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NA 5 UITVERKOCHTE LOTTO ARENA'S KONDIGT CAMILLE EEN NIEUWE TOUR DOORHEEN VLAANDEREN IN 2023 AAN! Dat Camille haar populariteit elke dag groeit, ondervindt de zangeres deze zomer bijna dagelijks op podia doorheen heel het land. 100 optredens waarbij regelmatig marktpleinen moeten afgezet worden, getuigen hiervan. Daarnaast staat de populaire zangeres in november maar liefst 5 keer in een volledig uitverkochte Lotto Arena, wat meer dan een goede reden is om een nieuwe tour op te zetten…. en dat doet ze dan ook: In 2023 zal CAMILLE optreden op verschillende locaties in Vlaanderen waaronder Kursaal Oostende op 4 en 5 maart! 

Nieuwe single CAMILLE meest gestreamde single in België GEEN TRANEN MEER OVER, de nieuwste single van CAMILLE is ondertussen ook drie weken uit en valt duidelijk in de smaak. De videoclip werd in ‘no time’ meer dan 500.000 keer bekeken op Youtube en ook op Spotify voert 21-jarige CAMILLE de hitlijsten aan en blijft ze met voorsprong de meest gestreamde Vlaamse plaat van het moment.  ‘Geen Tranen Meer Over’  is te beluisteren en te downloaden via  deze link , en de bijhorende videoclip is te bekijken via  deze link .

Wegens succes zijn er extra shows bijgekomen op 22 en 23 juli. Boek snel je tickets via deze link .

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The artist formerly known as Camille – Prince’s lost album ‘comes out’

Programme Leader for Music & Sound Recording, University of York

Visiting Music Lecturer, University of York

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The authors do not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

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When Prince Rogers Nelson died at the age of 57 on April 21, 2016, it sent shockwaves around the world. Tributes from fans flooded social media, vigils sprang up across the US, and key landmarks, including the Lowry Bridge in Prince’s hometown of Minneapolis, turned purple to mark his passing. Yet the end of Prince’s earthly existence by no means marks the end of his enduring musical and artistic impact.

The legacies of beloved artists have long transcended their lifetimes. Socially, politically, sexually, and ideologically speaking, Prince is no exception. A remarkably productive and always cryptic figure, he continues to incite fascination from beyond the grave. However, his most incendiary and relevant album has yet to be released.

Pop has long been a rich space for subverting gendered stereotypes and Prince consistently challenged the rigidity of binary gender roles. At once hyper-masculine and delicately feminine, he cuts a distinctive and enigmatic figure within queer pop history.

Now, a cancelled 1987 album that explores all these elements is finally about to see the light of day.

The tracklist and songs that make up this lost release have been available in various guises for several decades, some existing on compilations, albums, and unofficial leaks. We have analysed all the available evidence and musical fragments ahead of their much anticipated reunion to present the most accurate picture possible of this elusive work.

Dearly beloved, we are gathered here to introduce Camille .

Purple reign

By 1986 Prince was already cemented as a potent force in popular music. After the success of the Purple Rain movie 18 months earlier and a slew of successful mould-breaking singles under his belt, including When Doves Cry, Let’s Go Crazy, Raspberry Beret, and Kiss, Prince returned to the recording studio with his sound engineer Susan Rogers to embark on a new project.

It revolved around one core concept that Prince wanted to explore: his voice. Through processing his vocals in the studio, Prince and Rogers were able to increase the pitch of his voice so it no longer sounded what we might call “male”. The process was actually the same as on the “ Chipmunk ” records of the late 1950s, but done to a much more subtle degree. This more “feminine” or “female” voice was christened Camille by Prince and became the centre of his new project.

By November 1986, the whole album (also called Camille) was finalised and a few vinyl demos were pressed in preparation for release the following year. Controversially, Prince decided to attribute the whole album to Camille rather than himself, and his name would not appear on the packaging. But, for reasons that are not known, the release was cancelled – most likely because the record label baulked at the idea of a Prince-less Prince album. Camille lived on for a short time beyond the cancelled release, with three tracks repurposed for the legendary Sign ‘O’ The Times , specifically If I Was Your Girlfriend, Housequake, and Strange Relationship. After this, Camille was never heard from again.

This story is part of Conversation Insights The Insights team generates long-form journalism and is working with academics from different backgrounds who have been engaged in projects to tackle societal and scientific challenges.

In the intervening years, rumours, fan theories, album sleeve notes, tour programmes, and biographies have all hinted at the possible Camille album. But it was not until Prince’s former production manager Karen Krattinger offered one of the demo copies of the album at an auction in 2016 that the record was confirmed as actually “real”. Now, seven years later, Jack White’s Third Man Records has reached an agreement with Prince’s estate to release the full album.

Queer histories

The story of Camille fits into the wider narrative and rediscovery of the hidden histories of queer and trans people, mapping the blank spaces where they were erased from history. Many examples spring to mind, but perhaps soul singer Jackie Shane’s slow rediscovery over the past decade is a perfect example of the treasure trove of music and figures that have been obscured from music history. When shared, these histories can empower marginalised groups within broader society. Imagine the potential impact had Camille been released and received as a queer persona in 1987. What would have happened if “His Royal Badness” had been “Her” four decades ago?

In many ways it is futile to speculate around lost impact. Yet it is worth reflecting on what it would have meant to have an artist of colour – who was also a bastion of male sexuality – playing with gender, femininity and sexuality. Would it have pushed further aspects of queerness into popular culture? After all, Prince was a mainstream megastar, selling millions upon millions of records throughout the 1980s.

Conversely, imagine pop without the gender-bending and provocatively queer moments that we now hold up as legendary. What would our history be if we lost David Bowie and Mick Ronson’s shocking “ oral guitar solo ”, the winking audacity of the I Want to Break Free video, Frankie telling us to “ relax ”, or Lil Nas X offering the devil a lapdance ? Camille should have been among this list of cultural touchstone moments that make up our collective conception of popular music.

Several highly-acclaimed recent television series’ have also focused on queer history at a time contemporaneous with Camille’s original planned release date. Russell T Davies’ mini-drama It’s A Sin focused on the lives of young queer Brits during the AIDS epidemic that decimated the community. Equally lauded was FX’s Pose , which explored the lives of LGBTQ+ people of colour in the New York ballroom scene of the 1980s. The resurgence and reinsertion of the ballroom scene documentary Paris Is Burning (filmed again in the mid-late 1980s) into public consciousness points to a wide and continued fascination with this period of queer history.

Among today’s so-called “culture wars”, the denigration of the trans community , and the recent rise in homophobic and queerphobic hate , a celebration of the diversity of gender performances is surely as welcome as ever. In recent years the unique perspectives of queer, trans and non-binary artists have been praised by popular music fans and pundits alike. Sophie, Mikki Blanco, Kim Petras, Julianna Huxtable, Anohni, Honey Dijon, Arca, and many more have greatly increased the audibility of queer voices for the broader pop music fan base.

So with Camille finally about to “come out” (in every sense of the phrase), it seems like the right time to ask what impact she might have had in 1987, how she was created, and why now is the perfect moment for her debut.

I Wanna Be Your Lover

Prince was sexy. Not necessarily just as an object of desire, but his persona, music, lyrics, dance moves, album covers, and public image oozed sex, ambiguous sexuality, and overt sensuality. He was a cheeky champion of all things kinky. The lyrics to Darling Nikki, Get Off, Soft and Wet, Head, and Dirty Mind, among others, should be enough to convince you of his sexual credentials.

Prince’s particular form of musical sexuality was unique and often hard to define. His approach to sex, in general public consciousness, was masculine, straight, tough, and naughty. But it could also be feminine, queer, tender and spiritually chaste. Wesley Morris sums up this sexual ambiguity perfectly in his New York Times piece, saying that the focus of Prince’s sexual orientation was always oriented towards “you” – that is, the listener.

Here we are of course conflating aspects of gender, sexuality, and sex. But with Prince, it’s hard to untangle those elements. Prince was at his most interesting and successful when he wrapped himself in ambiguity and androgyny. The opening lines to I Would Die 4 U specifically tell us this:

I’m not a woman. I’m not a man. I am something that you’ll never understand.

He left us other clues about the way he viewed race, sex and sexuality in tracks like Controversy , where he played with the media’s portrayal of celebrity.

Am I Black or white? Am I straight or gay?

Of course, he wasn’t the first to play with these ideas. Western popular music has a rich history of genderplay. Cast your mind back to the decadence of glam rock, the unabashed sweaty sexiness of disco, or the glittery flamboyance of the New Romantics. A degree of dandyism has long allowed the male rock star to challenge the codes of reserved, stoic, western masculinity. The term “dandy” in this case refers to those lavishly dressed, ostentatiously extravagant male artists of the latter half of the 20th century. Rock stars like Marc Almond, David Bowie and Mick Jagger used elaborate fashion and exaggerated movements to free themselves of conservative expectations around how men “should” behave .

Yet, Prince’s androgyny always felt different. As author Sasha Geffen wrote, it went beyond costume, it was “a part of who he was, reflected not only in his clothes but in his voice, mannerisms and presence”. He often played with a hypersexual mode of masculine musicality, as documented by songs like Erotic City, while his visual persona could easily be described as “soft” or “pretty”, as he appears on the cover of his eponymous album . So Prince’s ambiguity is entangled within his entire persona. Nowhere is this clearer than on this currently unreleased gem.

If Prince is hard to pigeonhole, then Camille proves even more elusive.

The Camille persona did not just arrive fully formed. Rogers was instrumental in bringing Camille to life. As Prince’s sound engineer for Purple Rain and Sign ‘O’ The Times, she facilitated his performances and helped craft his most seminal albums. She has described Camille as a figure “who might have been male, might have been female, it wasn’t really clear – might have been kind of ghostly, might have been kind of humanoid”.

However, the technology used to create Camille’s voice from that of Prince was rudimentary. In 1986, “realistic” male-to-female voice modification in a recording studio was not possible, and still poses challenges for technology companies today. But the limitations of the technology are one of the most revealing aspects of Camille.

A study from the Journal of Voice illustrates that voices that are manipulated in this way are perceived as “non-male”. The study also points to the “gender ambiguity” of a voice treated similarly to Camille. There are several studies that present similar findings . In essence, this research shows that altering the voice can have an impact on how we perceive someone’s gender. But more importantly, the processing of Prince/Camille’s voice is done to a degree that defies the gender binary.

It’s not just the pitch of Camille’s voice that sheds light on her possible persona. On the track Good Love we can hear Camille offering us a half-spoken/half-sung vocal mimicking the “valley girl” delivery made famous in the teen classic Clueless . By using elements of the stereotypical creaky-voiced “vocal fry”, Camille is telling us to what tribe she might belong. Plus, the squeals of girlish delight we hear throughout the song point to something other than the machismo one might expect from a 1980s male sex symbol.

If, as originally intended, we didn’t know that this album was produced by Prince, we might have a very different perspective on the singer. In essence, there is evidence to say that Camille might be best perceived female, or possibly as queer or trans – at least in terms of her voice. Yet, her voice and delivery aren’t our only clues to her identity. It can also be found in what she says.

Camille comes out

If I Was Your Girlfriend is one of the songs which survived and made it on to Sign ‘O’ The Times, and in some early releases is even credited to Camille. The song is perhaps where the combination of lyrics and artificial vocal manipulation are most striking. Opening with six bars of falsetto sighs and screams, the song introduces us to a more vulnerable Camille. This vulnerability soon gives way to something more urgent.

The meaning of “girlfriend” is as ambiguous as we have come to expect from Prince. The opening verses describe our narrator and the addressee doing arguably platonic activities, like choosing outfits and swapping stories about those who have wronged them. It is not long, however, until Camille sings of the sexual gratification that might result from such closeness and promises of long baths and kisses “down there, where it counts” soon follow.

The shifting perspectives of the narrator make it difficult to work out who is being addressed and who does the addressing in this song. Camille makes reference early on to having been the former “man” of the person she sings to and suggestions of children occur in the spoken section. Yet her pleas to girlfriend status make up the majority of the song. All elements are sung in Camille’s distinctive timbre. Jumping between male and female signifiers throughout, Camille could be said to occupy an ambiguous space here, leaving us little in the way of explanation.

The track might be presenting Camille as a transgender persona. Alternatively, there is an argument to be made that Prince is simply asking the object of his affections for the kind of emotional intimacy common in close female friendships. Yet, the hypersexual male rock star making such a plea is striking, particularly in combination with the vocal manipulation. Perhaps Prince is challenging the tough, promiscuous persona that might be expected of the rock god?

On the track’s original B-side, Shockadelica, we find Camille in a less melancholic mood. As on If I Was Your Girlfriend, the identity of our narrator is not immediately apparent. Prince sings about Camille, but in her voice. Is Prince talking about this mysterious, bewitching woman, or is Camille singing in the third person, as befits a diva?

Either way, Shockadelica is an unapologetic celebration of Camille and her allure:

She must be a witch, she got your mind, body, and soul hitched!

Where If I Was Your Girlfriend challenged gendered stereotypes through its emotional openness, Shockadelica is a paean to female sexuality. This is a woman who is fully aware of her appeal and in total control of it, rendering her admirer completely helpless.

Feel U Up would also find its home as a B-side, in this case for 1989’s Partyman . Feel U Up is classic Prince hedonism. Camille urges the object of her affections to enjoy the moment – any subsequent relationship, however fleeting, is not of concern here. Camille prioritises the other person’s pleasure in this song, encapsulating Morris’ points about Prince’s focus on “you” with lyrics like: “I ain’t looking for a one night stand, I only wanna feel you up.”

In this collection of songs, Camille is a fully fleshed-out character. She contains multitudes in her desires and her insecurities, and her complexities are consistent with the complexities in all of us.

Strange relationship

You may have noticed us refer to Camille as she/her and this is quite deliberate. In the lyrics there are scant references to pronouns, but when they are used she is consistently referred to as “she” or “that girl”, or directly by name. Although she is female on this album, she is referred to as the “boy named Camille” in the LoveSexy tourbook (and in French, the name is unisex). There is also evidence to suggest that aspects of Camille were inspired by Herculine Adélaïde Barbin , a 19th-century French intersex person who identified as female. Due to the imminent release of the album in which Camille seems to be tangibly female, we call her “she” in this context, with the caveat that she appears more fluid in other instances.

The deeper into this album we have gone, the more apparent Camille’s separation from Prince has become. We think it is fair to say that Prince never thought of Camille as some form of fleeting sonic drag. Rather, Camille is an entire alter ego, or a new frontier for Prince to explore.

With Camille, we can hear Prince parsing experiences of sex and the sexual between his own experience and that of his female alter ego. Prince is interested in all things erotic, and that extends as far as donning a female or queer persona to allow a full range of experiences. Camille tells us so on Feel U Up: “I don’t really want to be your man, I only want to feel you up.”

And Camille seems to spark a broader fascination for Prince, particularly concerning the idea of two opposites or binaries existing together. In 1986 it was Camille and the exploration of the male and female. A few years later, he’d don a superhero and supervillain costume simultaneously (divided down the middle, of course) and call himself Gemini for the soundtrack album for 1989’s Batman. You can even see Gemini in the Bat Dance video. Writer Lucas Cava offers a fascinating deep dive into the dual personalities and interwoven origin stories of Gemini and Camille, guiding us through their development in videos, songs, films and extracts from tour programmes.

It isn’t coincidental that Prince wanted to explore these binaries between man and woman, evil and good. An interest in dichotomies seems to have been a theme in Prince’s life and career. His patented Minneapolis sound is a blend of working-class white rock and queer Black disco. Life and death crops up regularly in Prince’s lyrics. Even his Dandyish fashion draws together elements of masculine and feminine together.

Whereas Prince and Camille played with the dichotomies of male and female, Prince’s contemporaries explored the spaces in-between and along the spectrum of gender. Bowie was at various points dandy-ish (look at the Hunky Dory and The Man Who Sold the World album covers), a glittery bisexual alien (the Aladdin Sane and Ziggy Stardust personas), and an emblem of sneering masculinity (The Thin White Duke). Boy George and Annie Lennox proudly danced in the middle, gazing out at you from the cover of Newsweek . Grace Jones’ statuesque coolness defied conventions of demure femininity, while Sylvester’s brand of queer joy flew in the face of stoic masculinity.

Taking a more aggressive tone, the heavy metal fraternity (see Twisted Sister and Mötley Crüe ) of the 1980s applied makeup and Lycra in an attempt to shock crowds, parents and topple the status quo. The earlier Rolling Stones attempt at provoking audiences with similar drag appears (retrospectively at least) more Monty Python than scandalising, more churchgoing Sunday best than skintight spandex.

Prince and Camille sit apart from these artists. They don’t revel in the innumerable gradations along the spectrum of gender and they certainly do not mock any interpretation thereof. Rather, they represent the polar positions, singing back and forth to one another across the expanse.

A sign of the times

In the process of listening to and revisiting the songs made for the album, we have found ourselves running in circles trying to define this mysterious and intriguing persona. Each time one of us thought we had found a definition we could pin down, it would slip from our grasp on a second listen. In light of this, we decided that it would be more valuable to celebrate her ambiguity and ask what the release of the album means now, rather than trying to pigeonhole or categorise her.

Freed from her four decades in the vault , Camille will finally be allowed to come out. The question now is how and where to situate Camille within a queer pop history. Will she be lauded as an important lost voice in music history, or cast aside as a novelty for Prince completists?

Camille’s long absence leaves us only able to speculate on the impact she might have had. Had the Camille album been released as planned, could she have contributed to the wider representation of queer artists earlier in our pop culture past? What kind of ruminations around gender could she have provoked in the public consciousness? What would a Camille tour have looked like? There are surely queer elements that might have become part of broader public discourse, at least among Prince’s established fanbase, as a consequence of Camille’s presence.

The history of androgyny and genderplay in pop is a rich one, but Camille embodies something that eludes neat compartmentalisation. While we can’t know for sure what kind of impact Camille would have had at her inception, she belongs to a vibrant hidden history of queer artists. Personally speaking, we like the fact that Camille is so challenging to define. She brings ambiguity, playfulness, and queerness to bear in a way that few artists ever explore. That androgyny and otherness is, to us, where her real power and contribution comes from.

It is fair to say that Camille would not have been a cure-all for queer rights and discrimination and we must be careful not to overestimate her impact. She would not have been the straw that broke the camel’s back, ushering in a new age of fraternal love, but she may have added another high-profile voice to the growing number of queer artists presenting important and publicly relevant work.

We can only hypothesise what she would have meant to listeners in 1987. However, that doesn’t negate or diminish her contribution and importance to audiences today, particularly audiences who may see themselves reflected in her enigmatic sensuality.

For you: more from our Insights series :

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• December 19, 2023 Setlist

Camille Setlist at Het Zand, Bruges, Belgium

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• Magie Play Video
• In de regen Play Video
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7 activities (last edit by kiom21 , 27 Jan 2024, 20:13 Etc/UTC )

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• Sep 29 2023 Nekkerhal Mechelen, Belgium Add time Add time
• Dec 09 2023 Q-Pop 2023 Merksem, Belgium Add time Add time
• Dec 19 2023 De Warmste Week 2023 This Setlist Bruges, Belgium Start time: 7:05 PM 7:05 PM
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2024 Masters tee times: Sunday pairings for Round 4 at Augusta National

On Sunday at the 2024 Masters, a new champion will be crowned at Augusta National.

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The 2024 Masters comes to an end on Sunday, April 14, with the final round at Augusta National Golf Club . You can view the complete Masters tee times for Sunday’s final round at the bottom of this post.

Featured Masters Sunday pairing

World No. 1 and 2020 Masters champion Scottie Scheffler grinded out a one-under 71 in difficult conditions on Saturday, capped off by a birdie at the 18th.

The 71 moved Scheffler to seven under for the tournament and handed him a one-shot lead over two-time major winner Collin Morikawa , who shot a 69 on Saturday to reach six under.

Max Homa will begin the final round two shots back, with Ludvig Aberg and Bryson DeChambeau further behind.

Scheffler and Morikawa will tee off together in the final pairing on Sunday at 2:35 p.m. ET, with Homa and Aberg setting off just before them at 2:25 p.m. ET.

You can watch Sunday’s final round of the Masters on TV via CBS starting at 2 p.m. ET. Or you can watch streaming coverage all day Sunday via ESPN+ , Masters.com, the Masters app, Paramount+ and the CBS Sports app, including exclusive early action, featured group coverage and much more.

Check out the full Sunday tee times for the 2024 Masters below.

2024 Masters tee times for Sunday: Round 4 (ET)

9:15 a.m. – Adam Hadwin, Vijay Singh 9:25 a.m. – Jake Knapp, Grayson Murray 9:35 a.m. – Neal Shipley (a), Tiger Woods 9:45 a.m. – Tom Kim, Denny McCarthy 9:55 a.m. – Kurt Kitayama, Thorbjørn Olesen 10:05 a.m. – Erik van Rooyen, Eric Cole 10:15 a.m. – José María Olazábal, Camilo Villegas 10:25 a.m. – Russell Henley, Jason Day 10:35 a.m. – Keegan Bradley, Min Woo Lee 10:45 a.m. – Si Woo Kim, J. T. Poston 11:05 a.m. – Corey Conners, Brooks Koepka 11:15 a.m. – Phil Mickelson, Shane Lowry 11:25 a.m. – Taylor Moore, Sahith Theegala 11:35 a.m. – Akshay Bhatia, Harris English 11:45 a.m. – Jon Rahm, Tony Finau 11:55 a.m. – Hideki Matsuyama, Luke List 12:05 p.m. – Ryan Fox, Rickie Fowler 12:25 p.m. – Danny Willett, Adam Scott 12:35 p.m. – Will Zalatoris, Tyrrell Hatton 12:45 p.m. – Rory McIlroy, Joaquín Niemann 12:55 p.m. – Matthieu Pavon, Sepp Straka 1:05 p.m. – Matt Fitzpatrick, Patrick Reed 1:15 p.m. – Adam Schenk, Chris Kirk 1:25 p.m. – Patrick Cantlay, Lucas Glover 1:45 p.m. – Cameron Young, Tommy Fleetwood 1:55 p.m. – Byeong Hun An, Cameron Smith 2:05 p.m. – Cameron Davis, Nicolai Højgaard 2:15 p.m. – Bryson DeChambeau, Xander Schauffele 2:25 p.m. – Max Homa, Ludvig Åberg 2:35 p.m. – Scottie Scheffler, Collin Morikawa

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Poet, Academic Camille Dungy to Give Public Reading at Duke Gardens on April 18

Dungy's 2023 memoir 'soil: the story of a black mother's garden' argues for heterogeneity to preserve our planet and each other.

“The green of growing things calms me. Plants stabilize me,” the poet and academic Camille Dungy writes in her 2023 memoir Soil: The Story of a Black Mother’s Garden .

On April 18, appropriately timed to the peak of mid-spring bloom, Dungy will visit Duke to give a free public reading — “An Evening with Camille Dungy” — in the Sarah P. Duke Gardens’ Angler Amphitheater. The event is co-presented by the John Hope Franklin Humanities Institute (FHI), Duke Arts, and the Duke Gardens, and co-sponsored by Department of African and African American Studies and Department of English. A reception and book signing will follow the reading.

Dungy’s visit was initiated by the Art and the (De)Colonial Garden Working Group, a collective of scholars and writers convened by Sharon Kunde , ACLS Emerging Voices Postdoctoral Fellow at FHI.

Kunde, whose research interests tend toward “representations of plants, soil, and dirt in — and as — literature,” initially began the group as a forum for sharing work and sparking discussion “around issues having to do with landscape aesthetics, settler agriculture, and expatriation.” Dungy’s work felt like a perfect fit, both for the working group and for a broader engagement at Duke and in Durham.

“ Soil  is a tour-de-force of interdisciplinary nature writing of the kind our working group engages,” Kunde said. “A hybrid work of memoir, environmental history, abolitionist writing, feminism, and nature writing, the book adds force and heft to an oeuvre that has already broadened understanding of the scope of African American nature writing.”

Dungy, who has authored f our acclaimed collections of poetry — including 2017’s National Book Critics Circle Award Finalist Guidebook to Relative Strangers: Journeys into Race, Motherhood, and History — also drew attention for her edited volume Black Nature: Four Centuries of African American Nature Poetry , the first anthology to focus on nature writing by African American poets.

Across 180 poems from 93 poets, Dungy-as-anthologist fills in the gaps she outlines in her introduction to the volume: “For years, poets and critics have called for a broader inclusiveness in conversations about ecocriticism and ecopoetics... African Americans, specifically, are fundamental to the natural fabric of this nation but have been noticeably absent from tables of contents.”

Soil , the focus of Dungy’s visit to Duke, brings the political and environmental down to personal scale. The memoir recounts Dungy’s efforts to diversify her garden in the predominately white community of Fort Collins, Colorado as a poetic manifesto against homogeneity writ large.

Tickets to Dungy's public reading are free, but registration is required . In addition to the public reading, Dungy will participate in an interview with James B. Duke Distinguished Professor of African & African American Studies and Chair of the Department of African & African American Studies Mark Anthony Neal for the podcast Left of Black and lead a generative poetry workshop for Duke students .

Tiger Woods vows to play final round after painful Saturday at Masters

Tiger Woods during the third round of the 2024 Masters Tournament. (Andrew Redington/Getty Images)

Was in discomfort ‘all day’ in carding highest-ever round at Augusta National

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AUGUSTA, Ga. – A hobbled Tiger Woods said he will be back for the final round of the 88th Masters Tournament on Sunday despite being in obvious discomfort for parts of Round 3 when he shot 82, his highest-ever score at Augusta National.

The round was his seventh score of 80 or higher in any event, and his fourth in a major.

He winced after some shots, like his second at the par-4 ninth, and made uncharacteristic mistakes that had some wondering if he would withdraw. Still, when asked to identify the biggest challenge he faced, he did not mention his battered body.

“The fact that I was not hitting it very good or putting well,” he said. “I didn't have a very good warmup session, and I kept it going all day today. Just hit the ball in all the places that I know I shouldn't hit it. And I missed a lot of putts. Easy, makable putts. I missed a lot of them.”

Woods, 48, has endured multiple back operations, and after being forced to withdraw from last year’s Masters flew to New York for right ankle fusion surgery. He said earlier this week that he is physically challenged by any shot that isn’t on a tee box, a nod to Augusta’s hilly terrain.

What’s more, Woods has not completed four rounds in an official PGA TOUR event since The Genesis Invitational in early 2023.

On Saturday he acknowledged that he was in pain “all day” throughout the third round, like when he tried to shape a left-to-right approach shot out of the trees to the ninth green. (He made bogey.) He was limping slightly and sweating profusely upon walking off the last hole.

Woods insisted after Round 2 that he had a chance to add to his five Masters titles.

Alas, his hopes ended abruptly Saturday. Although he birdied the difficult par-4 fifth hole, Woods seemed to lose focus as he bogeyed the par-3 sixth and then made back-to-back double-bogeys on the seventh and eighth holes. He bogeyed the ninth for a front-nine 42.

“It's just that I haven't competed and played much,” he said. “When I had chances to get it flipped around and when I made that putt at 5, I promptly three-putted 6 and flub a chip at 7 and just got it going the wrong way, and when I had opportunities to flip it, I didn't.”

The 82-time PGA TOUR winner insisted he would return for the final round Sunday.

“My team will get me ready,” he said. “Kolb (physical therapist Kolby Tullier) has been awesome. It will be a long night and a long warmup session, but we'll be ready.”

Cameron Morfit is a Staff Writer for the PGA TOUR. He has covered rodeo, arm-wrestling, and snowmobile hill climb in addition to a lot of golf. Follow Cameron Morfit on Twitter .

LIV Golf Masters Leaderboard: updates, scores for LIV tour as DeChambeau dominates

Editor's note: Follow live coverage of the Masters, leaderboard, highlights and more.

The Masters are here.

The first major tournament of the year started on Thursday, and nearly 90 players were at the Augusta National Golf Club in Augusta, Georgia to contend for a highly sought-after green jacket. Thirteen of them are LIV golfers.

From NFL plays to college sports scores, all the top sports news you need to know every day.

Spanish golfer, LIV participant and 2023 Masters champion Jon Rahm will be looking to become the fourth golfer in Masters history to win back-to-back jackets and the first since Tiger Woods in 2001-02.

Several other LIV golfers likely will be in contention for a Masters win by the end of the weekend as well, with Brooks Koepka, Dustin Johnson and up-and-comer Joaquín Niemann also among favorites.

Though it's red-hot American (and non-LIV golfer) Scottie Scheffler who wass the early favorite after winning his second consecutive Players Championship last month. He also won this year's Arnold Palmer Invitational just one week before his Players win. Scheffler played remarkably well on Day 1 as well, shooting 6-under on Day 1. Still, he sits in second place heading into Friday as LIV's Bryson DeChambeau leads all golfers at 7-under after Thursday.

Tiger Woods live: Updates, score and tracker for golf icon at Augusta on Day 1 Thursday

LIV Golfers Leaderboard at the Masters

• 1 - Bryson DeChambeau, -7
• T27 - Tyrell Hatton, E
• T8 - Joaquín Niemann, -2
• T16 - Cameron Smith, -1
• T48 - Patrick Reed, +2
• T27 - Sergio García, E
• T48 - Brooks Koepka, +2
• T36 - Phil Mickelson, +1
• T36 - Jon Rahm, +1
• T48 - Bubba Watson, +2
• T62 - Dustin Johnson, +3
• T48 - Charl Schwartzel, +2
• 86 - Adrian Meronk, +8

Masters Leaderboard: Full updated scores for Augusta leaders

Weather in Augusta, Georgia delays Masters start

The start of the Masters' first round was delayed Thursday morning due to rainy and windy conditions.

Thunderstorms are likely to end around 10 a.m. ET, and the first round is now scheduled to begin at 10:30 a.m. ET.

LIV Golfer standings after Day 1 of The Masters

• Bryson DeChambeau, -7
• Tyrell Hatton, -3
• Joaquin Niemann, -2
• Patrick Reed, -2
• Cameron Smith, -1
• Brooks Koepka, E
• Sergio Garcia, E
• Phil Mickelson, +1
• Jon Rahm, +1
• Bubba Watson, +1
• Dustin Johnson, +1
• Charl Schwartzel, +2
• Adrian Meronk, +6

LIV Golfer odds to win Masters 2024

Odds courtesy of BetMGM .

• 1. Jon Rahm (+1200)
• 2. Brooks Koepka (+1800)
• 3. Joaquín Niemann (+2800)
• 4. Bryson DeChambeau (+3300)
• T-5. Dustin Johnson, Cameron Smith (+4000)
• T-7. Tyrell Hatton, Patrick Reed (+6600)
• 9. Sergio García (+10000)
• T-10. Adrian Meronk, Phil Mickelson (+20000)
• 12. Bubba Watson (+25000)
• 13. Charl Schwartzel (+35000)

LIV Golfers who have won the Masters before

• Jon Rahm (2023)
• Dustin Johnson (2020)
• Patrick Reed (2018)
• Sergio García (2017)
• Bubba Watson (2012, 2014)
• Charl Schwartzel (2011)
• Phil Mickelson (2004, 2006, 2010)

2024 Masters Tournament schedule and how to watch

The Masters begins Thursday, April 11 and run through Sunday, April 14.

Round 1: Thursday, April 11

• Starting at 10:30 a.m. ET
• TV coverage: 3:00-7:30 p.m. ET
• Channel: ESPN
• Streaming: Masters.com (simulcast), CBSSports.com (desktop and mobile), CBS Sports App (desktop and mobile), ESPN+, Paramount+

How to watch: Catch Masters action with an ESPN+ subscription

Round 2: Friday, April 12

• Starting at 8:30 a.m. ET

Round 3: Saturday, April 13

• Starting at 10:00 a.m. ET
• TV coverage: 3:00-7:00 p.m. ET
• Channel: CBS
• Streaming: CBSSports.com (simulcast), Paramount+ (simulcast), CBS Sports app (simulcast)

Round 4: Sunday, April 14

• TV coverage: 2:00-7:00 p.m. ET

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This article originally appeared on USA TODAY: LIV Golf Masters Leaderboard: updates, scores for LIV tour as DeChambeau dominates

Who won the Masters in 2023? Jon Rahm became champion before LIV Golf defection

Only three golfers have won back-to-back Masters tournaments at Augusta: Jack Nicklaus, Nick Faldo, and Tiger Woods. Jon Rahm is hoping to become the fourth.

The 2023 Masters winner will be in the field in 2024 as he looks to do something that hasn't been done since 2002, when a Tiger Woods in the midst of his first prime won golf's first major of the season for the second time in a row. Rahm, who shot a 12-under 276 for the weekend, beat out Phil Mickelson and Brooks Koepka (8-under 280) for his first green jacket.

This year, it won't get any easier. Rahm will find himself up against Scottie Scheffler, Rory McIlroy, Jordan Spieth, and many more of golf's best as he looks for his third career major win.

Rahm, who went on to join LIV Golf later in 2023 despite previously pledging himself to the PGA Tour, is suspended from the PGA Tour for his defection to the controversial league. However, he is able to play at Augusta thanks to The Masters' eligibility rules.

Here's what to know about the defending champion at Augusta.

Who won the Masters in 2023?

Spanish golfer Jon Rahm is the defending Masters champion, making him the second non-USA-born golfer in three years to don the green jacket (2021 winner Hideki Matsuyama was born in Ehime prefecture in Japan).

Rahm held off LIV golfers Brooks Koepka and Phil Mickelson to win his first Masters, capping off an utterly torrid start to his season. Koepka entered the final round with the lead while Mickelson came in 10 strokes off pace, putting Rahm in the Goldilocks position to pull off a Sunday victory.

He shot 3-under 69 in the final round whereas Koepka shot 3-over 75, giving Rahm a four-stroke victory. Mickelson, meanwhile, shot 7-under 65 on Sunday to work his way into a tie for second on the leaderboard.

“Hard to put it into words," Rahm said after his win, per Golf Digest . "Obviously we all dream of things like this as players, and you try to visualize what it's going to be like and what it's going to feel like. And when I hit that third shot on the green [at the 18th], and I could tell it was close by the crowd's reaction, just the wave of emotion of so many things just overtook me. Never thought I was going to cry by winning a golf tournament, but I got very close on that 18th hole."

Jon Rahm's Masters scorecard in 2023

Rahm had a phenomenal first two days at Augusta before a lackluster third round threatened his position atop the leaderboard.

After entering the final day two strokes back of leader Brooks Koepka, Koepka's struggles on Sunday opened the door for Rahm, who ultimately won the day and the tournament. Par at Augusta National is 72 for the day, and 288 for the weekend.

• Round 1: 7-under 65
• Round 2: 3-under 69
• Round 3: 1-over 73
• Round 4: 3-under 69
• Total: 12-under 276

Is Jon Rahm playing in 2024 Masters?

Despite not playing on PGA Tour, Rahm will be participating in the 2024 Masters.

Rahm defected to LIV Golf in December 2023, which led to his immediate suspension from PGA Tour events. The Masters, however, operates as an independent body, and has its own suite of rules for eligibility. One of those rules is automatic tournament participation for life thanks to his 2023 victory.

Rahm isn't the only golfer from LIV who is eligible. Other LIV golfers who will be in field include Koepka, Joaquin Niemann, Cameron Smith, and Mickelson, among others.

Why did Jon Rahm join LIV Golf?

Rahm, who decried LIV Golf upon the breakout league's inception, joined the Saudi-backed league on Dec. 7, 2023.

"To be honest, part of the (LIV) format is not really appealing to me," Rahm said in 2022, per NBC Sports . "Shotgun three days to me is not a golf tournament, no cut. It’s that simple. I want to play against the best in the world in a format that’s been going on for hundreds of years. That’s what I want to see."

Upon joining LIV, Rahm has performed an about-face.

“I’d say there was two instances," Rahm said of his change of heart on GOLF.com's "Breakthrough." "I think dynamics started to change and there was a lot of division at that time. And yes, for me to want to change, there had to be reasons beyond the money, right? So when I said that I fully meant it and it was true. Now, when they slap you with a large amount of money in your face, your feelings do change. I try not to be a materialistic person, but I do owe it to my family as well to set them up for success the best I can, and having kids I think changed that quite a bit. So the money is a part of it; I’m not going to lie. But again, when I said that I wasn’t fully aware of what I was saying because you don’t really understand.”

In summation, the move largely came down to money.

Jon Rahm Masters menu

One of the revered traditions of the Masters is the Champion's Dinner, in which winners of the famed event gather to eat a menu curated by the previous year's victor.

Rahm's Champions Dinner menu was released in March, and it pays homage to his home country of Spain. Options on the menu include, per Golf.com:

Truly a dinner befitting a champion.

Shakira Joins Bizarrap at Coachella, Announces World Tour

Shakira just joined Bizarrap , the Argentine DJ and hitmaker instrumental in her massive comeback, for her first-ever Coachella appearance at the Sahara Tent.

After introducing herself with a she-wolf howl, the Colombian pop legend took the mic to perform two collaborations with Bizarrap: “Shakira: Bzrp Music Sessions, Vol. 53,” the scathing 2023 highlight of her new album, Las Mujeres Ya No Lloran , as well as their club-ready banger, “La Fuerte.” A swarm of screaming fans scrambled to the front, waving Argentine and Mexican flags to welcome the diva to the desert.

Shakira also broke some big news onstage: she’s embarking on a world tour to promote Las Mujeres Ya No Lloran . “Starting here this November, in this city,” she added, though it was unclear whether she meant the City of Indio.

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Shakira’s Coachella debut comes months after a Hits Daily Double report alleged that her team pushed for her to headline the festival, but that “Coachella ultimately passed.” In March, Shakira drew a crowd of more than 40,000 in Times Square as she performed songs from Las Mujeres No Lloran .

In a  Rolling Stone review , Suzy Exposito wrote about the album: “Shakira finally gets to turn the page on these tempestuous past two years, and reintroduce herself — not as Shakira the soccer mom, nor Shakira the heartbroken — but Shakira fucking Mebarak, international pop icon and undefeated champ.”

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