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The fourth season of Fall Guys: Ultimate Knockout is all about sci-fi. From hoverboard showdowns to racing through low gravity, the developers at Mediatonic have come up with a plethora of fun ideas to fit the theme. One of the many new game modes they added during this season is the electrifying Power trip.

Related: Fall Guys: How to Win in Big Shots (Tips, Tricks, & Strategies)

When a match of Power trip starts, both teams start on opposing sides of the arena with a floor of blank tiles below. In front of both teams are a set of batteries. Once held, using the grab button, the batteries will light up the tiles corresponding to the team color of the Fall Guy holding the battery. This is done automatically; no button inputs are required. The team that wins is the one that has the most lights lit up when the timer runs out. Power trip is a very hectic game mode that can go either way, so here are some tips to successfully light up the night.

Fall Guys Power Trips Strategy Guide

As stated, this game mode is team-based . There’s little to no communication in Fall Guys , so players need to find ways to work together with their teammates without speaking. One way to do so is by playing bodyguard. There aren’t enough batteries for everyone to carry, so if a player doesn’t manage to grab one from the start, they can choose a teammate to follow and protect! If someone from the other team tries to grab an ally with a battery, step in to grab the pursuer. Keep in mind that the players on the other team with batteries cannot grab anyone, so watch out for players that are empty-handed: they’re the threat.

If a player manages to grab a battery at the start, or from another player, they’re tasked with lighting up the floor. While lighting up the blank tiles is important during the start, prioritize converting the other team’s tiles. The unlit tiles are not counted, so even if they’re in range, the focus should be on removing the other team’s color. Also, run away from any of the empty-handed players on the team that will try to grab the player. Look out for where other teammates are , and run toward them if there’s any danger. Alternatively, the enemy players all alone are the most vulnerable with no allies to help them, so scouting out the arena, as chaotic as it may be, is a great way to stay ahead.

Next: Fall Guys: How to Win in Short Circuit (Tips, Tricks, & Strategies)

Fall Guys: Ultimate Knockout  is available on PlayStation 4 and PC with plans to launch on Xbox Series X|S, Xbox One, and Nintendo Switch in 2021.

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The Real-Life ‘Fall Guys’: How a Tight-Knit Stunt Team Pulled off Ryan Gosling’s Death-Defying Scenes

By Katcy Stephan

Katcy Stephan

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SPOILER ALERT: This interview contains light spoilers for stunt sequences from “ The Fall Guy ,” in theaters now.

Leaping from a high-flying helicopter, being engulfed in flames, and rolling a car over eight and a half times—while these heart-stopping moments may be the stuff of nightmares for most, they’re just another day on the job for the daredevil stunt performers at the heart of David Leitch’s “The Fall Guy.” 

Ryan Gosling’s Colt Seavers is repeatedly put through the wringer in Universal’s action comedy based on the 1980s TV series of the same name. Lucky for the Oscar-nominated actor, a team of pros was there to do the heavy lifting. 

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How did you each get into stunt work and become involved with “The Fall Guy?”  

Logan Holladay: My dad was also a stuntman. It was never my goal to be a stuntman, but my dad was also a motorcycle racer. I loved motorcycles and I just wanted to be a dirt bike racer, and I wanted to try to be one of the best at it. Through all of that racing, I started doing photoshoots for different people. I was racing for Yamaha and Honda, then I started doing commercials with them. I was like, ‘I’ve raced a lot, and this seems like a lot of fun. I think I might just do this.’ I made a shift away from racing as I was getting a little bit burnt out, so I started doing stunts. I put it up, put everything I have into it. I treat it kind of like going into a race, and the only outcome I’m okay with is winning. 

Ben Jenkin: I was actually on another show. I got a call from [ stunt designer ] Chris O’Hara. I said, ‘I’ve never done a fire burn. I’ve never been hit by a car before. I’d love to do both.’ And he’s like, ‘Good thing that they’re both in the script. You can do both.’ Perfect! 

How do you get into the headspace to perform these tasks that could very well kill you? I freak out over a simple fender-bender!  

Holladay: I think we’re just different types of people. I could go do it right now. I don’t need to prepare my headspace for it. I like to really make sure I know exactly what I’m doing, but that’s it. We like adrenaline! We come from action sports. Our entire lives have been spent scarring ourselves and getting a thrill in achieving something.  

Logan, let’s break down your record-breaking eight-and-a-half cannon rolls in the film.  

Holladay: I don’t know how I could ever top that! We didn’t think that I was gonna get a Guinness World Record. We were just trying to do the biggest, best stuff that’s ever been done. The best part is, it’s someone else’s turn now to go out there and beat that set. I understand why it’s been so long since that world record was set for seven rolls because it’s hard . When you get to about five or six rolls in a car, it is extremely hard to do more. It just takes a lot of speed and a lot of commitment. Everybody always talks about that cannon roll, but I also jumped a trophy truck 225 feet over a canyon. For me, that was even scarier. That was an even bigger feat! 

Ben, how many times did you get lit on fire? And what did you think when you first read the fire scene, when Jody (Emily Blunt) forces Colt to perform the pyro stunt over and over again for revenge?  

Jenkin: I was lit on fire eight times. It was once the first day and then seven the next day. When I first heard about it, I mean, it’s hilarious. How can you not like it? She’s so pissed off at him that she’s like, ‘I’m gonna make you do this thing that sucks.’ It hurts getting slammed against the wall and set on fire. And you’re full of sand. It’s uncomfortable. All stunt performers have been in that situation where you do something and you’re like, ‘God, I hope we don’t have to do that again because that really hurt.’ 

Troy, how did you pull off that helicopter fall during the film’s climax?  

Brown: I didn’t even think that there was an airbag that existed that I could fall 150 feet into. The last time that my dad jumped into his airbag was in 2004 in Namibia, South Africa, in a movie called ‘Flight of the Phoenix.’ He sold that bag and left it there. He ended up finding the people that he sold it to, And they had just kept it in a box for the last 20 years. Universal had it shipped over to Sydney. I had to put some duct tape on it and sewed up a couple of things, but the material felt good. It was just a crazy thing for me, watching videos of that airbag since I was a super little kid, and then getting to like see it in person and jump into it. 

Your dad was on set for the fall, right?  

Jenkin: Everyone ran over. Everyone was crying.  

Holladay: I cried! 

This movie really feels like a love letter to stunt performers. Why is it so important for a project like this to shine a light on stunt work?  

Holladay: I think one of the reasons why it hasn’t been recognized is that for a very, very long time, actors would always say, ‘I do all my own stunts.’ They felt like they had to tell everybody that they’re actually the one that does this stuff. 

You have an amazing actor, like Ryan Gosling, who could deliver the story like nobody else. So now we have that piece of the puzzle: then his character has to do big car stunts, or his character has to parkour. Well, Ryan spent his whole life acting, so he’s amazing at acting. But if you want to have these things at the highest level, you’ve got to bring in the professionals. So we all come together, and we make this great character. 

Jenkin: Well, I think it goes hand in hand with the whole stunt industry being recognized. It’s, in my opinion, long overdue. We didn’t get into this to win awards, be famous, and be recognized. This whole thing is so new to us. We’ve never done press before in our lives! However, when you take a step back and think about it, every single department involved in the creative process of making these incredible movies deserves to be recognized. 

I just want to say ‘thank you’ to people like David and [producer Kelly McCormick], Ryan and Emily and all the cast that are really shining such a positive spotlight on the stunt industry. It’s about time that some people get recognized for the danger. People are really risking their lives for the love of making movies. 

This interview has been edited for length and clarity.

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