]

Rene Auberjonois dismissed the notion that the new series will feature himself and Nana Visitor portraying their respective Star Trek: Deep Space Nine characters of Odo and Kira Nerys . [141]

On Seth MacFarlane 's Twitter feed, he recommended, " Let's make this new Star Trek series optimistic, eh? I think we're all dystopia'd out. " [142] MacFarlane incidentally, actually put his money where his mouth was, as he is the creator/star/producer of the Star Trek: The Next Generation inspired science fiction series The Orville , adopting the former's upbeat tone and which almost simultaneously premiered with Discovery in September 2017 on FOX TV, thereby de facto becoming a competitor for the latter, as it has inevitably led up to many fans and reviewers making head-to-head comparisons between the two. The overlapping airings continued when the respective second seasons of both series started their run in January 2019.

Former Star Trek , but now- The Orville , science consultant André Bormanis has stated, " When it comes back to TV, I hope they do something more in the spirit of the original. Everybody in Hollywood who has ever had even the smallest association with Star Trek I'm sure has a 'How would you do the next Star Trek ?' answer. I would probably do something a little more like Captain Pike's adventures. Go back to that era where it was a little more rugged, a little more fifties' sci-fi sensibility. " ( The Fifty-Year Mission: The Next 25 Years , p. 39)

Press reactions to the series' announcement pondered how Star Trek could appeal to a new generation and compete against darker, more mature shows of the 21st century, like Game of Thrones , The Walking Dead , and Ronald D. Moore 's reboot of Battlestar Galactica . [143] [144] [145] [146] National Post felt there was no need for a new series, arguing Star Trek had become a quaint retrofuture series akin to Flash Gordon and Buck Rogers . [147] The Independent was one of the few to argue the optimistic future of Star Trek would make a welcome antidote. [148]

Other articles concentrated on the decision to produce the series for streaming, with some expressing deep cynicism over the idea. [149] [150] [151] Others noted the decision was a win-win in terms of keeping the series going. [152] [153] [154] [155]

Den of Geek and io9 noted most fans would prefer the show be set after The Next Generation , Deep Space Nine , and Voyager instead of in the same timeline as the film series. [156] [157] UK magazine SFX reported that was the most wanted request for the series. Other requests, in order of most desired, included: having the new crew undertake a multi-year mission in a starship rather than having them occupy a space station; focusing on controversial social issues; retaining a sense of fun; and introducing new alien species and technology. The magazine also determined that their readers' "dream cast" for the series included Dan Stevens as the captain, Rooney Mara as the first officer, Gina Torres as the doctor, Nick Frost as the engineer, and Wil Wheaton as the Federation President . ( SFX , issue 270, pp. 36-37) USGamer expressed hope that the series' success could revive interest in Star Trek video games after the failure of the movie tie-in . [158]

During an interview given at CinemaCon (11-14 April 2016), Brent Spiner commented that "looking at such a pedigree" working for the show, he thinks it is going to be fantastic. He also remarked that J.J. Abrams allegedly just became a producer of the show. [159] In an interview with SFX magazine (issue 275, p. 67) that was published around the same time, Spiner remarked, laughing, that all the new series had to do in order to work in the 21st century was simply "to be there." He added, " And just be entertaining [....] And I think there's a good chance it'll work. There's a really great bunch of people attached to that project, really talented people. I have no doubt that's going to be a really huge success. "

A lawsuit alleging that elements of Discovery had been copied from an unreleased video game called Tardigrades was filed on 19 August 2019 , and dismissed on 20 September 2019 . The judge found that Discovery "is not substantially similar to [ Tardigrades ] as a matter of law." Memory Alpha was cited in the finding. [160] The case was appealed, but on 17 August 2020 the US Court of Appeals for the Second Circuit affirmed the lower court's decision. [161] [162]

In April 2021 , the third season of Discovery won the GLAAD Media Award for Outstanding Drama Series. The show had previously been nominated in 2018 and 2019 for each of the first two seasons. [163]

As of 2021, Discovery has been nominated for ten Emmy Awards , mostly in "technical" categories such as visual effects and makeup. It has won two: "Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or Special" and "Outstanding Special Visual Effects In A Single Episode".

Related topics

• DIS directors
• DIS performers
• DIS writers
• DIS recurring characters
• DIS studio models
• Character crossover appearances
• Performers considered for DIS roles
• Star Trek: Discovery novels
• Star Trek: Discovery comics
• Star Trek: Discovery soundtracks
• Star Trek: Discovery on DVD
• Star Trek: Discovery on Blu-ray

External links

• Star Trek: Discovery at Wikipedia
• Star Trek: Discovery at Memory Beta , the wiki for licensed Star Trek works
• Star Trek: Discovery at the Internet Movie Database
• Star Trek: Discovery writers at X (formerly Twitter)
• 1 Daniels (Crewman)
• 3 World War III

Star Trek: Discovery – S4 comes to Sky Showtime ahead of S5 premiere

Netflix, Paramount+, Sky Showtime, Pluto TV – the broadcast legacy of Discovery is complicated!

Ahead of Star Trek: Discovery ’s fifth and final season, it’s been confirmed that the show now has an additional new home at Sky Showtime.

Discovery ’s tenure has been complicated one, tied to the rocky corporate world of streaming services.

It was first created as a Netflix show, before being withdrawn from the service days before Season 4 was due to land. Since then, the show has appeared exclusively on Paramount+. Well, except for when Season 4 aired on the linear Pluto TV – appeasing worldwide fans who’d suddenly lost access.

Sky Showtime

Seasons 1 – 3 of the show landed on Sky Showtime on March 8 th . Now, Season 4 joins the service this week, on March 22 nd .

Sky Showtime also has access to much of the Star Trek back catalogue, including all of The Original Series , The Next Generation , Deep Space Nine , Voyager , Enterprise and Strange New Worlds .

The service also has all three Kevlin timeline movies as well as Star Trek: Nemesis .

Discovery Season 5

In addition, Season 5 of the show will be available to Sky Showtime viewers from Friday, April 5 th .

The Discovery’s long-awaited final mission sees Captain Burnham and her crew caught up in a race across the galaxy:

This season finds Captain Burnham and the crew of the U.S.S. Discovery uncovering a mystery that will send them on an epic adventure across the galaxy to find an ancient power whose very existence has been deliberately hidden for centuries. But there are others on the hunt as well… dangerous foes who are desperate to claim the prize for themselves and will stop at nothing to get it.

The series premieres on Paramount+ with a double episode drop on April 4 th , 2024. Paramount+ is available in the US, the UK, Canada, Switzerland, South Korea, Latin America, Germany, France, Italy, Australia and Austria. Weekly instalments then round out the 10-part run.

Discovery will appear a day later on Sky Showtime .

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Star Trek: Discovery

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Watch Star Trek: Discovery with a subscription on Paramount+, or buy it on Fandango at Home, Prime Video.

Cast & Crew

Bryan Fuller

Alex Kurtzman

Sonequa Martin-Green

Captain Michael Burnham

Anthony Rapp

Paul Stamets

Mary Wiseman

Sylvia Tilly

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Star Trek: Discovery Season 5 Episode 8 Review – Labyrinths

The Discovery crew is on the hunt for the Progenitors' final puzzle piece in the library of our dreams, but to find it Michael must first look inward.

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This Star Trek: Discovery review contains spoilers.

Having fun isn’t hard if you’ve got a library card on the latest episode of Star Trek: Discovery , which sees Captain Michael Burnham and company visit the Eternal Gallery and Archive, a mobile knowledge bank that is, hands down, the absolute coolest of the five locations we’ve visited on this season-long clue hunt. To be fair, “Labyrinths” isn’t an episode where all that much happens, but its premise still makes for a surprisingly satisfying hour, and the slow-moving approach of the Breen adds some nice tension to Michael’s vision quest into her own psyche. 

Full of one-of-a-kind manuscripts, rare artifacts, and other priceless items from cultures both present and lost, the Archive is exactly the kind of location that fits the adventure-themed feel of the season. It also looks cool as hell, packed to the gills with books and viewing rooms holding various priceless items from long-dead cultures. Arriving within it basically feels like the sci-fi version of that bit from Beauty and the Beast where Belle discovers all the books she now has access to, and if someone wanted to make an entire spin-off focused on the mysteries of this place and the people who came to visit it I would be glued to the screen every week. 

The Archive is currently located in the Badlands, an area that will be intimately familiar to Star Trek fans as it has important connections to both Deep Space Nine and Voyager , though for some reason Discovery does almost nothing with that fact. (Sorry folks on the lookout for some version of a famous space station, I guess.) The still-raging plasma storms that once caused such trouble for Voyager do make the Archive more difficult to find and offer it a modicum of protection. The site is currently run by Hy’rell, an Efrosian librarian who is one of the most entertaining supporting characters Discovery has introduced in some time. Almost passive-aggressively cheerful, her relentless friendliness makes her iron spine about the Archive’s rules and mission, and it’s always fun to watch Micahel go up against someone who doesn’t immediately give her what she wants. Hy’rell feels an awful lot like the Star Trek version of The Guide from What We Do in the Shadows , is what I’m saying. (Also, I love her.) 

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Burnham uses the library card she and the crew deciphered last week to access the last remaining copy of Labyrinths of the Mind , a text left behind by Betazoid scientist Marina Derex that’s meant to point the way to the final clue to the location of the Progenitor technology. But it turns out the book itself doesn’t really have all that much to do with the final test—it’s merely a case for another card, one that, upon touch, launches a program that takes Michael into a mindscape version of the Archive’s library. There, she must find the location of the last clue to access it in the real world. Like the other tests that Burnham and the Discovery crew have encountered, it’s tied to exploring a specific facet of the participant’s worthiness to access the information they’re seeking and whether they’re the sort of person who will properly use something so powerful as whatever it is the Progenitors left behind.  

The idea that Michael finds the answer only when she admits and confronts her deepest fears—of failure, both professionally and personally, in terms of letting down those she cares about—is peak Discovery , the sort of endless navel-gazing these characters are constantly asked to engage in. On some level, this particular test might have been more interesting if someone other than Michael had been forced to take it. We’re all well acquainted with her failings and flaws at this point, and I don’t know that anyone is going to be shocked to learn that she’s got a perfectionism complex a mile wide, no matter how strong a performance Sonequa Martin-Green gives in this moment (which, by the way, is very good).

The only interesting part of this is that it finally gives us a little clarity about her feelings for Book, and how much she regrets pulling away from him. It’s a nice bit of emotional work for the romantic reunion that the show is so clearly telegraphing. Bonus points to David Ajala for pulling double duty this week as both Book and the AI administering Michael’s test, which she sees in his form. The uber-dramatic outfit and quiet sarcasm are quite fun and make for a very different vibe between the actors.

Elsewhere, the Breen are hot on Discovery’s heels, especially once Moll convinces them all that she’ll be able to resurrect L’ak once they track down the Progenitor tech. Unsurprisingly, Primark Ruhn is less enthused about restoring the life of a dead scion of the Breen Imperium than he is about finding a weapon powerful enough to allow him to claim the throne for himself, so it’s not all that much of a shock that he spends the bulk of this hour betraying and threatening people.

That he blackmails Michael into handing over the completed map is probably the least surprising thing to happen this entire season, though the idea that the hour ends with Moll killing the Primark and taking charge of his faction thanks to her role as L’ak’s wife is almost hilariously ridiculous. Thanks for making sure he didn’t destroy the Archive first though, I guess? We know so little about Moll outside of her relationship with L’ak that it’s easy for Discovery to make her character be whatever it needs to be at any particular moment, but she certainly never seemed like someone who would care all that much about the destruction of valuable cultural artifacts. (Or even innocent lives, come to that.) Oh, well, at least Hy’rell is safe!! 

With two episodes left to go in Discovery’s run, it’s anybody’s guess how this is all going to end. Oh, we can likely figure out some of it: the race to the location of the Progenitors’ supposedly life-restoring tech is on, but it’s almost certainly not going to turn out to be what any of the people chasing it expect. Will it even be real? Or is this going to be one of those stories where the journey was always more important than the destination?

Lacy Baugher

Lacy Baugher is a digital producer by day, but a television enthusiast pretty much all the time. Her writing has been featured in Paste Magazine, Collider,…