fun squad uk tour

making school holidays memorable

at Ranby House School, Notts DN22 8HX

Holiday club for 6-12 year olds

9am-4pm. Bring your own lunch.

11-14 April 2023 - 4-day course - £50 per day or £160 for 4 days, £120 sibling rate

14-16 August 2023 - 5-day course - £50 per day or £200 for the week, £150 sibling rate

Holiday club for 6-13 year olds

Summer: Monday 5 - Friday 9 August  2024

£50 a day, £225 for the 5-day course

£175 sibling price

Fun Squad A holiday course designed  for 6-1 3 year-old s  who l ove exploring, learning new skills and making friends.   Days are filled with outdoor fun, sport and a rt. Book individual days or save money by booking t he whole course. 

Set in 40 acres of stunning woodland and fields at ranby house school, we offer facilities that are second-to-none: a fully equipped sports hall, football zones, a 300-seat theatre, an art room and a cooking room, plus of course a spacious dining hall to enjoy packed lunches and snacks.​.

Fun Squad SUMMER - FULL COURSE (5 days): Child 1

Fun Squad SUMMER - FULL COURSE (5 days): Sibling price

Fun Squad SUMMER - Monday 5 August 2024

Fun Squad SUMMER - Tuesday 6 August 2024

Fun Squad SUMMER - Wednesday 7 August 2024

Fun Squad SUMMER - Thursday 8 August 2024

Fun Squad SUMMER - Friday 9 August 2024

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All-New: ODD SQUAD UK

The beloved franchise expands into the uk in association with cbbc, pbs kids, tvokids, and src..

The production of ODD SQUAD UK , a new format of the original series and an official treaty co-production between Sinking Ship Entertainment and BBC Studios Kids & Family in association with CBBC, PBS KIDS, TVOKids, and SRC, was announced today. Fred Rogers Productions will distribute the series in the U.S. and SSE will take worldwide rights. The original hit multi-Emmy ® Award-winning ODD SQUAD series, produced by Sinking Ship Entertainment and Fred Rogers Productions for PBS KIDS and TVOKids, launched in 2014. The brand has since grown to include more than 114 half-hour episodes, a feature film, digital games, two seasons of a digital shorts series, and a podcast as well as multiple publishing and merchandising partnerships as part of its expanding licensing program. Each season of the popular ODD SQUAD series features kid agents who use math to investigate strange occurrences, with episodes infused with comedy and fun.

ODD SQUAD UK , co-produced by BBC Studios Kids & Family and Sinking Ship Entertainment, features a brand-new world of oddness and group of agents with a predominantly British cast filmed exclusively in the UK. The format is a natural evolution of the brand, leveraging the popularity of the original series in the UK and consistently high ratings for CBBC. Twelve half-hour episodes of ODD SQUAD UK are currently in production and set for release in 2024.

“It’s been a pleasure co-producing this series of ODD SQUAD UK with Sinking Ship Entertainment,” said Cecilia Persson, Managing Director of BBC Studios Kids & Family. “It’s already a winning format, and this UK version has brought another sense of quirkiness and fun which has filtered through from script, to set, to screen.”

“We are thrilled to bring new agents and more oddness to our global fanbase,” said Blair Powers, Co-Founder and Partner at SSE. “The format takes what we love from the original series and finds its own voice thanks to the fantastic cast and capable hands of our co-production partners at BBC Studios Kids & Family.”

“We are excited to see how this new format of ODD SQUAD , the series that so many kids and families have loved since it first premiered nearly ten years ago, takes shape with Sinking Ship Entertainment and BBC Studios Kids & Family,” said Ellen Doherty, Chief Creative Officer for Fred Rogers Productions. “ ODD SQUAD UK will take young audiences on delightfully ‘odd-some’ adventures, while helping to reinforce key math skills all along the way.”

The original ODD SQUAD , a live-action and CG hybrid series aimed at 4-8-year-old, known for its humor, engaging visual effects, and math-based entertainment was created by Tim McKeon ( Helpsters, Adventure Time, Gravity Falls ) and Adam Peltzman ( Wonder Pets!, Peter Rabbit, Wallykazam! ). The series has received a wide range of honors—from 17 Daytime Emmy Awards, including a 2019 win for Outstanding Children’s, Family Viewing Program, to five Parents’ Choice Gold Awards, and a 2019 BAFTA Children’s Award for International Live Action.

ODD SQUAD has been sold in more than 200 countries around the world and is currently available in over 25 languages. With 14 online games, 8 apps available across different territories, as well as the “Odd Squadcast” podcast, and “OddTube” YouTube series, the brand’s digital reach extends to millions of viewers and game players monthly.

Ex-Liverpool star's pre-season booze-up ended up with squad in prison cell

Ex-Premier League defender Stephen Warnock has opened up about a wild night he and his squad-mates had while on a pre-season tour that ended up with them all behind bars

• 12:42, 7 May 2024
• Updated 13:17, 7 May 2024

Former Liverpool ace Stephen Warnock says he and his team-mates once ended up in prison after a boozy pre-season night out.

The 42-year-old, who also played for Blackburn , Aston Villa and Leeds , was on loan at Coventry City during the 2003/04 season. Manager Gary McAllister put the players through their paces over the summer thanks to a particularly gruelling training regime, but let them blow off steam with an end-of-tour squad night on the lash.

Speaking on the Under The Cosh podcast , Warnock says the p***-up descended into chaos after the players were barred from a nightclub. "We were on tour [in Germany], and we'd had a tough pre-season so [McAllister] said we needed to have a bit of team bonding," the former full back remembered.

"We had almost like a raft with a bar on it going down a canal, and we were just going to go out and have a day on the booze and get to know each other. Anyway, we've gone out on the p*** and later on we were like, 'Can we go out tonight?', and [McAllister] said, 'Absolutely, make sure everyone's there'.

"So a few of us wandered down to the local nightclub, it was like a five minute walk, and we get chatting to the doorman or the owner or whoever it was and we were like, 'We're a football team from England, we've got about 30 lads, are we alright to come in tonight with shorts on and stuff?'

"And he was like, 'Yeah yeah no problem'. So we go back to our hotel and we're drinking for few more hours, and when we get back to the club he said, 'You're not coming in', and we were like, 'Why not? We spoke to you face to face', and he was like, 'Nah nah'."

Tensions quickly rose, and reached boiling point when one of Warnock's team-mates, David Pipe, squared up to the doorman, who responded by striking him in the face with his nightstick... which (sarcasm alert) went down well.

"The fella's just whipped a cosh out and smacked him [Pipe]," Warnock remembered, "and it'd have knocked anyone else out, killed them, but he just stood there, took a blow to his face and then he's just knocked [the doorman] out, Pipey just floored the fella."

The players, understandably, tucked tail and ran, but the police were quickly on their tail. After a solo drunken ramble through the streets, Warnock found some of his team-mates catching their breath at a petrol station.

"I found like five of the lads and we were all buzzing thinking we'd got away with it. But then a riot van comes round the corner and lashes us in the back and all the lads are in there, they've all been caught. They then put us two separate cells next to each other, but there was only one toilet.

"Callum Davenport, he was on loan from West Ham at the time, he's sat on the toilet having a s***, and one of the lads went 'f***ing hurry up I need a s*** myself, be quick'. So he wipes his a***, and there's only one toilet roll so he chucks it out the cell, and the lads are like, 'you f***ing b*****d', fuming. It was a nightmare."

Warnock began his career at Liverpool, but didn't get first team minutes until joining Bradford on loan in 2002, after his loan spell at Coventry, he spent two seasons in Liverpool's first team squad before leaving to join Blackburn in 2007, with 67 appearances for the Anfield club under his belt.

A successful stint at Villa Park followed before Warnock dropped into the Championship, initially with Bolton on loan, but later with permanent moves to Leeds and Derby. Spells at Wigan, Burton Albion and Bradford followed before Warnock called time on his career at the end of the 2017/18 season.

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Sabrina Carpenter: how the Espresso singer became a piping hot pop prospect

She’s set to depose Taylor Swift from No 1 and has the most-streamed song in the world this week – the culmination of a decade of slow-burn success

C apped with one of the most brilliantly nonsensical chorus lines in pop history – “That’s that me, espresso” – Sabrina Carpenter’s Espresso is the most streamed song in the world this week, deposed Taylor Swift as the UK’s No 1 single yesterday and is shaping up to be the critics’ pick for the song you won’t be able to escape this summer.

Since its release in mid-April, this irresistible shot of nu-disco has been steadily climbing the charts to become one of the only tracks holding its own against the tidal wave of songs from Taylor Swift’s double-disc The Tortured Poets Department. Carpenter was recently released from Swift’s Eras tour juggernaut, having supported the superstar on her dates in Latin America, Australia and Singapore. Anointed by Swift as a “sweet angel princess”, she is now rising through the ranks to become pop royalty in her own right.

Espresso has jolted the airwaves awake, with casual listeners, pop obsessives and even the hard-to-please music press in agreement about its addictiveness. “Pop’s disco revival is wearing a bit thin, but if you can do it with this much elan … maybe it can last just one more summer,” wrote Pitchfork’s Jeremy D Larson.

Less brittle than Dua Lipa’s New Rules, more stylish than Carly Rae Jepsen’s Call Me Maybe, Espresso nevertheless ranks among them as a pop song you can’t play just once. The perfectly weighted lyrics are charismatically spiky – “I can’t relate to desperation / My give-a-fucks are on vacation” runs the opening couplet – and Carpenter’s matter-of-fact explanation that she’s “working late, ’cause I’m a singer” has become an instant meme.

According to Nate Sloan and Charlie Harding, co-hosts of the podcast Switched on Pop, the song succeeds because of its off-kilter phrasing, holding even TikTok’s famously jittery attention. “Espresso plays with language in a way that takes your brain a moment to process,” they say. “‘Walked in and dream-came-true’d it for ya’ – that’s not proper English … it keeps listeners on their toes.”

Musically, Espresso evokes vintage funk and disco but with digital production sheen, and Carpenter told Vogue that she also wanted to blend of old and new in the stylish sun-kissed video, directed by Dave Meyers. Shot in black-and-white and 60s-ish tones, it shows Carpenter beachside in retro fashions and flanked by surfboard-toting stallions.

Espresso is now set to be the star-making hit of Carpenter’s career – which is already a decade long, though she only turns 25 next week. The youngest of four sisters home schooled in Pennsylvania (and the niece of Nancy Cartwright, the voice of Bart Simpson), Carpenter signed a five-album record deal when she was 12 with the Disney-owned Hollywood Records. From 2014 to 2017, she also starred in the Disney Channel comedy Girl Meets World, while steadily releasing music.

But like her generation Z pop peer Olivia Rodrigo, and Miley Cyrus and Britney Spears before them, Carpenter struggled to convey a distinct personality within Disney’s limits, and her success during that time was limited to the dance charts.

After opening for Ariana Grande and the Vamps on their 2017 tours, and a stint as the lead in Mean Girls on Broadway (cut short by the pandemic), Carpenter signed with Universal Music Group’s Island Records in 2021. Since then, she has been a growing presence in pop – helped by the gossip-column inches devoted to her rumoured love-triangle with Rodrigo and Disney co-star Joshua Bassett.

Carpenter is widely speculated to be the older “blond girl” whom Rodrigo admits to being “insecure about” in her 2021 mega-smash Driver’s License. Neither party has ever confirmed the reference, though Carpenter’s emotional 2021 single Skin was taken as confirmation, with its lyrics: “Maybe you didn’t mean it / Maybe blond was the only rhyme … Don’t drive yourself insane.”

Since late last year, Carpenter has been dating Saltburn actor Barry Keoghan, who was seen at her Coachella show last month and is namechecked in a freestyled outro to the song Nonsense. Evoking her mentor Swift’s work-ethic and attention to detail, Carpenter has become known for tailoring Nonsense at every performance – leading the BBC to pull her Radio 1 Live Lounge performance of it from YouTube, over an ad-libbed sexual reference.

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She generated further controversy with her video for Feather, filmed in a Catholic church in Brooklyn. A priest was removed from administrative duties for agreeing to the shoot, to which Carpenter responded: “Jesus was a carpenter.”

Since her confessional 2022 album Emails I Can’t Send, however, Carpenter has been best known for her music, with Skin, Feather and Nonsense all registering in the US and UK charts. On stage, she is intimate yet boisterous, shaking up her between-song banter at every show, soliciting stories from the audience and dispensing dating advice. “She’s got such a good balance of performance and just being herself,” says Los Angeles-based singer Annika Bennett, who supported Carpenter on her UK and European tours last year. “Every night feels special, but equally as big of a show.”

Carpenter’s playful public presence also extends behind the scenes, adds Bennett. “She’s just so kind and such a fun person to be around. I think that translates: people can tell that she’s genuinely a cool person.”

Having first approached Bennett about joining her on tour via Instagram DMs, Carpenter then visited her in her dressing room “every single night”, says Bennett. “That’s never a guarantee from the headliner,” adds the singer, who is weeks away from her own tour of UK and Europe. “As a headliner, you have your own show and you’re under the most pressure – but Sabrina totally extended friendship.”

Now, after wrapping the months-long “Taybrina” run of the Eras tour in late March, Carpenter is secure in Swift’s squad, pledging fealty on Instagram: “There is truly no one like you and there never will be”. Despite Espresso beating Swift’s Fortnight this week, however, there’s room for two at the top. And amid the ubiquity of The Tortured Poets Department – a wordy, ruminative album about the mixed (but mostly bad) blessings of superstardom – the energising Espresso is going down especially easily.

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