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SBTRKT Announces Summer 2023 Tour Dates

Gracie Chunes

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SBTRKT (LIVE)

December 29 - january 3.

English producer SBTRKT announces his highly anticipated return to Metro Theatre, on Friday, December 29. Touching down on Australian shores for the first time in 8 years, the masked maestro is set to ignite the iconic venue with an unrivalled performance.

Credited with pioneering the framework of modern pop, SBTRKT catapulted to acclaim in the early 2010s alongside the release of his debut album, cutting-edge collaborations with Sampha, Jessie Ware, and Little Dragon, and his electrifying remixes of Radiohead, M.I.A, and Basement Jaxx. His enigmatic live shows transformed this acclaim into a global frenzy. This widespread success paved the way for the producer’s wildly successful sophomore album, Wonder Where We Land , and first independent record, 2016’s Save Yourself , featuring collaborations with Caroline Polachek, Vampire Weekend’s Ezra Koenig, and A$AP Ferg.

Earlier this year, SBTRKT broke his 6 year hiatus with The Rat Road – an intimate look into the artist’s inner journey. Ebbing and weaving through footwork, four-to-floor techno, and synth-heavy production, the record uses the producer’s signature palette to paint in bold, energising strokes. This sonic odyssey will be in full force at Metro Theatre, combining his beloved classics with new textures.

SBTRKT touches down in Hobart ahead of his Sydney show to perform at HAYDAYS Festival on Thursday, December 28. The Metro Theatre show on Friday, December 29, marks his only non festival date in the country. Just days later, he will then be bringing in the New Year at Heaps Good Festival Melbourne on Sunday, December 31 and polishing off his Australian run!

Friday, December 29, 2023

Metro theatre, sunday, december 31, 2023, sidney myer music bowl, wednesday, january 3, 2024, fortitude music hall, licensed all ages.

Metro Theatre, Sydney – 18+

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SBTRKT Announces 2023 Tour, Shares “Days Go By” Featuring Toro y Moi: Stream

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The post SBTRKT Announces 2023 Tour, Shares “Days Go By” Featuring Toro y Moi : Stream appeared first on Consequence .

SBTRKT has announced a brief run of 2023 tour dates in the UK and US in support of his upcoming third album, The Rat Road . What’s more, the electronic music project of English producer Aaron Jerome has also unveiled his Toro y Moi collaboration “Days Go By.”

After kicking off on May 25th with SBTRKT’s first London headlining show in nine years, the trek will continue with a date at New York City’s Brooklyn Steel and a two-night stand at El Rey in Los Angeles. See SBTRKT’s full touring schedule below.

Tickets for the US shows go on sale Friday, April 7th at 10:00 a.m. local time via Ticketmaster , while you can grab your seats for the London show on Wednesday, April 12th at 10:00 a.m. local time via Ticketmaster as well.

Once tickets are on sale, you can also find them at StubHub , where orders are 100% guaranteed through StubHub’s FanProtect program. StubHub is a secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.

“Days Go By” is a mellow track that features Toro y Moi singing contemplative lyrics like, “Last night all the questions you were asking got me thinking/ Is this just an open book and we can’t help but read it?” Stream it below.

Get SBTRKT Tickets Here

“I first met Chaz back in 2012 when we were both playing on a festival tour around Australia. It wasn’t until 2018 that I got around to saying, ‘What’s up’ again and made a trip out to Oakland to hang and make some tunes,” SBTRKT said in a statement. “We reconnected a bunch more times over a couple of years — in London and on another trip to Paris — which was something that made sense with the track’s influences and turned the song into this weird international collaboration! Once the pandemic hit, I had to sit on the music for quite a while, but the timing feels right and I’m happy that it’s out in the world now!”

The Rat Road is SBTRKT’s first full-length offering since 2016’s  SAVE YOURSELF , and also includes the lead single, “Waiting.” It will be released on May 5th, and  pre-orders  are ongoing.

SBTRKT 2023 Tour Dates: 05/25 – London, UK @ HERE at Outernet 06/07 – New York, NY @ Brooklyn Steel 06/13 – Los Angeles, CA @ El Rey 06/14 – Los Angeles, CA @ El Rey 08/19 – London, UK @ Field Day Festival

SBTRKT Announces 2023 Tour, Shares “Days Go By” Featuring Toro y Moi: Stream Eddie Fu

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SBTRKT Announces 2023 Tour, Shares “Days Go By” Featuring Toro y Moi: Stream

Brief run features dates in London, New York City, and Los Angeles

SBTRKT has announced a brief run of 2023 tour dates in the UK and US in support of his upcoming third album, The Rat Road . What’s more, the electronic music project of English producer Aaron Jerome has also unveiled his Toro y Moi collaboration “Days Go By.”

After kicking off on May 25th with SBTRKT’s first London headlining show in nine years, the trek will continue with a date at New York City’s Brooklyn Steel and a two-night stand at El Rey in Los Angeles. See SBTRKT’s full touring schedule below.

Tickets for the US shows go on sale Friday, April 7th at 10:00 a.m. local time via Ticketmaster , while you can grab your seats for the London show on Wednesday, April 12th at 10:00 a.m. local time via Ticketmaster as well.

Once tickets are on sale, you can also find them at StubHub , where orders are 100% guaranteed through StubHub’s FanProtect program. StubHub is a secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.

“Days Go By” is a mellow track that features Toro y Moi singing contemplative lyrics like, “Last night all the questions you were asking got me thinking/ Is this just an open book and we can’t help but read it?” Stream it below.

Get SBTRKT Tickets Here

“I first met Chaz back in 2012 when we were both playing on a festival tour around Australia. It wasn’t until 2018 that I got around to saying, ‘What’s up’ again and made a trip out to Oakland to hang and make some tunes,” SBTRKT said in a statement. “We reconnected a bunch more times over a couple of years — in London and on another trip to Paris — which was something that made sense with the track’s influences and turned the song into this weird international collaboration! Once the pandemic hit, I had to sit on the music for quite a while, but the timing feels right and I’m happy that it’s out in the world now!”

The Rat Road is SBTRKT’s first full-length offering since 2016’s  SAVE YOURSELF , and also includes the lead single, “Waiting.” It will be released on May 5th, and  pre-orders  are ongoing.

SBTRKT 2023 Tour Dates: 05/25 – London, UK @ HERE at Outernet 06/07 – New York, NY @ Brooklyn Steel 06/13 – Los Angeles, CA @ El Rey 06/14 – Los Angeles, CA @ El Rey 08/19 – London, UK @ Field Day Festival

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SBTRKT Announces 2023 Tour, Shares "Days Go By" Featuring Toro y Moi: Stream

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SBTRKT: An Endless Experimenter Re-Emerged

The influential london producer makes a long-awaited return to australia with an exciting new album and live show in tow.

It’s been a staggering eight years since the enigmatic SBTRKT, or Aaron Jerome, last graced an Australian stage.

Fond memories linger of energetic DJ sets and headline performances at Laneway and Falls Festival – the mysterious tribal mask, the sun-soaked crowds, and the sonic magic he conjured alongside his frequent collaborator, Sampha. 

Now, with excitement, the UK electronic trailblazer looks forward to returning this month.

“It’s without a doubt one of my favourite places to play,” Jerome says over Zoom from his London home . “It’s crazy how much time passed in between. I’ve been writing, obviously, but the pandemic created an even bigger gap between things. I’ve been raring to get back, perform new music, and evolve my show a bit as well.”

He’s hitting the road with his eagerly awaited third album, The Rat Road , released in May, marking a big comeback after a substantial break.

Following the success of two acclaimed albums—2011’s self-titled debut and 2014’s Wonder Where We Land —loaded with remixes and heavyweight collaborations—Jerome independently dropped his 2016 project, SAVE YOURSELF, before stepping back from the spotlight for over half a decade.

But, as they say, good things take time. During those behind-the-scenes years, the methodical musician and producer i mmersed himself in the studio, refining skills, and advancing his production. Self-taught, he estimates that he created over 1500 songs during this prolific creative period.

“The end goal was always to try and create something that I felt had real value to put out into the world,” he reflects. “I didn’t want to drop a record that felt like I was repeating myself or didn’t say enough about myself as an artist.”  

Jerome’s gift for discovering vocal talent has long been a hallmark, with early triumphs like Sampha and Jessie Ware in 2011. But, in the beginning stages of his soon-to-be third record, he felt disconnected from the UK scene. 

Spending more time in Los Angeles, encounters with artists like Steve Lacy ensued, but nothing concrete materialised. Once the pandemic hit, forcing the music industry to a standstill, Jerome found himself reevaluating his work.

“I had lots of demos and things, but when the pandemic hit, a lot of it just ended up on the cutting room floor because I couldn’t finish things. Going back to them felt weird; they had passed their working point,” he admits.

During that global pause, he took time to reassess his material, reintroducing a London framework back into the mix.   “It might not be the most obvious thing in my music, but a lot of my influence comes from growing up and being in London,” he reveals.

Rediscovering his London roots notably shaped the rhythmic aspects of his music, infusing lively beats from genres such as jungle, UK garage, and the experimental sounds of early post-dubstep and dubstep.

In the process, he unearthed talents like LEILAH, and George Riley, as well as Grime legend D Double E, injecting freshness into his evolving sound.

Credit: Nick Walker | SBTRKT

Jerome also had casual meet-ups with California-based musician Toro Y Moi in London and Paris, just jamming and “messing around, geeking out with sequences, and trying ideas.”

Spontaneous studio sessions with Texas rap-rocker Teezo Touchdown added a layer of unpredictability. The only remote recording involved Yukimi Nagano from Little Dragon, who is based in Sweden.

“The whole process was more about having fun and seeing where things go, as opposed to the end goal of just creating a final product. It felt really liberating,” he says. 

“It’s quite informative just messing around in the studio. Sometimes someone might sing or have an idea, and we build around that in the moment. It sounds silly, because that’s what bands do, but in electronic music, it’s often a beat, someone sings on it, and then it’s done. Whereas my process is a bit different; it’s about seeing how things come together in a more collaborative way, I suppose.”

Enter his highly anticipated 2023 offering, The Rat Road. Over 22 expansive tracks, Jerome showcases his refined sonic ambitions, spanning techno, drum ‘n’ bass, garage, jazz piano, synth-pop, and more – a real cinematic odyssey.

LEILAH’s stunning vocals on “FORWARD” and “L.F.O.”, along with the lead single, “WAITING,” featuring Teezo Touchdown, stood out as high points. The album’s emotional depth, conveyed through introspective narrative, is deepened by spoken word deliveries from poet Kai Isaiah Jamal and D Double E, tying societal frustration with the album’s title – a take on ‘the rat race’.

This return to the spotlight marks a major personal shift, too. Shedding the anonymity of the SBTRKT persona, initially designed to keep the focus on the music, Jerome now stands unmasked and nearly uninhibited. “I’m still a very introverted person,” he says, but now he’s trying to share more of his perspective and voice in order to make a stronger connection with his audience. 

“It definitely feels like a much easier way to exist as an artist, where I don’t feel like I’m playing a character as such. When I first put out music, I wanted it to speak for itself. I didn’t want to be a personality that people had to like or fit within a marketable scene for it to work. But it now feels more natural to say, ‘Yeah, this is my music, this is what I created,’ without having to have or be a persona to convey it.”

Unmasking himself, Jerome has also embraced his South Asian identity. Adopting the anonymous persona partly due to challenges at the start of his career in a gate-kept industry, he aligns himself with pioneering British South Asian musicians like M.I.A. and Jai Paul, experiencing a stronger sense of community and pride.

“At that time, I didn’t feel like I was the right fit for the scene I was in – I could only navigate it through invisibility or anonymity,” he insists. “I never really saw others in my scene who were like me, but now, it feels more important to engage with fellow artists, showcase our work, and make other people be proud of having peers in these spaces.”

“I’ve also felt like the doors have opened a bit, and I think social media, especially, has empowered a younger generation to be themselves. There’s more freedom to control your own message, and present your music how you want. I’ve definitely drawn inspiration from younger artists who are doing that.”

On the live front, a revamped setup featuring four band members brings SBTRKT’s new era to life on a larger scale. At Jerome’s upcoming headline show at Sydney’s Metro Theatre, Aussie fans can expect a full band setup with intricate layers from his innovative catalogue, both old and new, played over dozens of keyboards, drums, and more instruments.

“It has given me space to perform a larger number of songs and showcase more parts of each track. Between the albums, there are about 50 different synths and keyboards, and so many vocals. Presenting that without relying on a playback rig is a very different thing, and I’ve been excited to build the set up for this tour.”

Wrapping up his album cycle and world tour, SBTRKT is undeniably back. With a fresh “ability and motivation,” he’s eager to explore different spaces – producing for others, delving into dance and club sounds, and feeling “more liberated” in releasing music without lengthy waits.

“With streaming and social media, there’s more freedom in sharing music; not everything needs to be so neatly packaged or come with a big marketing campaign,” he’s keen to emphasise.

And in the midst of this newfound freedom, the next SBTRKT release won’t be rushed; quality remains Jerome’s focus. “It’s not about celebrity or fame; it can vanish if the creative output isn’t good. I just want to be happy, knowing what I created is the best I could possibly put out.” 

SBTRKT’s The Rat Road is out now.

SBTRKT is performing at Sydney’s Metro Theatre on Friday, December 29th. Catch him also at Hobart’s HAYDAYS Festival, Heaps Good Festival Melbourne and Heaps Good Festival Adelaide, and for a DJ set in Perth at The Rechabite Hall. Tickets and more information can be found here .

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• August 19, 2023 Setlist

SBTRKT Setlist at Victoria Park, London, England

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SBTRKT Gig Timeline

• Jun 14 2023 El Rey Theatre Los Angeles, CA, USA Add time Add time
• Jul 07 2023 Otherside Festival 2023 Slane, Ireland Add time Add time
• Aug 19 2023 All Points East 2023 This Setlist London, England Add time Add time
• Sep 30 2023 Portola Music Festival 2023 San Francisco, CA, USA Add time Add time
• Oct 21 2023 III Points 2023 Miami, FL, USA Add time Add time

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Trans-Siberian Railway Prices

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Home » Prices and Trans-Siberian Tickets » Trans-Siberian Railway Prices

Ticket prices for the Trans-Siberian Railway also depend on the current ruble exchange rate.

Is the Trans-Siberian Railway expensive?

Before starting on your Trans-Siberian Railway adventure you naturally want to know what the entire trip will cost. Although this sounds like a simple question, it is pretty difficult to answer. The Trans-Siberian Railway price of travel depends on the following factors:

• Which travel class do I want to use? The price for a first class ticket is about three times the price of a 3rd class ticket
• Am I willing to buy the tickets myself and assume responsibility for the organisation of the trip?
• How many stopovers do I want to make? The more breaks, the higher the total price.
• What sort of accommodation do I want? Will it be a luxury hotel or will a hostel dormitory be sufficient?
• What tours and excursions would I like to go on?
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Basically, everything from a luxury to a budget holiday is available. If you buy yourself a 3rd Class nonstop ticket at the counter, a few hundred Euros will cover the price. All you will experience is a week on the Trans-Siberian train and will see nothing of the cities on the way. There is, however, any amount of room for upward expansion. Everyone makes different choices about which aspects they are willing to spend money on. I personally prefer to save money on accommodation and railcar class, visit as many cities and do as many trips as possible. To enable better classification of your travel expenses I have contrasted two typical traveler types. In the third column you can calculate the total cost of your own journey on the Trans-Siberian Railway. Please keep in mind that these are only rough estimations and not exact prices.

The all-in costs seem fairly high at first. However, they cover everything and it is quite a long journey taking four weeks. Many people forget to consider that when looking at the list. We should also deduct the running costs for food and leisure at home. I think most visitors to this page will classify themselves somewhere between the two categories, that is around the € 2,000 – € 2,500 range. When comparing these prices with other travel packages, you get the impression that it is hardly worthwhile travelling individually on the Trans-Siberian Railway. Please keep in mind that most packages last no more than 14 days and you are herded like cattle through the most beautiful locations.

If you spend less time on the Trans-Siberian Railway you will, of course, pay less. I chose this particular travel length because I prefer not to do things by halves. If you fulfill your dream of travelling on the Trans-Siberian Railway, enjoy it and don’t rush things. But it’s up to you, of course. Try playing around with the form a bit to find the appropriate price for your trip.

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