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The Beatles: The First US Visit

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The Visit (2015) Stream and Watch Online

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Want to behold the glory that is ' The Visit ' in the comfort of your own home? Finding a streaming service to buy, rent, download, or watch the M. Night Shyamalan-directed movie via subscription can be tricky, so we here at Moviefone want to help you out. Below, you'll find a number of top-tier streaming and cable services - including rental, purchase, and subscription choices - along with the availability of 'The Visit' on each platform when they are available. Now, before we get into all the details of how you can watch 'The Visit' right now, here are some particulars about the Blumhouse Productions, Blinding Edge Pictures, Universal Pictures, dentsu thriller flick. Released September 11th, 2015, 'The Visit' stars Olivia DeJonge , Ed Oxenbould , Deanna Dunagan , Peter McRobbie The PG-13 movie has a runtime of about 1 hr 34 min, and received a user score of 63 (out of 100) on TMDb, which compiled reviews from 4,536 top users. Want to know what the movie's about? Here's the plot: "A brother and sister are sent to their grandparents' remote Pennsylvania farm for a week, where they discover that the elderly couple is involved in something deeply disturbing." 'The Visit' is currently available to rent, purchase, or stream via subscription on Amazon Video, Microsoft Store, Google Play Movies, Apple iTunes, Vudu, Max , Cinemax Apple TV Channel, Spectrum On Demand, YouTube, Cinemax Amazon Channel, AMC on Demand, and HBO Max Amazon Channel .

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The First US Visit

First broadcast 1st March 1966

"We came out of nowhere with funny hair, looking like marionettes or something. That was very influential. I think that was really one of the big things that broke us - the hairdo more than the music, originally." Paul
"We were so overawed by American radio, Epstein had to stop us: we phoned every radio [station] in town, saying, 'Will you play the Ronettes doing this?' We wanted to hear the music. We didn't ask for our own records, we asked for other people's." John
"I had a bad throat and that's why I'm missing from the publicity shots in Central Park. There are pictures of just the three of them with the New York skyline behind." George
"It was so exciting. On the plane, flying in to the airport, I felt as though there was a big octopus with tentacles that were grabbing the plane an dragging us down into New York. America was the best." Ringo

The Beatles First US Visit chronicles the remarkable two weeks in February 1964 that began America's still-enduring love affair with the group.

The film of the frantic fortnight records the hysterical reaction to The Beatles US debut in a documentary that was the real-life inspiration for the Beatles movie A Hard Day's Night.

Closely shot at the shoulders of John, Paul, George and Ringo by the pioneering Maysles Brothers, The First US Visit innovated intimate film-making that set a benchmark for rock and roll cinematography.

Albert and David Maysles were granted all-areas access the like of which is now unknown, filming The Beatles in the eye of their own hurricane as the band besotted America and lifted the nation from its gloom in the wake of President John Kennedy's assassination.

The Maysles film captures the manic moments from when thousands of fans greeted The Beatles as Pan Am Flt.101 touched down in New York on February 7th and sparked a two-week frenzy.

As The Beatles became the first British act to conquer America - with I Want To Hold Your Hand at No.1 in the US charts - the Maysles Brothers shadowed the band off-guard and off-duty in dressing rooms, hotels and night clubs, at photo-sessions and press conferences, travelling together in limos and on trains as the then-wide-eyed lads from Liverpool sped from New York to Washington and Miami revelling in the wild reception to their first US trip.

The film also features their first concert at The Washington Coliseum and their three historic performances on The Ed Sullivan Show - including the seminal night of February 9th when the band first exploded into the homes of a then-world record 73 million TV viewers.

Beatles performances on the film include All My Loving, Till There Was You, She Loves You, From Me To You, This Boy, Twist And Shout, Please Please Me, I Saw Her Standing There, I Wanna Be Your Man and the hit that began it all for America, I Want To Hold Your Hand.

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M. Night Shyamalan had his heyday almost 20 years ago. He leapt out of the gate with such confidence he became a champion instantly. And then...something went awry. He became embarrassingly self-serious, his films drowning in pretension and strained allegories. His famous twists felt like a director attempting to re-create the triumph of " The Sixth Sense ," where the twist of the film was so successfully withheld from audiences that people went back to see the film again and again. But now, here comes " The Visit ," a film so purely entertaining that you almost forget how scary it is. With all its terror, "The Visit" is an extremely funny film. 

There are too many horror cliches to even list ("gotcha" scares, dark basements, frightened children, mysterious sounds at night, no cellphone reception), but the main cliche is that it is a "found footage" film, a style already wrung dry. But Shyamalan injects adrenaline into it, as well as a frank admission that, yes, it is a cliche, and yes, it is absurd that one would keep filming in moments of such terror, but he uses the main strength of found footage: we are trapped by the perspective of the person holding the camera. Withhold visual information, lull the audience into safety, then turn the camera, and OH MY GOD WHAT IS THAT? 

"The Visit" starts quietly, with Mom ( Kathryn Hahn ) talking to the camera about running away from home when she was 19: her parents disapproved of her boyfriend. She had two kids with this man who recently left them all for someone new. Mom has a brave demeanor, and funny, too, referring to her kids as "brats" but with mama-bear affection. Her parents cut ties with her, but now they have reached out  from their snowy isolated farm and want to know their grandchildren. Mom packs the two kids off on a train for a visit.

Shyamalan breaks up the found footage with still shots of snowy ranks of trees, blazing sunsets, sunrise falling on a stack of logs. There are gigantic blood-red chapter markers: "TUESDAY MORNING", etc. These choices launch us into the overblown operatic horror style while commenting on it at the same time. It ratchets up the dread.

Becca ( Olivia DeJonge ) and Tyler ( Ed Oxenbould ) want to make a film about their mother's lost childhood home, a place they know well from all of her stories. Becca has done her homework about film-making, and instructs her younger brother about "frames" and "mise-en-scène." Tyler, an appealing gregarious kid, keeps stealing the camera to film the inside of his mouth and his improvised raps. Becca sternly reminds him to focus. 

The kids are happy to meet their grandparents. They are worried about the effect their grandparents' rejection had on their mother (similar to Cole's worry about his mother's unfinished business with her own parent in "The Sixth Sense"). Becca uses a fairy-tale word to explain what she wants their film to do — it will be an "elixir" to bring home to Mom. 

Nana ( Deanna Dunagan ), at first glance, is a Grandma out of a storybook, with a grey bun, an apron, and muffins coming out of the oven every hour. Pop Pop ( Peter McRobbie ) is a taciturn farmer who reminds the kids constantly that he and Nana are "old." 

But almost immediately, things get crazy. What is Pop Pop doing out in the barn all the time? Why does Nana ask Becca to clean the oven, insisting that she crawl all the way in ? What are those weird sounds at night from outside their bedroom door? They have a couple of Skype calls with Mom, and she reassures them their grandparents are "weird" but they're also old, and old people are sometimes cranky, sometimes paranoid. 

As the weirdness intensifies, Becca and Tyler's film evolves from an origin-story documentary to a mystery-solving investigation. They sneak the camera into the barn, underneath the house, they place it on a cabinet in the living room overnight, hoping to get a glimpse of what happens downstairs after they go to bed. What they see is more than they (and we) bargained for.

Dunagan and McRobbie play their roles with a melodramatic relish, entering into the fairy-tale world of the film. And the kids are great, funny and distinct. Tyler informs his sister that he wants to stop swearing so much, and instead will say the names of female pop singers. The joke is one that never gets old. He falls, and screams, "Sarah McLachlan!" When terrified, he whispers to himself, " Katy Perry ... " Tyler, filming his sister, asks her why she never looks in the mirror. "Your sweater is on backwards." As he grills her, he zooms in on her, keeping her face off-center, blurry grey-trunked trees filling most of the screen. The blur is the mystery around them. Cinematographer Maryse Alberti creates the illusion that the film is being made by kids, but also avoids the nauseating hand-held stuff that dogs the found-footage style.

When the twist comes, and you knew it was coming because Shyamalan is the director, it legitimately shocks. Maybe not as much as "The Sixth Sense" twist, but it is damn close. (The audience I saw it with gasped and some people screamed in terror.) There are references to " Halloween ", "Psycho" (Nana in a rocking chair seen from behind), and, of course, " Paranormal Activity "; the kids have seen a lot of movies, understand the tropes and try to recreate them themselves. 

"The Visit" represents Shyamalan cutting loose, lightening up, reveling in the improvisational behavior of the kids, their jokes, their bickering, their closeness. Horror is very close to comedy. Screams of terror often dissolve into hysterical laughter, and he uses that emotional dovetail, its tension and catharsis, in almost every scene. The film is ridiculous  on so many levels, the story playing out like the most monstrous version of Hansel & Gretel imaginable, and in that context, "ridiculous" is the highest possible praise.

Sheila O'Malley

Sheila O'Malley

Sheila O'Malley received a BFA in Theatre from the University of Rhode Island and a Master's in Acting from the Actors Studio MFA Program. Read her answers to our Movie Love Questionnaire here .

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Film credits.

The Visit movie poster

The Visit (2015)

Rated PG-13 disturbing thematic material including terror, violence and some nudity, and for brief language

Kathryn Hahn as Mother

Ed Oxenbould as Tyler Jamison

Benjamin Kanes as Dad

Peter McRobbie as Pop-Pop

Olivia DeJonge as Rebecca Jamison

Deanna Dunagan as Nana

  • M. Night Shyamalan

Cinematography

  • Maryse Alberti
  • Luke Franco Ciarrocch

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The Visit

Watch The Visit

  • 1 hr 34 min
  • 6.2   (148,298)

The Visit is a 2015 horror-comedy movie directed by M. Night Shyamalan, featuring an impressive cast, including Olivia DeJonge, Ed Oxenbould, and Deanna Dunagan. The film follows the story of siblings, Rebecca and Tyler, who are sent to their grandparents' farmhouse for a week, while their mother goes on a cruise with her boyfriend. The kids have never met their grandparents because their mother had a fallout with them about 15 years ago and has been estranged ever since.

Initially, the visit seems like a fun and exciting adventure for the siblings. However, as the days progress, strange things start happening in the farmhouse, and Rebecca and Tyler become convinced that their grandparents are not who they claim to be. The characters begin to uncover a terrifying secret about their grandparents' true nature.

Throughout the movie, The Visit manages to walk the line between comedy and terror flawlessly. The writing is excellent, with well-timed humorous scenes to lighten the atmosphere before launching back into atmospheric horror. The film also provides an intelligent commentary on the human condition and how we can suppress dark parts of our past.

The acting in the movie is top-notch. Olivia DeJonge plays Rebecca with an impressive depth, portraying the character as mature and responsible while also revealing the hidden fears and anxieties that plague her.

Ed Oxenbould is excellent in the role of Tyler, providing much-needed comic relief in tense situations while also delivering a well-crafted performance that adds depth to the character.

Deanna Dunagan, who plays the grandmother, delivers a chilling performance. She is undoubtedly the star of the movie, providing one of the most memorable horror performances in recent years.

In conclusion, The Visit is a terrifying, yet entertaining movie with a fantastic story, great acting, and clever writing. It manages to find the perfect balance between humor and horror, leaving audiences gripping their seats until the very end. The Visit is a must-watch for any horror movie fan. Watch The Visit Online for an unforgettable experience.

The Visit is a 2015 horror movie with a runtime of 1 hour and 34 minutes. It has received moderate reviews from critics and viewers, who have given it an IMDb score of 6.2 and a MetaScore of 55.

The Visit

  • Genres Horror Mystery Thriller
  • Cast Olivia DeJonge Ed Oxenbould Deanna Dunagan
  • Director M. Night Shyamalan
  • Release Date 2015
  • MPAA Rating PG-13
  • Runtime 1 hr 34 min
  • Language English
  • IMDB Rating 6.2   (148,298)
  • Metascore 55

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Carla Zachanassian had a child by Serge Miller as a teenager. When Serge refused to marry her, she was driven out of town. By her own wit and cunning, she has returned as a multi-millionaire for a visit. The town lays out the red carpet expecting big things from Carla, only to learn that her sole purpose is to see Serge Miller killed...

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Alternate Ending

Deleted scenes, the making of the visit, becca's photos, rotten tomatoes® score.

The Visit is a return to form for Shyamalan.

While Shyamalan doesn’t reinvent the wheel with “The Visit”, he does show the creative flourishes that made him a respected name and overnight success in the horror-thriller genre.

It’s all a very transparent metaphor for family reconciliation and what happens when your old wounds don’t heal.

This would be a perfect movie to kind of study because it's written really, really well and the scripting and dialogue and just the overall story structure is perfect.

M. Night Shyamalan needed people to be on his side. Thankfully, with The Visit, a found footage horror movie with more than its share of humor, he finally got me back on his side.

Shyamalan's made a lot of terrible films in a career singularly set with The Sixth Sense, but makes a decent rebound here.

The Visit is one freaky found footage frightfest.

The fear of 'The visit' is something very real, it is fear of abandonment, of not being loved. A fear far superior, by its authenticity, to any created fiction. [Full Review in Spanish]

We all know that comedy and horror are close to each other, so much so that screams can quickly transform into laughter. Shyamalan remembers this...

Shyamalan recaptures some of his earlier essence with lots of mystery, subtle creeps and moments where you'll question what exactly it is you're seeing.

Additional Info

  • Genre : Horror, Thriller
  • Release Date : September 11, 2015
  • Languages : English
  • Captions : English
  • Audio Format : 5.1

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The Visit

M. Night Shyamalan ( The Sixth Sense ) found-footage horror. A young brother and sister stay with their grandparents, only for things to turn horrific when Grandma demonstrates increasingly disturbing behaviour. Co-stars Kathryn Hahn ( Tomorrowland ) as the kids’ mother.

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The Visit | Ratings & Reviews

Rotten tomatoes® rating, audience score rating.

"M. Night Shyamalan returns to thriller filmmaking in the style of low-budget impresario Jason Blum with mixed results."

Variety

"A bizarre, conflicted mess, horrifying when it’s trying to be funny, oddly appealing when it turns the screws."

Time Out

"Shyamalan has a fine eye and a nice, natural way with actors, and he has a talent for gently rap-rap-rapping on your nerves."

The New York Times

"This tardy rehash of fairytale tropes finds sometime genre innovator M Night Shyamalan clinging in abject desperation to the found-footage movement’s careworn coattails."

The Guardian

"No spoilers, except to say that cheap thrills can still be a blast."

Rolling Stone

"Well cast and strong on setting. But the dull thudding that resounds isn’t part of its effective aural design..."

Hollywood Reporter

"An utterly enjoyable and oddly affecting experience that's not only Shyamalan's best film in years but also a cracking thriller in its own right."

FilmInk

"Shyamalan finds freshness in familiar horror tropes. After some big budget misfires, it's great to see him go back to his smaller, scarier roots."

Empire Magazine

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An earnest drama, The Visit gains much emotional power through its fine performances.

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Inside Out 2

Lewis Black, Tony Hale, Liza Lapira, Amy Poehler, Phyllis Smith, Maya Hawke, Adèle Exarchopoulos, Paul Walter Hauser, and Ayo Edebiri in Inside Out 2 (2024)

Follow Riley, in her teenage years, encountering new emotions. Follow Riley, in her teenage years, encountering new emotions. Follow Riley, in her teenage years, encountering new emotions.

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  • Runtime 1 hour 40 minutes
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New 'Lord of the Rings' movie, 'The Hunt for Gollum,' being produced by Peter Jackson

Image: Gollum

Warner Bros.  will release the first of its new batch of “The Lord of the Rings” films in 2026, which will focus on Andy Serkis’s Gollum .

Original “The Lord of the Rings” trilogy filmmaker  Peter Jackson  and his partners Fran Walsh and Philippa Boyens are producing the movie and “will be involved every step of the way,” Warner Bros. Discovery CEO David Zaslav said during an earnings call Thursday.

The project is currently in the early stages of script development from writers Walsh and Boyens, along with Phoebe Gittins and Arty Papageorgiou, and will “explore storylines yet to be told,” Zaslav said.

In a press release from Warner Bros. later Thursday morning, the studio revealed that the working title for the film is “Lord of the Rings: The Hunt for Gollum,” and it will be directed by and star Serkis in his iconic titular role. The film will be executive produced by Ken Kamins, with Serkis and The Imaginarium’s Jonathan Cavendish.

Warner Bros. first announced in February 2023 that then-newly installed studio leaders Mike De Luca and Pam Abdy had brokered a deal to make “multiple” films based on the beloved J.R.R. Tolkien books. The projects will be developed through WB label New Line Cinema. Freemode, a division of Embracer Group, made the adaptive rights deal for books including “The Lord of the Rings” and “The Hobbit” under a venture named Middle-earth Enterprises.

“For over two decades, moviegoers have embraced the ‘Lord of the Rings’ film trilogy because of the undeniable devotion Peter, Fran and Philippa have shown towards protecting the legacy of Tolkien’s works, and to ensure audiences could experience the incredible world he created in a way that honors his literary vision,” De Luca and Abdy said in a statement Thursday. “We are honored they have agreed be our partners on these two new films. With Andy coming aboard to direct ‘Lord of the Rings: The Hunt for Gollum,’ we continue an important commitment to excellence that is a true hallmark of how we all want to venture ahead and further contribute to the ‘Lord of the Rings’ cinematic history.”

Jackson, Walsh and Boyens added: “It is an honour and a privilege to travel back to Middle-earth with our good friend and collaborator, Andy Serkis, who has unfinished business with that Stinker — Gollum! As life long fans of Professor Tolkien’s vast mythology, we are proud to be working with Mike De Luca, Pam Abdy and the entire team at Warner Bros. on another epic adventure!”

“Yesssss, Precious,” Serkis said. “The time has come once more to venture into the unknown with my dear friends, the extraordinary and incomparable guardians of Middle Earth Peter, Fran and Philippa. With Mike and Pam, and the Warner Bros team on the quest as well, alongside WETA and our filmmaking family in New Zealand, it’s just all too delicious…”  

The original “Lord of the Rings” trilogy, helmed by Jackson, grossed nearly $3 billion worldwide; Jackson’s follow-up trilogy based on Tolkien’s “The Hobbit” matched those grosses.

Jackson’s first “LOTR” trilogy starred Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin and Cate Blanchett. That trio of films was nominated for 30 Academy Awards and took home 17 trophies, including best picture for 2003’s “The Lord of the Rings: The Return of the King.”

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