killing joke tour 2022 uk

Killing Joke announce Honour The Fire UK tour

Killing Joke promise to "sonically destroy" the unwanted future on Honour The Fire UK tour in 2022

Post-punk icons Killing Joke have announced a UK tour for 2022. The 'Honour The Fire' tour will kick off at the Tramshed in Cardiff on March 28 and climax at London's Eventim Apollo on April 9, and it's shaping up to be quite something. 

"It is our privilege to Honour The Fire and celebrate the white heat purification by sound," says bassist Youth. "Join with us in a fearless leap through the sacred flames, into the unknown. Let’s create the future we all desire, by sonically destroying the one we don’t."  

"The fire in our hearts that has sustained and protected us for over 40 years, never goes out," confirms frontman Jaz Coleman .

Last year Coleman collaborated with British pie-makers Piecaramba! on ‘The Joker!', a jerk chicken, red pepper and chilli pie wrapped gluten free pastry. 

Piecaramba!'s stated aim is “to reinvent pie and mash, dragging it kicking and screaming into the 21st century”, but there's no news yet as to whether they'll produce a special tour edition of the treat to sell alongside the band's official merch.

Killing Joke Honour The Fire UK tour 2022

Mar 28: Cardiff Tramshed Mar 29: Nottingham Rock City Mar 31: Bristol O2 Academy Apr 01: Liverpool O2 Academy Apr 02: Birmingham O2 Institute Apr 04: Manchester Albert Hall Apr 05: Newcastle Boiler Shop Apr 06: Glasgow Barrowland Apr 08: Leeds O2 Academy Apr 09: London Eventim Apollo Hammersmith 

Tickets available from  www.myticket.co.uk  on Friday 25 June at 10am.

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Killing Joke announce ‘Honour The Fire’ their first UK tour in over three years!

Gatherers of the World, Killing Joke are delighted to announce their first UK tour in over three years, 2022’s Honour The Fire tour.

Tickets available from 10am on the 25th June HERE

Gatherers of the World,  Killing Joke  are delighted to announce their first UK tour in over three years, 2022’s  Honour The Fire  tour .

‘ The fire is that which brings us all together.  And after this dreadful pandemic this tour will be like no other.

One great mosh pit!“   -promises   Jaz Coleman

“ The fire in our hearts that has sustained and protected us for over 40 years, never goes out. It is our privilege to Honour The Fire and celebrate the white heat purification by sound. Join with us in a fearless leap through the sacred flames, into the unknown….let’s create the future we all desire, by sonically destroying the one we don’t ” –  Youth 

Killing Joke’s  10 date tour will start at the Tramshed in Cardiff on Monday,   28 th   March, before   concluding in London at Eventim Apollo Hammersmith on Saturday 9th April.

Very much music as ritual – raw, uncompromising and precisely-targeted lyrically;  Jaz Coleman ,  Geordie ,  Youth  &  Big Paul , the original  Killing Joke   personnel show no signs of mellowing. 

With collective nostrils flared and righteous anger carried torch-high,  Killing Joke  continue to take their music of resistance to fresh levels…

The full list of ‘Honour The Fire’ UK 2022 shows.

28 th    Mon Cardiff Tramshed

29 th    Tue Nottingham Rock City

31 st Thu Bristol O2 Academy 

1 st Fri Liverpool O2 Academy

2 nd   Sat Birmingham O2 Institute 

4 th Mon Manchester Albert Hall

5 th Tue Newcastle Boiler Shop

6 th Wed Glasgow Barrowland

8 th Fri Leeds O2 Academy 

9 th    Sat London Eventim Apollo Hammersmith 

Tickets available from  https://myticket.co.uk/artists/killing-joke  on Friday 25th June at 10am.

https://www.killingjoke.co.uk/

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Killing Joke Announce Honour The Fire UK Tour 2022

• March 11, 2022
• UK Music News
• by Desh Kapur UK-Editor/Photographer

Gatherers of the World,  Killing Joke  are delighted to announce their first UK tour in over three years, 2022’s  Honour The Fire  tour .

My life is a soundtrack, i track my life through music, photography is my passion, my escape, my expression. Without both i have pieces missing, thankfully i’m blessed and get to combine both. Born in Manchester, lived in Australia for 22 years where i was heavily involved in the Australian Music Industry, firstly in bands (Singer) and then managing bands (all original), I moved back to the UK, Wales specifically 10 years ago and married my childhood sweetheart and life is good.

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Killing Joke announce UK shows for 2022

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English rockers Killing Joke have announced an early 2022 UK tour titled ‘Honour The Fire’ — check out all dates below.

The band say, “ Gatherers of the World, we are delighted to announce our first UK tour in over three years, 2022’s Honour The Fire tour! On-sale 10am Friday… ”

See all shows and the official flyer below.

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Killing Joke have announced the Honour The Fire Tour .

For their first UK trek in over three years, the band will head to Cardiff, Nottingham, Bristol, Liverpool, Birmingham, Manchester, Newcastle, Glasgow, Leeds and London, where they'll wrap up the run on April 9. Tickets go on general sale at 10am on June 25.

The band's last studio album was 2015's 'Pylon'.

NEW // @Killingjokeband will bring the Honour The Fire Tour to the UK in spring 2022. Book tickets at 10am on Friday June 25: https://t.co/ndegwfoRC8 pic.twitter.com/AH7efu8OAT — Stereoboard (@stereoboard) June 22, 2021

Killing Joke Upcoming Tour Dates are as follows

Mon March 28 2022 - CARDIFF Tramshed Tue March 29 2022 - NOTTINGHAM Rock City Thu March 31 2022 - BRISTOL O2 Academy Bristol Fri April 01 2022 - LIVERPOOL O2 Academy Liverpool Sat April 02 2022 - BIRMINGHAM O2 Institute Mon April 04 2022 - MANCHESTER Albert Hall Tue April 05 2022 - NEWCASTLE UPON TYNE Boiler Shop Wed April 06 2022 - GLASGOW Barrowland Fri April 08 2022 - LEEDS O2 Academy Leeds Sat April 09 2022 - LONDON Eventim Apollo

Compare & Buy Killing Joke Tickets at Stereoboard.com.

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News: Killing Joke Announce “Honour The Fire” UK Tour 2022

Killing Joke’s 10 date tour will start at the Tramshed in Cardiff on Monday, 28th March, before concluding in London at Eventim Apollo Hammersmith on Saturday 9th April. Very much music as ritual – raw, uncompromising and precisely targeted lyrically; Jaz Coleman, Geordie, Youth & Big Paul, the original Killing Joke personnel show no signs of mellowing. With collective nostrils flared and righteous anger carried torch-high, Killing Joke continue to take their music of resistance to fresh levels…

The full list of ‘Honour The Fire’ UK 2022 shows.

March 2022 28th Mon Cardiff Tramshed 29th Tue Nottingham Rock City 31st Thu Bristol O2 Academy April 2022 1st Fri Liverpool O2 Academy 2nd Sat Birmingham O2 Institute 4th Mon Manchester Albert Hall 5th Tue Newcastle Boiler Shop 6th Wed Glasgow Barrowland 8th Fri Leeds O2 Academy 9th Sat Lodon Eventim Apollo Hammersmith

Tickets available from www.myticket.co.uk on Friday 25th June at 10am.

Links https://www.killingjoke.co.uk https://www.facebook.com/killingjokeofficial

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Killing Joke Announce “Honour The Fire” UK Tour

• Phinky posted 13th March 2022

Gatherers of the World, Killing Joke are delighted to announce their first UK tour in over three years, 2022’s Honour The Fire tour . Killing Joke’s 10 date tour will start at the Tramshed in Cardiff on Monday 28th   March, before concluding in London at Hammersmith Apollo on Saturday 9th April. Very much music as ritual, raw, uncompromising and precisely-targeted lyrically; With collective nostrils flared and righteous anger carried torch-high, Killing Joke continue to take their music of resistance to fresh level. “ The fire is that which brings us all together. And after this dreadful pandemic this tour will be like no other. One great mosh pit!“  promises frontman Jaz Coleman

It is our privilege to Honour The Fire and celebrate the white heat purification by sound. Join with us in a fearless leap through the sacred flames, into the unknown….let’s create the future we all desire,  by sonically destroying the one we don’t ” (Bassist and Producer Youth )

Tickets for the Honour The Fire tour can be purchased here

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KILLING JOKE Announce First UK Tour In Over Three Years

June 22, 2021, 2 years ago

news hard rock heavy metal killing joke

Killing Joke have announced their first UK tour in over three years, 2022’s Honour The Fire tour.

"The fire is that which brings us all together. And after this dreadful pandemic this tour will be like no other. One great mosh pit!" - Jaz Coleman

“The fire in our hearts that has sustained and protected us for over 40 years, never goes out. It is our privilege to Honour The Fire and celebrate the white heat purification by sound. Join with us in a fearless leap through the sacred flames, into the unknown... let’s create the future we all desire, by sonically destroying the one we don’t.” - Youth

Killing Joke’s 10-date tour will start at the Tramshed in Cardiff on Monday, March 28, before concluding in London at Eventim Apollo Hammersmith on Saturday, April 9.

Very much music as ritual -– raw, uncompromising and precisely-targeted lyrically; Jaz Coleman, Geordie, Youth & Big Paul, the original Killing Joke personnel show no signs of  mellowing. With collective nostrils flared and righteous anger carried torch-high, Killing Joke continue to take their music of resistance to fresh levels.

Tickets available from myticket.co.uk on Friday, June 25 at 10 AM.

2022 tour dates:

March 28 - Cardiff, Wales - Tramshed 29 - Nottingham, England - Rock City 31 - Bristol, England - O2 Academy

April 2022 1 - Liverpool, England - O2 Academy 2 - Birmingham, England - O2 Institute 4 - Manchester, England - Albert Hall 5 - Newcastle, England - Boiler Shop 6 - Glasgow, Scotland - Barrowland 8 - Leeds, England - O2 Academy 9 - London, England - Eventim Apollo Hammersmith

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Killing Joke announce Honour The Fire UK Tour 2022

18 Mar Killing Joke announce Honour The Fire UK Tour 2022

Gatherers of the World, Killing Joke are delighted to announce their first UK tour in over three years, 2022’s Honour The Fire tour.

‘The fire is that which brings us all together. And after this dreadful pandemic this tour will be like no other. One great mosh pit!” -promises Jaz Coleman

“The fire in our hearts that has sustained and protected us for over 40 years, never goes out. It is our privilege to Honour The Fire and celebrate the white heat purification by sound. Join with us in a fearless leap through the sacred flames, into the unknown….let’s create the future we all desire, by sonically destroying the one we don’t” – Youth

Killing Joke’s 10 date tour will start at the Tramshed in Cardiff on Monday, 28th March, before concluding in London at Eventim Apollo Hammersmith on Saturday 9th April.

Very much music as ritual – raw, uncompromising and precisely-targeted lyrically; Jaz Coleman, Geordie, Youth & Big Paul, the original Killing Joke personnel show no signs of mellowing.

With collective nostrils flared and righteous anger carried torch-high, Killing Joke continue to take their music of resistance to fresh levels…

The full list of ‘Honour The Fire’ UK 2022 shows.

March 2022 28th Mon Cardiff Tramshed 29th Tue Nottingham Rock City 31st Thu Bristol O2 Academy April 2022 1st Fri Liverpool O2 Academy 2nd Sat Birmingham O2 Institute 4th Mon Manchester Albert Hall 5th Tue Newcastle Boiler Shop 6th Wed Glasgow Barrowland 8th Fri Leeds O2 Academy 9th Sat Lodon Eventim Apollo Hammersmith

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Killing joke announce 2022 uk tour.

Killing Joke have announced a 2022 UK tour. Here’s the dates:

03/28 Cardiff, UK – Tramshed 03/29 Nottingham, UK – Rock City 03/31 Bristol, UK – O2 Academy 04/01 Liverpool, UK – O2 Academy 04/02 Birmingham, UK – O2 Institute 04/04 Manchester, UK – Albert Hall 04/05 Newcastle, UK – Boiler Shop 04/06 Glasgow, UK – Barrowland 04/08 Leeds, UK – O2 Academy 04/09 London, UK – Eventim Apollo Hammersmit

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THEPRP News

Killing Joke Announce Early 2022 UK Tour

Killing Joke have booked a UK run by the name of ‘ Honour The Fire Tour ‘ for early 2022. The band’s frontman Jaz Coleman stated, “the fire is that which brings us all together. And after this dreadful pandemic this tour will be like no other. One great mosh pit!”

Bassist Youth added:

“The fire in our hearts that has sustained and protected us for over 40 years, never goes out. It is our privilege to Honour The Fire and celebrate the white heat purification by sound. Join with us in a fearless leap through the sacred flames, into the unknown….let’s create the future we all desire, by sonically destroying the one we don’t.”

03/28 Cardiff, UK – Tramshed 03/29 Nottingham, UK – Rock City 03/31 Bristol, UK – O2 Academy 04/01 Liverpool, UK – O2 Academy 04/02 Birmingham, UK – O2 Institute 04/04 Manchester, UK – Albert Hall 04/05 Newcastle, UK – Boiler Shop 04/06 Glasgow, UK – Barrowland 04/08 Leeds, UK – O2 Academy 04/09 London, UK – Eventim Apollo Hammersmith

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Review & Photography by Manny Manson for MPM

So, tonight Nottingham is a veritable hive of activity. Its three main venues are all hosting formidable talent.

The Motorpoint has Royal Blood, that young Drum and Bass duo, the Rescue Rooms have American blues guitar legend Eric Gales, but it’s to my old favourite, Rock City, that I’m heading to, for tonight it hosts Notting Hills band of merry men, Killing Joke.

These British punk, post punk, Industrial Rock, legends are here to play to a near sold-out venue on their first headline tour in 3 years aptly named the ‘Honour of Fire’ tour. Having formed in the height of punk-ness(sic) in 1979, yes folks another band that was formed last century. They released their first album ‘Killing Joke’ in 1980. The 1985 single ‘love like blood’ brought them the success that was so deserved.

Their heavier musical style was a key influence in the development of Industrial Rock. Amongst their evolving sound, elements of different genres can be heard such as the synth-pop and the emerging New Wave ‘synth’ sound. Interestingly these ‘styles’ can be traced back to the Sex Pistols through the then husband and wife combo of Westwood and McLaren, the pair being very active in the ‘scene’ at that time.

The band underwent various line-up changes over the years and included a 6yr hiatus, but is now touring once again as the original band. Its not often that after 44yrs we see an original line up treading the boards. They celebrated 40yrs with a worldwide tour back in 2018.

Martin Glover, better known as ‘Youth’ did leave the band early on and was replaced on Bass by Paul Raven, who stayed with them until his sad death in 2007, ‘Youth’ then re-joined the band permanently in 2008 after a couple of brief appearances over the years. Coleman, in a magazine interview explained how the reformation came about at Ravens funeral.

“Everything came together when we all met at Ravens funeral. It was funny the unifying effect it had on all of us. It made us realise our mortality and how important Killing Joke is to us all.”

So, after 20years absence, Paul Ferguson was back on the drums. 2008 again saw a world tour and the ‘Peel Sessions 1979-1981’, an album of 17 live tracks being released in the September of the same year.

Of note, especially at the moment, Foo Fighters Dave Grohl played drums on the second self-titled album Killing Joke (2003). The band have inspired several bands over the years. Including the likes of Metallica, Janes Addiction, Nine Inch Nails and Soundgarden, Hetfield has cited Coleman as one of his favourite singers. Walkers guitar has said to be have inspired Kurt Cobain’s guitar style in Nirvana. So, the band are not without note!

Up first is the Anglo-American band ‘ The Imbeciles’ This 5-piece put on a sterling show of alternative post punk indie rock. Tonight, we get to hear 7 of songs off their new album Imbecelica which is scheduled for release on May 19 th 2022. The new album is produced by ‘Youth’ Killing Jokes very own Bass player. Their first album, ‘Imbeciles’, being released back in February 2020.

With a sound that is full of fuzzy, overdriven guitars and a thumping bass line, the band deliver the goods. Having changed their style of recent years from what was classed as more prog rock to a sound they seem happier with, full of pop punk stabs reminiscent of the Bauhaus era. Butch Dante on guitar seems at home leaving the vocal duties to American John Kent as he belts out the lyrics along-side brutalising the bass as he does so.

With three guitars pushing the songs along, and a thumbing drum beat the delivery seems fresh in an old school kinda way.

Kicking off with ‘The Name of The Rose’ you quickly get what the band are about. The guitars tickle the back of your head as the bassline smacks you squarely in the chest. Kent’s lyrical delivery dances around the melody as he fights with his emotions, stepping back from the microphone he rocks out, who says you can’t have fun in a suit jacket. Smiling as he delivers it clearly the case.

Moving in to ‘Its Not About You’ we see the band tight and on it Dante is smashing out the riff on his 30 th Street Guitar with its ‘loud’ paint job, its sound is on the money as next to him Joshua Lattanzi is poised ready to stomp on his effects pedals as he pulverises his 335. ‘Van Man’ is up next and again the band are on it, so are the crowd, arms raised they are totally behind this band as they deliver a stunning set.

Out of the pit it’s time to make notes so I manage to get a vantage point that gives me a good viewpoint. Cross stick on the snare marks the start of ‘Tiny Blue People’, complemented with crashing cymbals, the suited Kent’s bass is thundering, tied in with sunglasses wearing Culbert’s kick drum.

The guitar solo, distorted and dirty leads into a car horn type sound which is repeated, clever stuff and the crowd seem to agree as they cheer wildly as the song finishes. ‘You’re Gonna Wanna’ is up next with a steady vocal start backed with more cross stick and picked guitar, this is soon joined by a distorted bass as the song gallops along. More vocal and picked guitar follows giving it a great indie vibe.

The song then builds strongly as the bass is thrust at the crowd, a distorted shred of guitar madness rips out, it has an almost Japanese style riff as the song builds to a shattering finish.

‘I Won’t Let You Down’ doesn’t as its straight into a percussive driving bass line, the guitars fizzle along in a riff that is as dramatic as it is repetitive. The guitars of Rice and Lattanzi chug as they harmonise with the lyrics, a nice touch as it lifts the song.

One of the guitars has a nice rolling tremolo effect or is a wah wah, I can’t see their feet! The song is full of swirling guitar phasing and dynamic vocal harmonies. With a steady kick drum, the snare builds in velocity as it brings the vocal back after the short musical interlude.

The Wah’s on the guitar continue as the drum beat builds, first slowly, then faster and with more energy as it gets louder, great stick control on the drums give it the much-needed light and shade on such a driven piece. Kent on bass is now rocking out centre stage as the song builds to an abrupt end, just leaving the sound of a decaying guitar riff. Love it, a great tune.

The final song of the set is ‘I’m Not the One’, this has a more upbeat drive to it, its bouncing beat is so different to the previous song that it grabs your attention. The whispered vocal is hard to hear though as the crowd around me have decided to start shouting at each other.

The harmonized vocal repeats the song title as we get to the chorus and then we’re back to that great ‘jangly’ guitar sound that dances along as the bass, unceremoniously hits you firmly in the chest. A genius song choice to end the set, leave the crowd wanting more and they do, as they cheer the band as the set is brought to an end.

After the usual quick turn around by the Rock City crew we are ready for the main act, Killing Joke

Making our way into the pit early, as tripods and cameras have been erected in one third of the area given. Hopefully they won’t get the crowd doing anything silly as getting to them from stage left will be a nightmare. The guys operating them are to hand and seem fully competent in what they’re doing so no complaints there.

After an extended wait we get the band sauntering on stage at 21:10 only 10 minutes past the allotted start so we can forgive them for that. The stage is full of smoke and bathed in that dreaded blue neon light. Us togs are going to have to fight for anything worth publishing tonight it would seem.

From the get go it’s obvious that this is going to be a loud gig, I adjust my ear plugs because even from so close its rattling my fillings. The overwhelming bass line is crushing in its delivery as they start off with ‘Love Like War’ from the 1985 album Night Time . Coleman, in his mechanical way, robotically prowls the stage as he delivers the lyric.

Hair across his face he holds the microphone high above his head as he does so. Geordie has a nonchalant look as he strokes his Gibson, Youth on stage right is crushing with the delivery from his Rickenbacker bass. The keyboards seemingly lost in the mix but helping to grind the brutal bass, and at the back, Ferguson is busy bashing away in almost darkness, his tribal beat ties in with the staccato riff of Geordie as they go into ‘Wardance’, from the 1980 album Killing Joke .

The tom tom work gives the song a great feel, as the almost saw-like riff continues. Coleman is directing the crowd as he poses arms outstretched as they repeatedly shout ‘Wardance’. This is followed by ‘the Fall of Because’ from What’s THIS For..! released in 1981, with its strangled guitar start, and tom tom beatings, Coleman is soon on it with his distressed vocal delivery. Yet again this tune is very repetitive in its musical delivery, you can imagine a great steam punk style machine with giant cogs just rotating for no specific means spewing out things we don’t want or need.

Now out of the pit it’s become obvious that the sound isn’t great, I’ve packed my cameras away and I’m now trying to find a vantage point to hear the band. I eventually settle on behind the sound board, after all that’s where the sound is being mixed.

In that time ‘Honour the Fire’, ‘The Pandys Are Coming’ and ‘We Have Joy’ have all played out. And to be honest it’s sounded like one continuous song. This is by no means a dig at the band in any way, just a sad indication of how poor the sound was. Its far too loud to start with for a ¾ filled venue.

Anyways I manage to find my way with the set list ‘Money Is Not Our God’ from 1990’s Extremities, Dirt and Various Repressed Emotions , chimes up. This sees the stage bathed in blue and green light as Coleman prowls the stage in his designer boiler suit. The bass drone from the stage is of apocalyptical proportions. With distorted riffs from keys and guitar dancing around the thunderous bass of this tortured song about possessions, Coleman, hand on ear bellows out the lyric, Whoas are repeated back by the crowd, as a solid, punishing beat crashes into your chest, the song finishes, brutal!

‘Primitive’ is a trip back to the first self-titled Killing Joke album, is up next which Coleman informs us is about “turning on each other”. A simple bass line again smashes you full in the face as angry drum beats blast out, Youth wanders across the stage as Coleman claws the sky in his mechanical style. Standing where I am my senses are being pummelled as the constant brutal bass delivery abuses my very existence. This would be more enjoyable if the lyric could be heard, sadly its garbled and lost in the mix most times.

Between songs Coleman shouts out ‘just like yesterday when we were teenagers’ and we are into ‘Turn to Red’, which appeared on Absolute Red, a 1979 EP. A keyboard riff bounces over a storm of bass. Coleman is dancing around the stage like a robot holding the mic at 90degrees as he sings into it, his hair, covering his face billows as he does so.

The song is full of phased sounds and an angry bass rumble, the ground is shaking as the hertz filled tsunami sweeps across the floor and bully’s all in its path. ‘Lord of Chaos’, this is from the new EP Lord of Chaos, takes over with its fast-paced drum and bass, Coleman squats as he delivers the vocal in short verses. As the tempo changes, he stands, arms outstretched he begins to postulate to the crowd, harden fans who have followed the band from the beginning are loving every dark riff being delivered.

Chaos is being delivered in spades and as the riff becomes familiar, it takes on a Black Sabbath type edge, Symptom of the Universe one of my all-time favourites off the Sabotage album, it’s not quite the opening riff but its close and its well-controlled by the band.

A guitar randomly strums, as Ferguson addresses the hi-hat as ‘Mathematics of Chaos’, from 1994’s Pandemonium , chirps up. A flourish of crash cymbals and a dirty guitar riff combine to dance over the banging bassline.

The vocal is bathed in ‘echo’ as its cast to the crowd. In front of me a drunk falls over throwing his beer all over the people alongside, he is picked up, shrugs and wobbles off for more as swirls of keys and distorted guitar herald his staggered departure. The guitars are bathed in multiple spotlights as Coleman, stands in bathed in blue, with his back to the crowd, as the song finishes, he taps Geordie on the shoulder with a grin.

A chunky, driving riff cranks up, as ‘The Death and Resurrection Show, from 2003’s Killing Joke , smacks out, as loud as ever, we must have Spinal Taps PA tonight and everything is on 11. The bass delivery is again totally anti-social at best, as it tries to rip your heart from your body. The drums are busy in the back ground but they have become lost amongst the monster bass drone.

The vocal delivery has become a blur as its undecipherable in the swirling and whooshing bass which continues to dominate the night. The song has become an uncomfortable blur. Trying to pick out a line in the vocal to put you on the right track has become impossible, there’s a break in the music which, after a pause and cheers, duly starts up again leaving me thinking its possibly a false end?

I think we are now into ‘Total Invasion’, again from 2003’s Killing Joke , as there’s a radio voice intro which strikes a memory chord that’s not been obliterated, and then it’s back to a hard, industrial beat as Coleman, voice full of echo speaks the vocal, crouched down he prowls the stage beneath flashing lights.

The guitar is full of dirt and menace as Geordie looks on nonchalantly, was that a yawn? The song builds as Coleman is now shouting the lyric, I’m unsure of what is being said as the words are not reaching me. This is a hard and heavy track that’s square on slapping you in the face. ‘Loose Cannon’ from the same 2003 album follows on with grinding riffs and a bass beat not to dissimilar to ‘Invasion’. In fact, I’m not sure the song has changed or if we have had another false end? I’m hoping for some words to note down so I can look it up later. Either way the relentless mechanical chugging of sound continues and we get the finish.

A new beat strikes up, the drums are thunderous, as they crash out, the lights strobe fast across the stage. The beat is still fast and tight, sadly the vocal is garbled so the message is lost. The sheer amount of noise that is being thrust at us must be hurting the ears of those without earplugs. I have interchangeable cores in mine and I’m thankful I have the 30db drop centres in, but even with these though it’s proving a challenge. Those hard-core fans down the front are loving it though, and that’s what tonight is about, the crush barrier has seen the best of the fans as they dance and jump about, often with both arms raised, punching the sky.

‘The Wait’ takes us back to 1980’s Killing Joke named album, gives way and by a process of elimination ‘Pssyche’ from 1980’s Laugh? I Nearly Bought One , starts up. This is also the B-side to ‘Wardance’ played earlier and is a fitting end to the set.

Bass player, Youth has both hands out stretched as he sings along, the titanic bass is droning out the vocals, as Ferguson on drums rattles out a steady hi hat and snare beat, he’s worked hard tonight but made it look easy when the lighting has managed to hit him sat at the back. Orange spots are now shining down as the bass bounces along with an end of the world thud that crushes your ribs into your spine! Stunning effect!

The band leave the stage as Geordies heavily distorted guitar screams away in agony, the guitar tech lets it hang in the mix for a moment before striking the pedal and killing the noise.

With a brief respite now on offer, I look around, there seems to be a sort of wide-eyed bewilderment amongst those nearby. Despite the poor sound quality that was just an epic example of a band moving their sound to the next level. Astonishing! With the usual cheers and cries for more the band saunter back onto the stage. There is no urgency, these boys have nothing to prove, they’ve done that with what they’ve just played and judging by the response, the fans want a lot more of the same.

I fasten in and get ready for the torrent of energy that is coming. The set list on stage shows there is four more tunes, having seen the previous night’s set list I’m only counting on any two from the four.

‘Requiem’, from the original Killing Joke album of 1980 is up first, starting with an abrasive guitar riff and a slow tom beat as Coleman delivers the lyric, I think we’re getting a few whoas in there as the bass blurs you vision and senses. Coleman has the Microphone characteristically held high above his head as he again mechanically roams the stage delivering staccato lines of verse. Cymbals crash as the lights flash in time, orange and white against blue.

The constant bass drone is there. Industrial Rock is a great description, it feels like I’ve been in a foundry all night. Crowd favourite ‘Pandemonium’, from the 1994 album of the same name, finishes the set off. With an element of the middle east, the bass spanks you squarely between the eyes. The keys I can just make out swirling around as Coleman stomps around once again, he certainly has gotten his steps in tonight, his head is shaking as he continues.

The man has delivered a knock out performance all night. Pink star light spots sweep up across the crowd who are in the moment. The heads are down the arms are up as they groove to this final song. Colemans finger is in the air as he accepts the crowd’s cheers and applause, he then returns the gesture, the music, mechanical in its make-up, continues to sound out as the band, amongst smoke and lights, casually just walk of the stage. The synth howl continues as they do so and is stopped by the techs eventually.

Peeling myself off the back wall I stand there watching the fans empty out of the main hall. Gathering my bag, I exit, listening to what’s being said around me. It would seem the fans have loved every minute of it, and to be fair for my first Killing Joke gig it’s been a blast and a rude wake up call to what I’ve missed over the years, however they have all commented on how loud it was, some have compared it to the last live performance, 3yrs ago, and commented on how much better it was.

lockdown has brought a lot of bands back with a renewed vigour and determination. It’s only the second night of the ‘Honour the Fire’ tour so a few teething problems are to be expected, when that sound is nailed this will be the show to beat. A stunning show in the making, get and see them soon, you know you want too but make sure you have ear plugs, you’ll thank me afterwards.

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Killing Joke

• October 25, 2022 Setlist

Killing Joke Setlist at First Direct Arena, Leeds, England

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2 activities (last edit by Tonito , 25 Oct 2022, 19:44 Etc/UTC )

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• The Fall of Because
• Unspeakable
• Loose Cannon
• Pandemonium

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• Billy Idol Start time: 9:00 PM 9:00 PM

Killing Joke Gig Timeline

• Oct 21 2022 The OVO Hydro Glasgow, Scotland Add time Add time
• Oct 23 2022 Resorts World Arena Birmingham, England Start time: 7:45 PM 7:45 PM
• Oct 25 2022 First Direct Arena This Setlist Leeds, England Add time Add time
• Mar 06 2023 Wedgewood Rooms Portsmouth, England Add time Add time
• Mar 07 2023 Colchester Arts Centre Colchester, England Add time Add time

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Billy Idol adds Killing Joke to October 2022 UK arena tour

A last-minute replacement for Television

Billy Idol has added Killing Joke as his new special guests on his upcoming October UK arena tour.

When the six-date trek was first announced in 2021 , The Go-Go’s were unveiled as special guests, however Television were drafted in as replacements when the tour was rescheduled in May .

Due to an unspecified illness, Television have now had to withdraw at the eleventh hour and Killing Joke have been recruited as the new special guests. Toyah will still open proceedings .

Buy tickets from Planet Rock Tickets

Television, who were due to perform their iconic ‘Marquee Moon’ album in full, said in a statement: “Unfortunately due to illness, we have to cancel the forthcoming UK tour with Billy Idol. We send our deepest apologies to any fans who have bought tickets.”

Super sub Jaz Coleman of Killing Joke added: “Just when you think it’s all over, I’d been missing my brothers in Killing Joke and then this opportunity came up. Looking forward to seeing everyone next week, 1 days rehearsal and a secret gig somewhere in the U.K. Lets get stuck in.”

Billy Idol comments: "We’re looking forward to having Killing Joke and Toyah join us in the UK. This is going to be an epic show!"

Idol’s touring band features his long-time guitarist and collaborator Steve Stevens along with Stephen McGrath (bass, backing vocals), Billy Morrison (guitar, backing vocals), Paul Trudeau (keyboards, backing vocals) and drummer Erik Eldenius.

Billy Idol UK tour dates:

OCTOBER 2022

Manchester AO Arena – Thu 13th

Cardiff Motorpoint Arena – Mon 17th

London OVO Arena, Wembley – Wed 19th

Glasgow OVO Hydro – Fri 21st

Birmingham Resorts World Arena – Sun 23rd

Leeds First Direct Arena – Tue 25th

Buy Billy Idol tickets

Listen to billy idol on my planet rocks:.

Billy Idol was the very special guest on My Planet Rocks with Liz Barnes on Wednesday 5th October. Listen to the show again here:

The real names of famous rock stars, including Billy Idol:

Cozy powell’s real name: colin trevor flooks, alex lifeson’s real name: alexandar živojinović.

'Lifeson' is a semi-literal English translation of the Yugoslavian surname Živojinović, which means 'son of life'

Ginger Baker's real name: Peter Edward Baker

John 5’s real name: john william lowery, yngwie malmsteen’s real name: lars johann yngwie lannerback, rudy sarzo’s real name: rodolfo maximiliano sarzo lavieille grande ruiz payret y chaumont, eric carr's real name: paul charles caravello, vinnie vincent’s real name: vincent john cusano, tina turner’s real name: anna mae bullock, king diamond’s real name: kim bendix petersen, joey tempest's real name: rolf magnus joakim larsson, michael monroe’s real name: matti antero kristian fagerholm, mikkey dee’s real name: micael kiriakos delaoglou, jonathan cain’s real name: jonathan leonard friga, nikki sixx's real name: frank ferrano, steven adler’s real name: michael coletti, axl rose's real name: william bruce rose, bon scott's real name: ronald belford scott, fish’s real name: derek william dick, eddie vedder's real name: edward louis severson iii, peter criss’ real name: george peter john criscuola, freddie mercury's real name: farrokh bulsara, flea's real name: michael peter balzary, perry farrell's real name: perry bernstein, geddy lee’s real name: gary lee weinrib, mick mars' real name: robert deal, tré cool's real name: frank edwin wright iii, courtney love's real name: courtney michelle harrison, pat smear's real name: georg albert ruthenberg, gene simmons' real name: chaim klein witz, spike’s real name: jonathan gray, iggy pop's real name: james newell osterberg, jr., alice cooper's real name: vincent damon furnier, slash's real name: saul hudson, mike dirnt's real name: michael ryan pritchard, ronnie james dio's real name: ronald james padavona, brody dalle's real name: bree joanna alice robinson, skin's real name: deborah anne dyer, nicky wire's real name: nicholas jones, amy lee's real name: amy lynn hartzler, bill wyman's real name: william perks, izzy stradlin's real name: jeffrey isbell, paul stanley's real name: stanley eisen, vince neil's real name: vincent neil wharton, duff mckagan's real name: michael mckagan, jack black’s real name: thomas jacob black, lemmy's real name: ian fraser kilmister, john paul jones' real name: john baldwin, joan jett's real name: joan larkin, eric clapton's real name: eric patrick clapp, siouxsie sioux's real name: susan janet ballion, rachel bolan’s real name: james richard southworth, david bowie's real name: david robert hayward stenton jones, little richard's real name: richard wayne penniman, sid vicious' real name: john simon ritchie, ace frehley's real name: paul daniel frehley, lou reed's real name: louis firbank, joe strummer's real name: john graham mellor, marc bolan's real name: mark feld, the edge's real name: david howell evans, meat loaf's real name: marvin lee aday, steven tyler's real name: steven victor tallarico, ozzy osbourne's real name: john michael osbourne, jon bon jovi's real name: john francis bongiovi, joey belladonna’s real name: joseph bellardini, jack white's real name: john anthony gillis, bono's real name: paul david hewson, sting's real name: gordon sumner, billy idol’s real name: william michael albert broad, geezer butler’s real name: terence butler, pat benatar’s real name: patricia mae giraldo, bo diddley’s real name: ellas mcdaniel, muddy waters’ real name: mckinley morganfield, stevie nicks’ real name: stephanie lynn nicks, doro’s real name: dorothee pesch, sebastian bach’s real name: sebastian philip bierk, joe perry’s real name: joseph pereira, jimi hendrix’s real name: james marshall hendrix (born johnny allen hendrix), zakk wylde’s real name: jeffrey phillip wielandt, maynard james keenan’s real name: james herbert keenan, blaze bayley’s real name: bayley alexander cooke, biff byford's real name: peter rodney byford, m. shadows' real name: matthew charles sanders, syd barrett's real name: roger keith barrett, chris jericho's real name: christopher keith irvine, ginger wildheart's real name: david leslie walls, paul di'anno's real name: paul andrews, phil x’s real name: theofilos xenidis, peter green’s real name: peter allen greenbaum, nicko mcbrain’s real name: michael henry mcbrain, noddy holder’s real name: neville john holder, steel panther’s real names.

Michael Starr: Ralph Michael Saenz, Satchel: Russell John Parrish, Stix Zadinia: Darren Leader, Spyder: Joe Lester.

Lexxi Foxx’s real name: Travis Haley

Jet black’s real name: brian john duffy, buddy holly’s real name: charles hardin holley, elvis costello’s real name: declan patrick mcmanus, rikki rockett’s real name: richard allan ream, blackie lawless' real name: steven edward duren, maxim's real name: keith andrew palmer, rat scabies' real name: christopher john millar.

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Killing Joke replace Television on Billy Idol’s 2022 UK tour

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After one swap of supports due to the covid-related tour postponement, Billy Idol has had to sideline Television from his upcoming UK dates. However, filling the gap fresh from their appearance at Bloodstock recently are the UK’s own Killing Joke.

Television are disappointed to announce: “Unfortunately due to illness, we have to cancel the forthcoming UK tour with Billy Idol. We send our deepest apologies to any fans who have bought tickets.”

Billy will be heading out with some new music and a stack of timeless classics for his first appearances in the UK since 2018 and will play 6 Arena dates. Tickets are available from www.aegpresents.co.uk/billy-idol .

Just when you think it’s all over, I’d been missing my brothers in Killing Joke and then this opportunity came up. Looking forward to seeing everyone next week, 1 days rehearsal and a secret gig somewhere in the U.K. Lets get stuck in! – Jaz Coleman, October ’22

If you like what we do, consider joining us on Patreon for as little as £1 per month!

“We’re looking forward to having Killing Joke and Toyah join us in the UK,” said Billy. “This is going to be an epic show!”

“I am thrilled to be opening for Billy Idol on The Roadside Tour,” an excited Toyah commented. “Billy is an icon whose music has thrilled millions worldwide and continues to do so. Billy has created a style of rock that has gone on to inspire generation after generation. ‘Rebel Yell’, ‘White Wedding’ and ‘Mony Mony’ are up there with the all-time greats.”

Billy’s touring band features his long-time guitarist and collaborator Steve Stevens along with Stephen McGrath (bass, backing vocals), Billy Morrison (guitar, backing vocals), Paul Trudeau (keyboards, backing vocals) and drummer Erik Eldenius.

Billy Idol The Roadside Tour 2022 dates:

• Thursday 13 October Manchester AO Arena
• Monday 17 October Cardiff Motorpoint Arena
• Wednesday 19 October London The SSE Arena, Wembley
• Friday 21 October Glasgow The SSE Hydro
• Sunday 23 October Birmingham Resorts World Arena
• Tuesday 25 October Leeds First Direct Arena

Tickets for The Roadside Tour 2022 can be purchased from www.aegpresents.co.uk/billy-idol . All existing tickets are valid for the revised dates.

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Header image by Steven Sebring

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Though Killing Joke never entered the mainstream, their influence on alternative music and pop culture can not be stressed enough. The band is most notably recognized as a key figure in the English post-punk movement; however, their gloom ridden style helped pave the way for goth and industrial music.

The band formed in Notting Hill, London, England around the late 70s. The group was initially started by drummer Paul Ferguson and singer Jaz Coleman. They were briefly in a band together led by Mataya Clifford, but left to form their own group. Ferguson and Coleman put up flyers around town to recruit new members for their project and eventually got responses from bass player Martin Glover and ex-Rage guitarist Kevin Walker. Not long after the group’s formation they established their own record label Malicious Damage with Mike Coles, who provided the graphic art.

They released their first EP “Turn Red” on 26 October 1979, which racked up quite a bit of attention before it was even put on the shelf. Influential critic/DJ John Peel was impressed with the group’s EP and frequently played it on his radio station. The band’s reputation further grew with John Lyndon’s supportive statement in the new NME publication. With all the positive attention the band was receiving Island Records signed a contract with the band and re-released their first EP.

The band’s early releases channeled the primitivism of punk rock, but dressed it up with eccentric electronic sounds. Their first self-titled full length release ventured into dark sludge rock territories and extreme metal tendencies. It was their first recording to be released through the E.G. label and was moderately successful on the charts, reaching No. 39 in the UK.

The band’s eclectic display of musical ideas appealed to many different crowds, including the metal and punk scene. With their more upbeat, but nevertheless warped songs like “Psyche” and “Follow the Leader” they even gained the interest of disco fiends. Their second album “What’s THIS For....!” went in an even more abrasive direction. The band’s third album “Revelations” was released in 1982 and entered the UK charts at No. 12.

During this time lead singer Coleman became infatuated with the occult and the teachings of Aleister Crowley. He believed that the Apocalypse was coming soon and convinced bandmate Walker to come to Iceland with him to escape it. Youth joined them slightly after. The members formed the project Niceland with some of the musicians from the group Þeyr; however Youth was not convinced that the Apocalypse was coming and joined Ferguson back in England to form the band Brilliant. Ferguson left Brilliant to rejoin the Killing Joke in Iceland and the members of Þeyr went on to form KUKL and eventually the Sugarcubes with lead singer Bjork.

The Killing Joke moved back to England and began recording and touring again. In 1983 they put out their fourth LP “Fire Dance”, which exhibited a more artistic and softer tone than their previous albums. The band continued to release albums in this vein; however, they consequently lost touch with their formative fans. Coleman wanted to make a solo album in 1987, but with pressure ensuing from his label he released it under the name of Killing Joke in hopes of selling more copies. Despite efforts to have other members of the band perform on the album; Coleman, was the only member of the group featured on this release. Unsurprisingly it featured a stylistically different sound, built largely around keyboard leads.

Killing Joke went back to their earlier sound in the 90s and also toured more frequently. The group was back on track with the release of 1994’s “Pandemonium” and 1996’s “Democracy”. Both albums were praised by critics and fans alike. After the “Democracy” tour Jaz Coleman and Martin Glover began crafting heavily orchestrated rock albums in the style of Pink Floyd and the Doors. These releases were also very well regarded critically.

Killing Joke put out their follow up to “Democracy” 7 years later. Their second self-titled album was their first to feature Nirvana/Foo Fighter member Dave Grohl and was also their first to be produced by Andy Gil of Gang of Four.

Killing Joke has since gone on to release “Absolute Dissent” in 2010 and “MMXII” in 2012. They have toured extensively throughout the 2000s and in 2008 they toured with all the original lineup.

Killing Joke has influenced a countless number of artists ranging from industrial troopers like Ministry and Marilyn Manson, heavy metal giants such as Metallica, alternative rock superstars like Nirvana and Soundgarden, and even ambient house groups like the Orb (frontman Alex Paterson was once a roadie for the band).

Live reviews

As alignment of the planets go, this one was pretty unlikely! The chances of Killing Joke (*****) and me both being in Glasgow at the same were pretty far-fetched a few months ago ( I live and work in the USA), but here we were, together again, at the O2ABC Glasgow.

The crowd was bigger than the last time and the performance seemed much better. I have lost count of the times I have seen the band over the years but this was definitely one of the better shows.

In these days of pyrotechnics, flying pigs, numerous guitar and costume changes it is somewhat reassuring to see Geordie stick with the same guitar the entire set (looked like the same one as he used the first time I saw them in 1978!) and Jaz keep the same outfit on!

Surprisingly there was no support, just 90+ minutes of KJ.

The songs were, predictably, mostly from early in the bands career and five culled from new disc, with not a lot in between, which is my main gripe. Some of the songs they have done in recent years have been amongst their best, but they seem to lack the courage to play then live. Oh to hear Gratitude, Invocation, On a hallows eve, or Fema Camp.

Having bought a ticket for this gig from the USA, fate has scheduled another even less likely planetary alignment for 22nd January 2016, Killing Joke and yours truly will both be in Austin at the same time!! Not only will the planets be aligning but a few stars have been thrown in for good measure, one of the support acts is the Soft Moon, my fave band from SXSW 2013.

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Have been my favourite band for 37 years. Seen them live on many occasions and they always put on a good show and have always been 'tight'. The first time was at Night Moves in Glasgow when I was still at school and had the pleasure meeting Jaz - coming into the audience afterwards, signed my t-shirt and to me and my mate back stage to meet the band.

Was really looking forward to seeing them at the Barras and its legendary acoustics, after the last show was interrupted by a power cut at the ABC.

They are so good it is easy to ignore the pensioners and high concentration of fat/old/baldy men - I match a few of those criteria. So disappointed. Everything, apart from the vocals, was drowned out by the bass guitar. Was a dull and flabby blanket muffling the other instrument. Drums sounded miles away and the guitar (which define the unique sound of the band IMHO) were barely audible. Some songs that I known and loved since I was 16, were barely recognisable.

Maybe this is a one off. If not, and I hate to say it, but perhaps it is time to throw in the towel.

Saw the Prodigy the previous week, and they really know how to make a good sound - and that was in a shed (SEC Glasgow).

Killing Joke kicked-off the second part of their glorious 40th anniversary tour to a sold-out show at Le Poisson Rouge in NYC. The venue was great because the stage was low and there was no separation between the fans and the band. We were so close that we spoke with the keyboardist Roi Robertson (who was very friendly). The set-list would satisfy fans of every era of their body of work, going back to their first album with Wardance, The Wait and Psyche to Autonomous Zone from 2015's Pylon. They were tight--the sound was excellent and the dramatic movements of Jaz Coleman emphasized the message that the lyrics conveyed. Geordie's guitar was as smooth and fierce-sounding as ever and Youth's bass punctuated and complemented the rhythm of Big Paul Ferguson attacking the drums. Psyche was particularly special as Big Paul Ferguson and Youth both sang. The encore was particularly satisfying with "The Death and Resurrection Show". Despite thinking nothing could top such a tremendous performance, we stuck around after the crowd left and actually met and spoke with Big Paul Ferguson AND Jaz Coleman! Killing Joke--a show not to be missed.

Thinking of going to a Killing Joke gig? Well it’s time to get the eyeliner out and release your inner punk! These gigs are not for the faint-hearted, but for the intense rock fan that wants to be immersed in the dark, dangerous atmosphere that follows the band.

Front man Jaz Coleman commands the stage with a presence like no other, an air of mystery and a purpose bigger than just playing music fills the room. Most memorably, their gig at the Roundhouse in 2012 was indeed a moment that will not be forgotten. Crowd favourite ‘European Super State’, dubbed by many one of the best pieces of ‘death disco’ ever written, receives an ear-piercing roar as everyone lifts their hands to clap in time with the bass line.

Plagued by controversy the band may not have had as much commercial success as their peers but they are said to have paved the way for bands such as Nirvana, Nine Inch Nails and Soundgarden, to have a lasting effect on modern rock music. And they sure know how to put on an incredible live show, and once you have experienced one, you will never want to miss out!

The concert venue was nice. If last night’s show was your first opportunity to see Killing Joke live it was probably entertaining. I think I realized that there really is a time when a band should consider not performing live anymore. That time was when I watched Jazz Coleman, after the third song stagger over to the speakers brace himself head down while he took a sip of water. He then paused for a few seconds hand gripping the speaker to gather himself. Finally turning back to face the crowd staggering forward he began a rant that his country was considered third world, then he got back to the grind. It didn't appear that he was intoxicated (the roadie lit incense just before the show started to set the tone) just that it was all a bit too much. Hopefully the show in Brooklyn will be more energetic.

What a grand pleasure it was to see an iconic band such as Killing Joke. 40 years in the business and still a personal favorite of mine. Being able to hear the classics was superbly appreciated and awesome. I would have liked to hear a few if the newer songs but they kept it old school and still shined. For me the highlight was hearing "The Wait" by the original band of Killing Joke and not the cover by Metallica. Although a great cover, you can never get the true gritty feel of the original that K.J. can deliver. Bucket list has a new check...in bold, highlighted and coveted. If you ever want to see them live, start planning a trip to the UK because the chance of seeing them live in the U.S. again is highly doubtful.

Columbus, Ohio's Skully's is a great venue; however, I think the bands could have done a bigger venue. PIG opened up with a brutal set of harsh industrial and also played two old KMFDM songs. Raymond Watts is a great musician and was signing, taking pictures, and chatting with the fans after the show. Very personable and approachable guy. I was very impressed by his humbleness and friendly interaction with everyone. Killing Joke absolutely killed it with a brutal set of songs from all their albums. Their stage persona is still highly engaging and full of energy. Amazing show.

Really a great show! I'd never seen KJ in concert before and they didn't disappoint. The band was playing great, Jaz was doing his odd dance/march and singing in his usual way, talking to the audience a bit between songs. I managed to get right in front of them for the hour and half they played. KJ covered a good range of songs from Wardance to newer stuff. It was awesome! Best show I've ever been to, closest I've ever been to a headlining band!

Killing Joke more relevant than ever in an age of greed and inhumanity, a voice of dissent that says NO! you don't have to follow this path. The thinking man's band that have dabbled with musical styles and forged them into conscious songs that encourage the listener not only to think but to act - framed by a colossal unique wall of guitar. Challenging, inspirational and not for the faint of heart.

They seem to be getting better with age without losing any of their edge. The sound was awesome, best yet. Jaz was as animated and intimidating as ever.

It's a great venue and a great crowd. Despite the mean average age getting higher, it was still a mixed bag of young and old who manage to mosh away to a great playlist.

I just wish I could see them again on this tour...

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