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Don't Stop Believin' by Journey

Songfacts®:

• Journey's most enduring song, this track has a unique structure, which helps it stick in your mind. Where most songs have a chorus that's repeated several times, "Don't Stop Believin'" brings in its chorus (and title) only at the end - about 3:20 into the song. The structure goes: instrumental, first verse, instrumental, second verse, first pre-chorus, instrumental, third verse, second pre-chorus, instrumental, and then finally the chorus until fade-out. It was not their biggest chart hit (that would be " Open Arms "), but is by far Journey's most famous song, thanks to a resurgence in the '00s.
• The line, "Strangers waiting, up and down the Boulevard" is a reference to Sunset Boulevard in Hollywood, where dreams are made. Keyboard player Jonathan Cain got the idea for the song when he went there to pursue his career. In his Songfacts interview , Cain said: "The song began with the chorus. My father had coached me. I was in Hollywood, struggling with my career, kind of lost. I was asking him, 'Should I come back to Chicago and just give up on this dream?' And he said, 'No, son. Stay the course. We have a vision. It's gonna happen. Don't stop believin'.'" Cain's dream came true when he joined a group called The Babys with John Waite. In 1980, he joined Journey in San Francisco, and this song took shape. He told Steve Perry about his idea for placing the song in Sunset Boulevard, and Perry had him describe it. "I described the menagerie of people who would show up on a Friday night," Cain said. "All the dreamers that had dreams to become actors. Producers, artists, lawyers, anything... they were all there on a Friday night."
• Journey lead singer Steve Perry, keyboard player Jonathan Cain and guitarist Neal Schon are the credited songwriters on this one, but the entire band contributed. In the Time3 compilation, the genesis of this song is explained: "At the band's Oakland warehouse, this song bubbled out of a rehearsal. Schon developed the bass riff, the chugging guitar line and the sweeping chords on the chorus. Steve Smith built the song around a pattern featuring a lot of tom-toms, anchoring the number to a rich drum figure. Perry and Cain drew from their experiences with the Sunset Strip street scene for the lyrics, 'streetlight people.'"
• Speaking with New York Magazine , Perry explained that the song originated during a series of gigs in Detroit when he found himself in a hotel room unable to sleep, staring out of the window: Strangers waiting, up and down the boulevard Their shadows searching in the night Streetlight people, living just to find emotion Hiding, somewhere in the night "I was digging the idea of how the lights were facing down, so that you couldn't see anything," he recalled. "All of a sudden I'd see people walking out of the dark, and into the light. And the term 'streetlight people' came to me. So Detroit was very much in my consciousness when we started writing."
• The popular resurgence of this song can be traced to its use in the 2003 movie Monster , which was based on the true story of the female serial killer Aileen Wuornos. The film was not widely seen but drew critical raves and a Best Actress Oscar for Charlize Theron, who portrayed Wuornos. In the movie, the song comes on when Wuornos and Selby Wall (played by Christina Ricci) are skating to it in a roller rink. They mention how they love the song, and as it builds, so does their passion, and they end up kissing outside the rink. The use of "Don't Stop Believin'" in this critically adored scene got the attention of the Hollywood community, who saw the emotion the song could bring out and no longer thought of it as a nostalgia track. Requests started pouring in to use the song in a variety of movies and TV shows, and soon another generation was familiar with the song. So how did it get in Monster in the first place? The film's director Patty Jenkins used it when they shot the scene and knew it fit perfectly. She sent the band members viewing copies of the film and asked permission to use it on a short budget. Perry called her back and not only gave approval, but helped her select music for the rest of the film; he's credited as a music consultant.
• The song was written to give the audience a connection with the band, a goal it achieved. Jonathan Cain told Songfacts: "It was the first attempt to bring an audience into the band's world. We're singing for you. We're singing about your world now. So, it was a departure from what they had been doing before. What I wanted to do was get a little Bruce Springsteen going on. Bruce was the master of that, bringing his audience into his songs. I was a huge fan of Bruce's."
• Speaking with the British radio station Planet Rock in 2010, Steve Perry said of this song: "Personally, it's something that means a lot to me. Everybody has emotional issues and problems, and the song has helped me personally to not give up, and I'm finding a lot of people feel that."
• This is the first track on Journey's seventh album, Escape . It was chosen to lead the album because, according to Cain, "With that piano line, it just sounds like a book opening up."
• The song got a boost when it was used as the closing number in Rock of Ages , a jukebox musical featuring hits of the '80s. The show ran on Broadway from 2009-2015, and in 2012 was made into a movie starring Tom Cruise. It's an appropriate choice, as Rock of Ages takes place on Sunset Boulevard, which is also the primary setting for the song.
• In the last ever episode of the TV show The Sopranos , which aired June 10, 2007, Tony Soprano plays this song on a jukebox during the final scene. The episode abruptly ends with the lyrics "Don't Stop" as the scene cuts to black. Steve Perry said in People magazine June 13, 2007: "I needed to know how this song was going to be used. I didn't want the song to be part of a blood-bath, if that was going to be the closing moment. In order for me to feel good about approving the song use, they had to tell me what happened. And they made me swear that I would not tell anybody."
• This was featured in an episode of the TV show Scrubs called "My Journey." Other television series and films to use "Don't Stop Believin'" include South Park , The Wedding Singer , Shrek the Halls , Bedtime Stories , Yes Dear , King of the Hill , The Comebacks , View from the Top , Cold Case , CSI: Crime Scene Investigation , My Name Is Earl , Just Shoot Me and Laguna Beach .
• In November 2008 it was announced that this track had become the first song available in the pre-digital era to sell more than 2 million downloads through iTunes. The track's popularity increased significantly after its appearance in the final episode of The Sopranos . It also became one of the most popular karaoke songs in America in the late '00s.
• In May 2009 a remake by the cast of the Fox TV musical comedy Glee debuted at #4 on the Billboard Hot 100, five places higher than Journey's version ever reached. It was performed in the season pilot and became part of the soundtrack album Glee: The Music, Volume 1 . By the end of 2009, the digital download had earned 500,000 digital sales. The Glee version was performed on Sesame Street with monsters portraying the cast. The bit featured the letter G, so the lyrics were adapted to "Don't stop G-ing."
• Believing in yourself and following your passion are ideals Steve Perry holds dear. When Randy Jackson, who used to play bass with Journey, was a judge on the singing competition American Idol , he asked Perry to come on as a guest judge. Perry turned him down, saying, "I don't feel good about sitting in judgment of anyone's honest passion to perform or their talent. If someone has a passion to perform, they should do it no matter what anyone says." Perry added: "I was passed on in the music business many, many times before Herbie [Journey manager Walter Herbert] heard my demo and believed in me. That was the moment that changed my life and I'm still forever grateful to him for believing in me. The hardest part is to keep believing in what you love when others tell you that you are not good at it."
• MTV went on the air shortly before this song was released. The band made a Spartan performance video for it in an empty arena, apparently at a soundcheck. They made a better one with footage from a Houston stop on their Escape tour, which became the official video that shows up on their VEVO account. Neither video got much love on MTV, which preferred concept videos.
• In the UK, this song peaked at #62 when it was first released. In November 2009, it was rereleased after Joe McEldry sang it on the TV show X-Factor , and this time, it climbed to #19. Joe McElderry won the competition, and franchise boss Simon Cowell wanted to release his version of the song as the single in the aftermath of the teenage singer's victory. However, Journey declined and Cowell instead arranged for McElderry to cover Miley Cyrus' track " The Climb ." Guitarist Neal Schon explained to The Sun : "We knew about Joe's version because Simon had contacted our management. He wanted to re-do the song with a different arrangement. We listened to it. We declined. There was nothing wrong with the original version - if it's not busted, let's not fix it." Schon added that Journey were aware they were possibly passing up a UK #1 hit. "Randy Jackson, who was on American Idol with Simon, was stressing that we should let him do it because it would probably go to #1. But we stuck to our decision."
• In the UK, the Glee Cast version debuted at #5 on the UK singles chart dated January 17, 2010, one place above Journey's original recording. It was the first instance of two versions of the same song sitting at back to back positions on the chart since December 2008 when Alexandra Burke's take on " Hallelujah " was at #1 with Jeff Buckley's version one place behind.
• The song starts with Perry singing about a young couple from two different backgrounds: Just a small town girl, livin' in a lonely world She took the midnight train goin' anywhere Just a city boy, born and raised in south Detroit He took the midnight train goin' anywhere But hang on a sec, any good Motor City citizen will tell you, there is no location called South Detroit; Detroit, Michigan, distinguishes only between an East Side and a West Side. If you go south in Detroit ("down-river"), you end up in Canada. Perry admitted to New York Magazine that he wasn't overly concerned with being geographically accurate. "I ran the phonetics of east, west, and north, but nothing sounded as good or emotionally true to me as South Detroit," he said. "The syntax just sounded right. I fell in love with the line. It's only been in the last few years that I've learned that there is no South Detroit. But it doesn't matter."
• This was used in the 1982 Atari video game Journey Escape . The song played in the background while you controlled various band members, helping them find the space ship while avoiding groupies and evil promoters. Computer graphics were pretty bad back then, so the groupies were represented as hearts with legs, and the promoters were floating heads. In fact, the very game was created to be based on the band Journey and the album Escape .
• This was one of the first Journey songs on which keyboard player Jonathan Cain played. He replaced Gregg Rolle for the Escape album.
• Lady Gaga, Elton John, Bruce Springsteen, Sting, Blondie and Shirley Bassey performed this at the finale of a Rainforest Fund benefit at Carnegie Hall in May 2010.
• This song was used in a 2005 episode of animated TV series Family Guy where Peter, Joe, Cleveland, and Quagmire did a drunken karaoke rendition of the song. ITunes was catching on at this point, and after this episode aired there was a spike in download sales of the song. >> Suggestion credit : Bert - Pueblo, NM
• Journey toured to support this album, but they interrupted their tour to open for The Rolling Stones in Philadelphia on September 25, 1981. It was The Stones first show on their North American tour.
• This became the anthem of the Chicago White Sox during their 2005 season in which they won the World Series. Steve Perry attended the last game of the Series and sang the song at their victory parade. Perry's allegiance though, is to his hometown team the San Francisco Giants. He was often seen supporting the team when they won World Series titles in 2010, 2012 and 2014. Perry would sometimes lead the crowd in singing along to "Don't Stop Believin'" when it was played between innings at games.
• Steve Perry severed ties with Journey in 1998 when he needed hip replacement surgery and couldn't give his bandmates a return date. Anxious to tour, they replaced him with the similar sounding Steve Augeri, and later with Arnel Pineda. For Journey fans, a dream scenario finds Perry reuniting with the band, triumphantly taking the helm on "Don't Stop Believin'" in an affirmation of unity and faith. But every year, they scenario seems less likely. In 2017 when they were inducted into the Rock and Roll Hall of Fame, Perry attended but didn't perform with the band, which did three songs (including this one) with Pineda. When Perry emerged with a solo album, Traces , in 2018, he offered some insight into his split with the band and his absence. "My love for music had suddenly left me," he said. "If music was ever to return to my heart, then and only then I would figure out what to do. If not... so be it, for I had already lived the dream of dreams." Journey first fractured in 1987 after touring for their Raised On Radio album. This was Perry's doing, as he was burned out and worried about keeping his voice healthy. But it was Perry who initiated their return, calling Cain in 1995 to talk about getting back together. This resulted in the 1996 album Trial by Fire ; Perry's hip condition emerged after it was finished.
• "Don't Stop Believin'" powered Journey's 1988 Greatest Hits album to a whopping 15 million in US sales ( Escape sold 9 million), making it one of the best-selling compilation albums in history. In 2001, they released another compilation, The Essential Journey , which sold another 2 million.
• During the 2020 pandemic, some hospitals used the song as a rallying call for patients recovering from COVID-19 and those treating them. The New York-Presbyterian Queens Hospital, for instance, played "Don't Stop Believin'" throughout the building each time they discharged a coronavirus patient.
• In 2020, Ladbaby, a UK duo comprising YouTuber Mark Hoyle and his wife Roxanne, released a playful twist on this song titled " Don't Stop Me Eatin' ." Recorded to raise money for foodbank charity The Trussell Trust, Ladbaby's single was the UK's Official Christmas #1 that year.
• "Don't Stop Believin'" was honored by the Library of Congress, which added it to the National Recording Registry in 2022. Steve Perry said: "That song, over the years, has become something that has a life of its own. It's about the people who've embraced it and found the lyrics to be something they can relate to and hold onto and sing."
• On January 26, 2024, the RIAA certified "Don't Stop Believin'" at 18x Platinum, a jump from 5x Platinum in 2013. The new certification reflects streaming, and signals that the song is immensely popular across generations. Other songs to reach that milestone are all far more recent, like " Sunflower " by Post Malone. Based on these figures, it's safe to say that "Don't Stop Believin'" is the most widely popular song of all-time in America. You can play it to anyone and they'll certainly recognize the song and probably like it. The next-closest song from the pre-streaming era is Mariah Carey's " All I Want For Christmas Is You ," with a 14x Platinum certification in 2024.
• More songs from Journey
• More songs about perseverance
• More songs used in TV shows
• More songs used in movies
• More popular Karaoke songs
• More songs that were hits for more than one artist
• More songs covered by the Glee cast
• More songs that are discussed in movies
• More songs popular during the coronavirus pandemic
• More motivational songs
• More songs from 1981
• Lyrics to Don't Stop Believin'
• Journey Artistfacts

Comments: 119

• Chad Eicher from Apple Creek, Ohio This song has got to be one of the greatest hit songs that I knew the words to. The cast of the Fox television show "Glee" did their version of that hit song. It just blew me away.
• Rw Cain, at a songwriters festival in 2014, explained some parts of the song. The girl and guy story is like a version of Jack And Diane; they may not be real people. The trains moving at midnight is inspired by the song Midnight Train To Georgia. Live versions of the song, depending on the main vocalist, may change South Detroit to whatever city the band is playing in at that moment.
• Soulsoldseparately from Buffalo, Ny Does "city boy born and raised in South Detroit" refer to an actual person?
• Seventh Mist from 7th Heaven My daughter's favorite song. She often used it as inspiration once she was on her own and (seemingly) facing a new challenge every day. She never stopped believing.
• Susan from Illinois Question-asker from A Train Going Anywhere, I think the lyric means ourselves. The movie is our lives. I believe our lives on this planet will end, but our souls will live on and on in another place.
• Ronsha from New Jersey OMG. This song is so dang famous! People everywhere know this song. I swear to God it's even growing on the younger generations, including me. I used to hate it and think it's overrated, but deep down I always thought, oh darn, this song's catchy, who am I kidding? I'm 13 now and Don't Stop Believin' is one of the most uplifting songs I've ever heard. Not only the sound, but also the lyrics are beautiful. Good song to make you feel strong, nostalgic... it could make you cry too.
• Brett from Mason Whether we choose to hear Streetlight People for street lights, people Steve Perry came right out and said after a concert in Detroit he is looking out from his hotel room down on the street and there we're people just wandering around the street. Not necessarily prostitutes or any other specific type of people. More or less aimlessly wandering around Under The Lights doing nothing. Mendez for the South Detroit I don't think he was intending to give a geography lesson. He was making a song sound the best it could possibly be
• Mckinzie from United States This is my all time favorite song, I say that this is my song because I could relate to this song so much.
• Nick from Ohio This is the most played classic hit of all time. Who would have thought that a song that peaked at #9 would become the undisputed biggest song in history.
• Badintense from Erie Pa This song has crossed all generations and ethnicities as a beloved song. Last summer (2019) in my neighborhood a group of young black teens were hauling their giant boom box down the street blaring this song and singing the words perfectly as if they were in an adult karaoke bar. It actually brought a tear to my eye since I was a teen when this song first came out in 1981. Journey's music has really brought people together into a common bond no matter what the media tries to push on people.
• Question-asker from A Train Going Anywhere what does the lyric "Oh, the movie never ends It goes on and on, and on, and on" mean in this song?
• Seventhmist from 7th Heaven I recently took a long trip and played a Journey collection in my car, downloaded from a phone app. It contained a live version of this song, performed in Houston, that I hadn’t heard before. When Perry reached line about the boy, he sang, “Just a city boy, born and raised right here in Houston!” That definitely caught me by surprise.
• Jodie from Xx I'm pretty sure he's saying "streetlights, people". Not "streetlight people".
• Steve from Albany, Ny And the nonsense about Windsor being "considered" south Detroit continues to stick to the Wiki page like doodoo. LOL It's been said by many that you should never rely on Wiki as a source of reliable / accurate information. Very true.
• Charles from Charlotte The stuff about lowlife killer Eileen Wuernos kissing her female lover just sullies the discussion of a great American pop song. Wish Perry & Co, had said NO!! to that.
• Leonardo from Connecticut I would argue that the Sopranos season finale repopularized the song, not Monster...
• Tony from San Diego Steve Smith plays an amazing drum pattern during the choruses.
• Steve from Albany, Ny The info on the Wikipedia page for this song is inaccurate. And some moderator is allowing it to be there. I guess the following from John Cafferty & The Beaver Brown Band's song C-I-T-Y was actually referring to Windsor too: "On the South side of Detroit city I'm working all night on the line" Yep, definitely referring to Windsor, Ontario because everyone knows Windsor, Ontario is "considered" south Detroit. Right. LOL
• Steve from Albany, Ny Regarding "south Detroit", I'm simply going to paste in what I just got done explaining to a mod at Wiki who is apparently bent on leaving misinformation on the Wiki page for this song. Sorry but this is pretty simple stuff and anyone who doesn't get it is an imbecile. ........................ I'm guessing / just realizing that you're a type of moderator here. If you in fact have control over what info is on the page in question, it would be a HUGE wrong to leave in the very misleading entry you've re-submitted. Windsor, Ontario is south _OF_ Detroit, Michigan. Detroit, Michigan is the city that NUMEROUS bands would make reference to in their songs. Especially rock bands and especially during the 70s into the 80s. Not Windsor and not any other suburbs of Detroit that also lie south of Detroit (or "downriver"). The song simply makes reference to the south SIDE of Detroit. The quote by Perry makes it clear that the word south was only added because... well, try singing it without south and just a long INNNN in it's place. As the quote makes clear, the song would not have sounded right without south (or something) before the word Detroit. Not that it's is needed for most to understand that the song is referencing Detroit and only Detroit but there is also a quote by Perry in which he stated that Detroit was very much in their (the writers) minds as they wrote the song. Windsor is not a part of Detroit. The song makes reference to the south side of Detroit. If the entry about Windsor is left on the page, so be it, but it is completely misleading and wrong.
• John from Chino, Ca This song is played during the final minutes of Detroit Red Wings home games where it seems evident that the team will win. Played over the PA system, the song is muted so the crowd can sing the verse, "Born and raised in South Detroit."
• Barry from Sauquoit, Ny On December 13th 1981 "Don't Stop Believin'" by Journey peaked at #9 (for 3 weeks) on Billboard's Hot Top 100 chart; it had entered the chart on October 25th and spent 9 weeks on the Top 100... It reached #2 in Canada and #6 in the U.K. Was one of four tracks from the group's 1981 album 'Escape' to make the Top 100 (the others were "Who's Crying Now" (4), "Still They Ride" (#19) and "Open Arms" (#2)... And on September 12th, 1981 the album peaked at #1 (for 1 week) on Billboard's Top 200 Albums chart.
• Steve from Albany, Ny Some of the comments here regarding this song and it's mentioning of south Detroit are ridiculous. Saying there is no south Detroit is funny enough (there is a south side of any city and I was born and raised in SW Detroit myself) but I especially get a kick out of the people who say the song is referring to Windsor. If the following Steve Perry quote is accurate, "All of a sudden I'd see people walking out of the dark, and into the light. And the term 'streetlight people' came to me. So Detroit was very much in my consciousness when we started writing.", then the ONLY city being referenced in the song is Detroit. If by chance the lyrics were written as "South Detroit" as opposed to "south Detroit", I suppose that could indicate that Perry/ the writers were thinking of some area of Detroit or evena separate town with that name but it's not likely and that capital S is the only error here. There's nothing complicated here, the song simply refers to the south side of Detroit.
• Jay from Centereach, Long Island, Ny I am surprised that the "South Detroit" line is so controversial. As a New Yorker, and not wholly familiar with the local geography or the neighborhood names of Detroit, I always thought South Detroit simply meant the southern part of Detroit, much like the South Bronx is the southern part of the Bronx. But who cares? This is a great song; no one should be concerned about a geographic error.
• Deethewriter from Saint Petersburg, Russia Federation Neal Schon told RAW RAWK RU NEWS 2011-10-24 that the recent resurgence of "Don't Stop Believin'" after appearing on The Sopranos and Glee -- as well as becoming the first iTunes song to reach two million downloads -- is beyond his comprehension: "When the record came out, there were other songs that were actually bigger than that off it on radio. Y'know, to have it this many years later just come out and be bombastic (laughs) like never before, just like all over the place and just keep on . . . It just keeps on going. Y'know, it's just pretty amazing."
• Terry from Grafon, Wi This song should be the national anthem of the United States.
• Willie from Scottsdale, Az Bwaaahahaha! Now Michelle "White House Crasher" Salahi is shacking up with Neal Schon. Priceless.
• Ken from San Mateo, Ca Since last year's World Series victory, I will always associate this song to the Giants and the Bay Area. Absolutely one of the best songs!!!!
• Hannah from Gustavus, Oh I'm graduating this coming Sunday (May 29, 2011) and I couldn't be more thrilled that this was voted in as our class song. When they announced it at school you could hear people cheering. I think the reason it's such an enduring song for graduation is that unlike most of the class themes that get picked ("Good Riddance," "Here's to the Night," etc.) it's not about looking back and being sad it's over, but rather looking forward and realizing there is indeed life afterward. It's about living life to the fullest (the first verse) and how even though life is difficult ("some are born to sing the blues"), the important thing is to at least take chances and try ("roll the dice just one more time") - and of course, to not give up no matter what may happen, because everything will turn out just fine in the end.
• Michael from Cincinnati, Oh Journey's 1982 album "Eascape was made into a video game titled "Escape".It was produced by Atari for the 2600 model.It was made by Data Age in San Jose,Cal.The Object of the game was to help the band members "Escape" the fans chasing them around.Pretty cool game at the time.
• Steppy from Detroit, Mi *South Detroit Debate* I'm from metro Detroit (as well as a giant Journey fan) and had always wondered about the reference to South Detroit. I heard and interview a year or so ago with Steve Perry, where he addressed the issue. I listened to it online, maybe Youtube?, so the interview may have been old. At any rate, he said that after a concert in Detroit, he was sitting in his hotel room, very late, working on this song. The room was on a high floor and he was watching the people standing under the lights and pondering their lives ("streetlight people"). While he realized that South Detroit didn't really exist, he used a bit of artistic license, because it flowed better than East Detroit.
• Megan from Stevenson, Al Tell me why this is AMAZING?! lol This song is on a totally different level. Awesome.
• Jim from Long Beach, Ca Great song. South Detroit=Winsor,Ontario,Canada.....
• Jay from St Paul, Mn I listened to a few interviews Steve has given. He said he used South Detroit because it sounded better than North, East or West. He said he didn't realize there was no South Detroit. He jokingly said he found out South Detroit was actually Windsor. As far as streetlight people, he said it's something that he noticed when he looked out of a hotel window. If you Youtube it, you can find the interviews. Very worth while.
• Ken from San Mateo, Ca What a song...Like the Chisox, this also became a tribute song for the 2010 World Champion San Francisco Giants! And Journey is from this area, so it makes better sense.
• Bobby from Belleville, Nj While Journey's version is a classic, back in 2008 before it was used in Sopranos, freestyle artist George LaMond remade the song into a pop/dance version. And a very good one, I might add.
• Barry from Sauquoit, Ny Five years before Journey's "Don't Stop Believin'" Olivia Newton-John had a completely different record with the same title, it peaked at No. 33...
• Bd from Vienna, Va Probably worth noting in the brouhaha about Journey turning down a cover of this song is that Randy Jackson was in the band for a while in the mid-80s before their first breakup.
• Rob from Fredericton, Nb One of the many anthems most prominiately found in the 80s hall of great music. For every song played on the radio, this one song sticks out the most when I use to go to a carnival in my hometown. With the smell of fries, hotdogs and other foods lingering in the air, you could always hear a Journey tune blaring in the background while everyone enjoyed riding the many rides at this carnival. So when you take an experience, like a carnival, and feature all of it's pleasantries you soon inaugurate any song from the 80s, namely a Journey tune, and the picture is complete. Such a great band and such a great song.
• Sara from Detroit, Mi And for those of you that want to split hairs, Look on the map of Detroit. Melvindale, Ecorse, Lincoln Park, Ecorse, Delray, Allen Park, Southgate, Taylor, River Rouge, Wyandotte. These are all blue collar or very poor areas, and most people worked for the Big 3 auto companies. This area is called "Downriver" as it is south of Detroit. Detroit itself is a pretty small city. What most people think is Detroit is any one of the suburbs that lies within or outside of Detroit's city limits. Oak Park, Hazel Park, Highland Park, and Hamtramck, are all INSIDE the City Limits. Where as Dearborn, Dearborn Heights, Southfield, Eastpointe, are OUTSIDE of Detroit's City Limits...yet most people consider it part of the greater metro area. When the word METRO is used by itself all over the country it means DETROIT METRO. We were the first place to use the term "Metro" as a colloquial term for a specific large area, as Detroit was the first city in the country to spread out that fast with that large of a population. The city of Detroit itself, is small.
• Sara from Detroit, Mi You are all VERY WRONG about the South Detroit explanation. To those of us who are FROM Detroit and GREW UP THERE....SOUTH DETROIT IS ANYTHING SOUTH OF I-96...a.k.a "Downriver" ....There has NEVER been a place CALLED South Detroit. It's like being in any big city, the term is more loosely used, than say "South Philly", "South-Central L.A." "Southside Of Chicago". Yes Eastpointe was East Detroit but that has absolutely NOTHING to do with this, you don't see a "West Detroit" on the map do you? As for the lyrics it IS in fact "Streetlights, People". It's amazing how many Americans struggle with their own native language!
• Carrie from Roanoke, Va Petra Haden does a cover version of this song.
• Karen from Manchester, Nh I have loved this song for years...until I heard that it was the closing song on the piece of filth that is titled "The Sopranos".
• Jose from Brisbane, Australia Please tour Australia! I know it's hard because for some reason, Australia never really got into Journey... sad lot we are.
• Nikki from Yamba, Australia greta song... love that it has on family guy.. scrubs... the sapranos... the wedding singer and love when LC and stephen sing it on the second series of laguna beach!
• Ellen from Chicago, Il A great song. See Wikipedia's article (search the song title) for additional details as to what exactly is meant by "South Detroit" - in the section called "Sports".
• Rahul from Chennai, India absolutely beautiful song....
• Stu from Philly, Pa They've been quoted as saying "it's streetlight people, we're talking about prostitutes." At any rate, check the lyrics book that came with the album. One of the greatest songs of all time, it was a real treat to see the cast of Glee perform it on that new TV show. One of the best non-Journey renditions of it. My band Raised On Radio usually starts our sets with this song.
• Mike from Brighton, Ma To answer the age old question, "South Detroit" actually refers Southfield, Michigan. (Southfield, ironcally is north of Detroit.) In the 1980s, Journey played many charity soft ball games with WRIF-FM (The Riff).
• Brendan from Cape Town, South Africa The line after "streetlights, people" sounds like "heaven just a fun emotion" Any other suggestions?
• Allen from Knoxville, Tn On the University Of Tennessee campus, somebody has spray painted on the stop signs "dont STOP believin'" Great song, even 27 years after it was released!
• Katie from St. Paul, Mn The lyrics say "Streetlights, people...", not "Streetlight people".
• Josh from Indianapolis, In Journey Rocks Big Time!!!!!!!!!!!!! thers not a song by them i dont like> Rock on!
• Bob from Dumbsville, Belarus Wow this song is beautiful! Everytime I'm down, I listen to it and it gets me back on my feet again. This song just defines 80s music. Journey will just never be the same without Steve Perry leading their crusade.
• Morten from Sydney, Australia I'm an 80's music tragic but suprisingly had never heard of this song! Thanks to Family Guy for introducing me to this gem! -Morten, Sydney, Australia
• Dean from Windsor, On I would just like to inform all those people who say this song isn't about Windsor. When "South Detroit" is mentioned the city of Windsor is what they are talking about. Windsor is actually SOUTH of Detroit. If your ever around my town and stand at the river your compass will point north. Enjoy!
• Julie from Taylor, Tx When this song comes on...me and best friend victoria go crazy! it's their best song. Classic 80's!
• Melanie from Seattle, Wa Scott from Boston - what a cool story! Haha I want to go write that on a stop sign now! :D This song is sooo good. Journey's best IMO. Steve's voice is amazing.
• Neil from Ottawa, Canada This song was sung by the football team in the 2007 film "The Comebacks". One of the players starts singing it in the change-room, and it turns in to a full-stage concert. It mocks the sports movie cliche of teams turning it around with an uplifting theme song, and also references the Chicago White Sox World Series.
• Liquid Len from Ottawa, Canada What a great song! The only song Journey did in the 80s that wasn't horrid!
• Fredrik from Stockholm, Sweden This song was also featured in the South Park episode "tsst" when Cartman is plugging in his X-Box. He sings the lines "Don't stop believing, hold on to your feelings"
• Krista from Elyria, Oh I love Journey! And I love it when ametuers sing the lyrics! But I HATE baseball cards...
• Scott from Boston, Ma During cross country last year there was a stop sign we always ran by during practice and it said "don't" above it and "believing" below it. It became our team's song and we often sang it very out of tune during runs. Also, that Family Guy episode is awesome (as most are). "Oh my god, that is Journey!"
• Michael from San Diego, Ca One of the most beautiful songs of all time...if this song doesn't get to you, then you may need to check your pulse!
• Richie from Sedalia, Mo Edgar, Kings Park, NY Better luck next time!!
• Edgar from Kings Park, Ny This song reminds me of my failed suicide attempt. Well... there's always next time.
• Brian from Portage, Mi Yes, Detroit is an East/West city, but no matter where an area is, there is still four cardinal directions.
• Brian from Detroit, Mi Anyone from Detroit will know what i am saying, but "south detroit" refers tothe area south of Outer Drive, Detroiters refer to the area as "downriver." i Just want to clear the confusion. It ISINT canada, it ISINT eastpointe, NOR groose pointe.
• Eamon from Motherwell, Scotland THis inspirational song was played every night in a juke by me when I was teaching summer camp in up state New York back in 1980. Being from Scotland, I loved the American rock scene and this classic just typifyies it. 27 years later, I play the Journey live DVD while I work out every other night and never tire of hearing it, it is in my blood. I had the pleasure of seeing Journey in Glasgow earlier this year and it was a real highlight. One question - I have heard different lyrics for this some say "Heaven is a funky mouse?" Any comments guys and girls? Eamon.Motherwell. Scotland.
• Sergio from Miami, Fl I have been listening to this song for a long time now. I grew up listening to it and I admit, its my all time favorite. It is so cool now to see a new generation fall in love with it thanks to Family Guy, Scrubs and Sopranos. I dont think it matters if South Detroit is correct or not cause whenever they performed it live with Steve Perry he always replaced Detroit with the city they were in at the moment. I always thought that was a nice touch and he always got a cheap pop for it. I know I will always love this song and just dont get sick or hearing it. Journey was a fantastic band with some great musicians.
• Mary from Canyon, Tx This song was my junior class song way back when in ancient times, not too long after it was first released. EVen I know Windsor, ON is south of Detroit! (Southeast to be exact.)
• Mark from Glassboro, Nj This song was used in the very end of The Soprano's Final Episode. The song is cut short and the screen goes to blank.
• Missy from Ann Arbor, Mi You may not belive this but 'Don't stop Belivin' was my senior class song...I love it and so did my class...we were a pretty small class and we were all ubsessed with soft and classic rock...the good stuff...Whenever I hear those first few piano keys play, I will alway go back to my high school gym, on a hot june day, walking to the stage to graduate...Good Times, Great Memories and GREAT SONG!!!
• Mike from Hueytown , Al I love the 80's on VH1 ripped this song apart.
• Mark from Des Moines, Ia I can't help but think of the CHICAGO WHITE SOX and their magical run to the World Series title in 2005. What a great season!!! What a great song!!!
• Maria from Houston , Tx I agree with most, his voice is awesome!!!!
• Kara from Cadillac, Mi Artists magic is what happens when you take a group of extraordinarily talented people and put them together, allowing them each to do what they do best. Journey is what happens when it all fits together and creates something wonderful. They're not just a band- they're an era. Neal Schon is with out a doubt one of the most gifted guitarists ever. His knowledge and presentation of his craft are nothing short of brilliant. Steve Perry's vocals are masterful. They, along with Schon's guitar work, gave Journey a distintive sound. Jonathan Cain - a perfect fit, though I admit I've always liked Greg Rolle too. I have a Journey album that was made prior to Steve Perry's joining and listening to that makes me know that Journey would have been great no matter what because they had the talent to be great. I know there were changes in the lineup, but Ross Valory's bass playing was also part of what made Journey what it is to me. I loved Steve Smith on the drums, but as with Rolle, I was sad to see Aynsley Dunbar go. Journey was a concept, a feeling, a part of life, an important accent to memories in my life and continues to contribute to important events in the lives of my kids. Two of my sons play guitar and are greatly influenced by Neal Schon. One of them is currently overseas serving in the millitary- he will marry his high school sweetheart when he returns and their wedding song will be "Open Arms". The two sons that I have at home have recently been getting into Journey - "Generations" and I have found that I love their music now as much as I ever did. It never mattered to me that Steve Perry said "South Detroit" - I lived in Ann Arbor/Ypsilanti for many years and I never could keep the suburbs or other offspring areas of Detroit straight anyway. I lived in San Francisco too and always knew that "Lights" was about that city - even if it was written in (or partially in) L.A. - Who cares? Does anybody ever question why "Still They Ride" has traffic lights in it? No. Why? Because it's a truly amazing song about times changing before people are ready for them to with an outstanding guitar lead and excellent vocals. Get over the details. This is legendary music by exceptional musicians. Just enjoy it.
• J from Boston, Ma and I mean (in the last comment) in the chorus part at the end.
• J from Boston, Ma About the streetlight line, I think the first time the line is done, it sort of sounds like streetlight with a little extra sound on it. However, the second time the line is sung, he definetly says streetlights. As the song fades out, I think he says streetlight.
• Jack from London, England Coming from England I had never heard this song on the radio before I heard it on Family Guy. I then heard the song during an episode of Scrubs Season 3 called "My Journey" and decided I had to download it. JOURNEY KICK ASS
• Nathan from From The Country Of, Canada I always heard this song on the radio, but it wasn't until its appearance on Family Guy's kareokee episode that i realized how good the song actually is.
• Peter from Detroit, Mi No matter what, at least once a month I hear this song at the bar. My friends and I are from Dearborn Heights, MI and I like to replace south detroit with "dearborn heights" while belting the lyrics to the annoyance of my girlfriend...she thinks I'm cute so it's cool. Rock on Journey!
• Tom from Vashon, Wa This is an amazing song. It is so sweet. I love it. I think that it has a great message that we can all relate to. Wether we are living on the streets or we are just having problems with our closest friend. You can never stop believing.
• Dave from Beamsville, Canada If you listen closely, you will hear a rendition of this song during the first wedding ceremony on 'The Wedding Singer' when Adam Sandler gets stood up at the alter.
• Allan from Calgary, Canada At The Den (the on-campus bar at the University of Calgary) this song has been the last song every weekend night for the last 10 years. All the regulars drop their pants and do the "no pants dance" Quite a good time and a great way to end the night at a great bar.
• Zeke from Washington, Dc All the lyrics say that the line is "Streetlight, people..." but if you listen to the song it DEFINITELY sings "Streetlights, people." Which do you think it is?
• Kevin from Grosse Pointe, Mi Yeah, but who calls Windsor "South Detroit"? Nobody. I love this song, but that line always bugs me. Why not say "Just a city boy, born and raised in East Detroit" East Detroit is the former name of Easpointe, Michigan. Also, East Detroit is just considered the East side of Metro Detriot, so he could be from the eastern part of the city of Detroit or from any one of the suburbs that is considered East Detroit (Harper Woods, Roseville, Clinton Township, St. Clair Shores)
• Emma from Palm Beach, Australia This song was performed in episode 403 of "The Family Guy" entitled "Don't Make Me Over" (original air date 06/05/05) by Peter, Cleveland, Quagmire and Joe. It's an enjoyable rendition, with pall bearers even dropping a coffin in order to hit "The Drunken Clam" to check out the performance.
• Matt from Haddon Hieghts, Nj This song is great and i got my whole family to love this song its Steve Perrys voice thats just awesome and its one of my fav
• Cindi from Vancouver, Canada OMG WHO care weather it is North, South. East or West it is a great song.....I can think about better things to debate than which way is up, down or left or right....I agree with who ever said there is N,S, E or West every where just get a compass and stand outside this isn't rocket science it's a Rock song.
• Zeke from Washington, Dc Actually, Canada IS south of Detroit. The southern part of Ontario is actually south of Detroit. Check your map Jon from Regina.
• Justin from Monson, Ma I think Journey's song "Don't stop Believin" is the greatest song in the world. I love it so much. Each time it comes on the radio, I turn it up loud. By the way, why does anyone care about how the city of Detroit is used in the song. The song's great!!!!!!!! -Justin Dubois,Monson,MA
• Matthew from East Brunswick, Nj Great song, Journey is a godsend of the 80's!
• Anwiya from Sterling Heights, Mi Hey John from Canada, you know nothing. A portion of Canada (city name: WINDSOR) is south of Detroit.
• Sara Mackenzie from Middle Of Nowhere, Fl white sox have used it for their theme song, omg!! at least it kept them going on to believe that they could win, and they did, so this song is like, an inspiration.
• Christa from Aurora, Il This was the song the white sox used for inspiration to win the world series 2005!
• Jeff from Sothington, Ct this is an inspirational song that has a good guitar part in it...the family guy episode was funny and the fact that i knew this girl that would sing this song and now everytime i hear it i see her singing it..but i still see myslef playing guitar...nice solo though
• David from Yosemite, Ca I heard this song sung a few weeks ago in San Francisco's North Beach--I was trying to sleep in the GreenTortoise hostel in the room above the lounge--and a chorus of girls was singing it. It must have been Kerioki night, but it was lovely. I couldn't recall the group (Journey), but heard a bit on the radio, and googled the lyrics. I've been googling lyrics all weekend--Napster's having free downloads, which brought me here--nice site.. I wish I could have recorded the girls singing. David Yosemite Sept. 4, 2005
• Chase from Pasadena, Ca Most of the memories posted on this website are by a girl named "Stephanie."
• Stephanie from Ellicott City, Md this song brings back some great memories .... reminds me of being just over the edge of 17, vacationing in Florida with my family. we were staying at this resort, and i was hanging out in the game room. i had been pretty bored, and i met this guy about 2 years younger than me. he was from a small town in Maine, while i was from the big city in Maryland. i was grateful to find someone close to my age, and we played airhockey, with us deciding to make a friendly bet, the terms to be determined after the game. he let me win, and the term of the bet was decided to be a kiss. we ended up making out for awhile, and when we parted for the night, we shared no pretense that we'd ever meet again. the next night, i heard this song, and it made me think of him - although it was reversed, he was the small town boy and i was the city girl, for a smile we shared the night, and the memories go on and on. i had been feeling pretty low about myself at this time, and feeling undesirable, and he made me feel like, hey, maybe there is something desirable about me after all. so, Matt from Maine, thank you.
• Ryan from Windsor, Canada Amazing song, one of the best from the 80's. oh and Jon from Regina, check your map bro. I'm from Windsor, Ontario Canada and to go to Detroit I'd have to travel North, not South (one of those "tricky" geography catches).
• Jev from Marietta, Ga Well does anyone know where I can get a good ringtone of this song period.
• Patrick from Charlotte, Nc no.
• Jev from Marietta, Ga Does anybody know where I can get a Don't Stop Believin ringtone that is reliable?
• Jon from Regina, Canada This is a great song. By the way, who really cares if they say South Detroit? It's not the end of the world. And John from Scottsdale, I thought most people knew this, but Canada is NORTH of Detroit, not south.
• Matthew from Marquette, Mi Ok... I don't know how many of you really know Geography, but there is a North, South, East and West of EVERYTHING! There is South America, Southern US, Southern California, South Detroit, my dorm room even has a southern part. While you may not find South Detroit on a map, there is in fact a South Detroit. The guy probably grew up near Michigan Avenue. As for the song... GREAT EFFIN' SONG!
• Tatem from San Diego, Ca No matter the radio station I'm listening to, you can always tell that distinctive Journey-Steve Perry sound and instantly know a Journey song regardless of your knowledge of their song list. Steve Perry gave Journey their uniqueness. I had heard about the Monster movie thing, never saw the movie though. It's hard to believe how old these guys are now. Steve Perry was a hottie. Aging happens to the best of us!!
• Perviz from Cochin, India Words can't describe the kind of feeling you get on hearing this song. Truly a masterpiece!!
• Perviz from Cochin, India This is truly a super duper song. Thanx a million Journey.
• Kevin from Grosse Pointe, Mi Yeah the whole South Detroit thing always bugged me too. Detroit is an East Side/West Side city, not a North Side/South Side city like Chicago. If the lyrics had said "East Detroit" it would have made more sense.
• Ryan from Lansing, Mi There is no East Detroit however as everyone should know, they changed there name to Eastpointe. But yeah he should really have said southren Detroit.
• John from Scottsdale, Az When I ever hear this song, I have to say "you've got it wrong, Steve, and sing "There ain't no such place as South Detroit." I grew up in Detroit. There's an east side and a west side. The dividing line is Woodward Avenue. South Detroit is..uh... Canada. Stand on the plaza in downtown Detroit, and look south. Oh, Canada. Otherwise, I like the song, but Steve and his buddies should hvae stuck to San Francisco or looked at a map
• Tom from Alma, Ga Ack! Another cookie-cutter corporate rock band. Being a child of the 80's, however, they did have some good stuff.
• Dawn from Highlands Ranch, Co Well, Neal Schon, Steve Perry and Jon Cain I think all take credit for the genesis of this song, which probably explains part of why they're not together anymore. But actress Charlize Theron really wanted this song for a scene in her movie Monster, so she and director/writer Patty Jenkins wrote a letter to Steve Perry begging him to allow them to use the song. He saw the scene they wanted it for, said it was perfect, through Sony contacts asked Jon and Neal if they were ok with it, they said yes, and Steve became musical consultant for the film, as well as the song being in the film. Steve is still traveling around the US and Canada with Patty helping her promote the movie and accepting awards for it.
• Mooler from Detroit, Mi Nora hit the nail right on the head. South Detroit is just referring to the southern part of the city just as south west detroit or west side or east side or northeast detroit...etc etc. I should know...im from north east detroit. 7 and gratiot.
• Paul from Greenwood, Sc Just a couple tidbits...in live shows, Journey frontman Steve Perry would insert the name of whatever city that would be hosting them, evidenced by the NFL films documentary of them from the late 80's where they are playing in Philly..."Born and raised in Phil-a-del-phia!"...also the guitar break between the first and second verse spotlights Schon at what he did best. Neil Schon was discovered by Carlos Santana and was playing on stage at the age of 15. He is incredibly fast and it shows on this classic.
• Larry from Artesia, Ca Streetlight people, living just to find emotion Hiding, somewhere in the night
• Angela from Santa Fe, Tx Does anyone know the lyrics to this song? I know most of them, however, there is one line in there where I can't seem to catch all the words. It is right after the line in the chorus "Streetlife people". Can anyone help me? Thanks.
• Nora from Richfield, Mn The lyrics didn't say 'south OF Detroit', it said South Detroit. Big difference

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The improbable story of the Journey classic that keeps coming back to life

From Mafia finales to Arnold Schwarzenegger: the brilliant and often bizarre and afterlife of Journey’s Don't Stop Believin'

When the screen cut abruptly to black and the strains of Journey ’s Don’t Stop Believin’ went silent at the finale of iconic TV show The Sopranos in 2007, it might have symbolised the death of Tony Soprano, but it began a new life for Journey’s enduring classic.

The song’s revival provided an extraordinary new chapter in a fairytale story that began back in 1981 and continues to this day. After its Sopranos -assisted revival, the song became a belated UK Top 10 hit in 2009 (it limped to a paltry No.62 when it was originally released), been streamed almost half a billion times on Spotify and been covered by everyone from Steel Panther to erstwhile teenyboppers Hanson. These days, Don’t Stop Believin’ is a kind of unofficial American national anthem – and it’s thanks in a large part to Tony Soprano. 

“That’s the incredible power of mixing music and images,” explains Gary Calamar, whose job as one of Hollywood’s top music supervisors is to find that perfect mix. “That Sopranos scene was incredible, the final scene of one of the best TV shows ever. There was a huge audience with big expectations for the finale. Plus, the song is a great mix of heavy whack hairband rock with Steve Perry wailing his heartfelt and, dare I say, inspiring lyrics.”

Calamar compares the use of Don’t Stop Believin’ with other memorable scenes involving specific songs: Night Ranger 's Sister Christian in Boogie Nights , Stealers Wheel's Stuck In The Middle With You in Reservoir Dogs , Sia’s Breathe Me in Six Feet Under . “When you have a big music scene like that it has a massive impact,” he says. “It really gets under your skin and sticks with you.”

“I think the song’s continued popularity goes back to its core meaning,” says Kara Wright, the A&R coordinator with publishing company Peer Music. “ Don’t Stop Believin’ carries a timeless message that says don’t stop believing in you – don’t stop believing in the world – don’t stop believing in anything. Life goes on (and on and on) regardless whether you’re a small-town girl, a city boy, the Sopranos or a member of your high-school glee club.”

The public’s insatiable appetite for Don’t Stop Believin’ was underlined just two years after its use on The Sopranos when it featured in the pilot episode of the TV show Glee in May 2009. The cast’s version of Don’t Stop Believin’ topped that of Journey’s original, reaching No.4 in the US Top 100 and echoed the digital download success of the original, going gold in the US with sales of over 500,000. The Glee cast later covered the song again, resulting in combined sales of 973,000 for both versions. It fared equally well in Britain where the Glee cast’s recording debuted at No.5.

To further emphasise the seemingly limitless affection for the song, in addition to its high-profile inclusion on The Sopranos and Glee , versions of Don’t Stop Believin’ have appeared in – deep breath – Family Guy, Scrubs, South Park, My Name Is Earl, Just Shoot Me, Benidorm, Eastenders, TV Burp , countless editions of The X-Factor and American Idol, Swedish Idol, Australian Idol … you get the picture.

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While Don’t Stop Believin’ ’s 2007 inclusion on The Sopranos is considered by many to mark the beginning of its latest wave of popularity, in an article in the LA Times, Journey’s Jonathan Cain – who wrote the song along with Steve Perry and Neal Schon – cited its use in the 1998 Adam Sandler comedy The Wedding Singer as the spark. Though Gary Calamar, who is also a DJ on LA-based radio station KCRW, begs to differ. “For better or worse I don’t think Don’t Stop Believin’ ever went away. I’ve always felt its cheesy presence.”

Ten years later Sandler and Don’t Stop Believin’ were reunited in Bedtime Stories . In the interim it featured in the 2003 drama Monster starring Charlize Theron. The actress, who was also the film’s producer, had been so keen to include the track that she personally wrote a letter to Steve Perry. After viewing the proposed scene, Perry agreed to the song’s use and even became the film’s music consultant.

The song is in the title of the Journey documentary Don’t Stop Believin’: Everyman’s Journey , while other films to feature it include View From The Top, The Comebacks, Cloudy With A Chance Of Meatballs and The Losers .

Gary Calamar, whose list of credits includes House, Dexter and After The Sunset , understands why the song is featured so regularly. “In a way, using these songs is like batting practice for a music supervisor, you know you have a good chance of hitting it out of the park with one of these old power ballads and a big, over the top scene.”

“It’s a feelgood song with a positive message and a memorable melody,” says Kara Wright, “and it’s an anthem that can be accepted and applied to any kind of situation.”

To back her words, scour Spotify and you’ll come across a dizzying list of artists who have covered the track in all manner of styles, from symphonic metallers Northern Kings to dungaree-clad downhome rockers Hayseed Dixie. There are classical versions, bluegrass versions, acapella versions, dance versions and lounge jazz versions. Scour YouTube and you’ll even come across a reggae cover alongside versions by Panic! At The Disco’s Brendan Urie, John Mayer, Stashrip and even audio of a workout set to the tune by none other than Arnold Schwarzenegger.

Don’t Stop Believin’ is a perennial live favourite, and not just for Journey. During its lifespan it’s been covered by an array of artists. Notable among recent live performances was its inclusion on Kanye West’s set list during his 2008 Glow In The Dark tour while a charity event for the Rainforest Fund at Carnegie Hall in May brought together the unlikely combination of Lady Gaga, Bruce Springsteen , Elton John , Sting, Debbie Harry and Shirley Bassey for an encore of the song.

 “I think the revival of Don’t Stop Believin’ can be greatly attributed to the exposure and emphasis that entertainment platforms such as TV, video games and advertising now offer to music – an ideal medium that works well for current and classic titles,” says Kara Wright.

The song’s inspirational message has made it a favourite with sports teams, never with greater impact than with the Chicago White Sox. During the 2005 season the hapless baseball team adopted Don’t Stop Believin’ as their rally cry. The team duly went on to reach the World Series for the first time in 80 years with Steve Perry being invited to attend as they swept the Houston Astros in four games.”

It’s hard to go anywhere these days without being exposed to the song in some form. All across America innocent ‘Stop’ signs have been transformed into Journey tributes with the simple addition of two words.

Wherever you do go, you can even be wearing your Don’t Stop Believin’ knickers or clutching your Don’t Stop Believin’ teddy bear. Its omnipresence is why Kara Wright feels Don’t Stop Believin’ is “at the forefront of other songs decades old being revitalised and reintroduced to popular culture.”

Wright believes the song’s success paved the way for others. Absolutely, given the digital revolution and multimedia phenomenon, I think it’s an extraordinary time for classic rock songs to find new leases on life. In this way, long-forgotten music will continue to be revived as younger audiences gain new found appreciation for rock history. The universe of catalogues yet to be unleashed is thrilling.”

And what of the men who wrote it? Unsurprisingly, the song closes every Journey show these days, though given its popularity, it would probably induce riots if it didn’t.

Former singer Steve Perry has a more complicated relationship with song. The only times Perry has sung onstage since he stepped away from music in 1995 came when he made guest appearances at three shows with the band Eels in 2014. And while he did sing Journey songs with the group, Don’t Stop Believin’ wasn’t one of them.

The original version of this article appeared in Classic Rock issue 153

Kevin Murphy is a writer, journalist and presenter who's written for the Daily Telegraph, Independent On Sunday, Sounds, Record Mirror, Kerrang!, Metal Hammer, Noise, Select and Event. He's also written about film for Empire, Total Film and Directors Guild of America Magazine.

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American Anthem

'don't stop believin" goes on and on, because we need it to.

Roben Farzad

Steve Perry performs with Journey at a Chicago-area concert in 1981. Paul Natkin/Getty Images hide caption

Steve Perry performs with Journey at a Chicago-area concert in 1981.

This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action. Find more at NPR.org/Anthem .

It's midnight on a Tuesday in Richmond, Va. At Sticky Rice, a sushi joint that hosts this college town's most raucous karaoke night, the crowd is already at fire-code capacity, and would-be crooners are forming a line outside. At around 12:30 a.m., a set of famous piano chords begins to play, and the place explodes. Friends stand together on tables; the people stuck in line outside press against the windows. For a fleeting moment, everyone's on the same midnight train going anywhere.

Twenty-somethings Matt Malone and Shilpa Gangisetty are tonight's lucky performers of Journey's " Don't Stop Believin' ," for which the DJ has received as many as five requests — though you can't exactly hear their singing beneath the overflowing crowd shouting along. When they're done, Gangisetty, who is Indian American, says she loves the song because it's something she can enjoy with her immigrant parents.

"This came out right before my parents came to this country," she says. "There aren't too many cultural things that we can relate on."

"It's like the 'Itsy Bitsy Spider' of, like, middle school," Malone chimes in. "You have to know it. Everyone hates to love it."

Thirty-eight years after it debuted on the album Escape, "Don't Stop Believin'" is the go-to anthem for perseverance that has itself persevered, successfully riding wave after new wave of media. Though born in the era of rock radio and cassette mixtapes, the song found its real glory at the dawn of binge TV and the smartphone, and it has woven its way into weddings, bar mitzvahs, graduations, the 2005 World Series, The Sopranos and Glee .

Its fate was hardly a given. Critic Deborah Frost didn't even mention "Don't Stop Believin'" by name in her October 1981 review of Escape in Rolling Stone, which gave the album two out of five stars. "Maybe," she wrote, "there really are a lot of 'streetlight people' out there. If so, my guess is that they'll soon glow out of it." They didn't: According to Nielsen Music, "Don't Stop Believin'" holds the record as the most downloaded 20th-century song, and it has nearly 700 million streams on Spotify, at last count. What is it about this track that just won't stop?

The story of the song itself begins with Journey keyboardist Jonathan Cain. In the late 1970s, he was a struggling rocker who was ready to quit SoCal and move back to Chicago. Cain says everything had been going wrong: He and his girlfriend had split up, and he'd had to pay a costly vet bill to save his dog after it was hit by a car.

"I called my father for some money," he says. "I said, 'Dad, I'm out of cash here. ... Should I come home? Is this thing just not, you know, panning out?' And he told me, 'We've always had a vision, son. Don't stop believing.' I had a lyric book next to me, and I wrote it down."

Things started looking up for the musician after that. Cain found himself in a band opening up for mega-act Journey. Then, Journey itself poached him.

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In 1981, when the band was recording Escape, lead singer Steve Perry asked Cain to come up with a final track. Cain still had his dad's advice in the dog-eared lyric book and from it drew inspiration for the pedaled, keep-the-faith piano part that builds and releases over and over until the phrase itself arrives in the chorus, more than three-quarters of the way into the track.

The characters introduced in the first verse, a small-town girl and a South Detroit city boy, are familiar by now — enough so that it's rarely addressed that there is no such neighborhood as South Detroit, apart from Perry needing an extra syllable. As for the singer in the smoky room with wine and cheap perfume, that tableau evokes the desperation Cain says he felt at the Sunset Strip's Whisky a Go Go during his rough Los Angeles days.

"I really believe this song is about wanting to make it," he says, "Where you think you're stuck in life — that you're able to get out, the same way I got out of Chicago."

The fictional William McKinley High School's glee club sang "Don't Stop Believin'" in a 2009 episode of Fox's Glee . FOX Image Collection/Getty Images hide caption

By the late 1990s, Perry had left Journey, and the band's career was in the wilderness. But the requests for "Don't Stop Believin'" kept coming.

Charlize Theron roller-skated to the song in her Oscar-winning turn as a serial killer in 2003's Monster . Four years later, The Sopranos ended its pioneering six-season run on HBO with — spoiler alert — a tense sequence involving a diner and parallel parking, soundtracked by "Don't Stop Believin'." Downloads of the track on iTunes soared. In 2009, the earnest high school show choir on Glee covered the song for the first of several times throughout the series' run, sending its download numbers through the roof again.

"Don't Stop Believin'" has been heard on Scrubs, South Park and Family Guy. A string ensemble played it in the Adam Sandler comedy The Wedding Singer. It was the rally song for the Chicago White Sox in the team's 2005 World Series run, and it was the climax of the hit Broadway jukebox musical Rock of Ages. On social media, you can find plenty of photos of stop signs playfully defaced with the title exhortation.

For all its new success, Journey still needed a new lead singer who had something approximating Perry's trademark high tenor altino . Desperate, guitarist Neal Schon turned to searching for singers on YouTube — where, late one night, he discovered Arnel Pineda, a formerly homeless kid in the Philippines who was covering the band's ballads at smoky venues that reeked of wine and cheap perfume.

In 2007, Journey flew him to the U.S. for a tryout and hired him — a fairy-tale story chronicled in the 2009 documentary Don't Stop Believin': Everyman's Journey .

Pineda told CBS News in 2012, "Even before I discovered 'Don't Stop Believin,' it has been my motto — you know, to never stop believing in myself. The life that I've gone through, all those hardships, I never stopped believing that someday there is something magical that will happen in my life."

As for Frost — the critic who originally panned Escape in Rolling Stone — she tells NPR that four decades later she's still not a fan but that maybe those streetlight people might — might — have a point.

"You know, I think maybe it helps them celebrate their high school years — or their hopes," she says. "And if it does, what can I tell you? Good for them."

Roben Farzad is the host of Full Disclosure on NPR member station VPM.

Walter Ray Watson produced this story for broadcast. Daoud Tyler-Ameen adapted it for the Web.

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Don't Stop Believin'

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Lyrics submitted by numb , edited by kymara1053 , Mellow_Harsher , Alberto09

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What a bunch of simpletons (not all of you, there are some insightful posts on here)!

Yes there are lyrics that loosely allude to a hooker. It's called an allegory people (look it up if you need to).

The song is about the common search for love and the fear of loneliness. The lyrics you are focusing in on are a metaphor for all of the things we use to fill the void in out lives so we don't feel the pain of emptiness and loneliness. The chorus provides an optimistic counterpoint to this - "Don't stop belivin'" Yes, it's a lonely world, and finding someone is hard, but hope makes it all bearable (believing that there is someone there for you).

It also addresses escaping from your past, whatever it may be, and looking toward a better tomorrow.

For those who have to have it spelled out line by line (or at least stanza by stanza):

Small town girl..city boy...midnight train: A commonality between us all, regardless of our backgrounds, the loneliness of adolescence, escaping from your past.

Smokey room...for a smile...on and on: Metaphoric for the places/circumstances we seek love and companionship (the stereotype being a bar). We are so desperate to not be lonely that we'll form a relationship simply on the basis of a smile (again metaphorical, though often literal). "On and On," again referring to our common condition, this scene is repeatedly played out day in and out - we're all searching for love and companionship.

"Strangers waiting": We are all strangers to each other, no one has experienced exactly what you have, and there is a certain inherent isolation in that. "Up and down the boulevard": Everywhere, every town, every person, through all life experience. "Their shadows searching in the night": The night represents isolation and separation from others. Shadows are our own inner darkness (or demons, our deepest secrets). We are haunted by our personal ghosts, and are seeking someone who will understand and relate to us despite who we are. The shadows aren't really seeking (since shadows aren't actually anything, but the absence of light), but us seeking someone with whom we can share who we really are. "Streetlight, people": What we project ourselves to be to the world - how we want people to see us. "Living just to find emotion": Again, we are isolated and seeking meaningful relationships, but willing to settle for something to make us feel less empty, so we will fill that void with any sort of connection. "Hiding, somewhere in the night": See above, any sort of superficial emotional connection seems to be preferable to being alone in the darkness.

"Working hard to get my fill, everybody wants a thrill":Putting forth a great deal of effort to make those connections, the fact that we often substitute cheap thrills (sex?) for true meaning and connection in relationships. "Payin' anything...": We will sacrifice a great deal to avoid being loney, even if the reward is fleeting. "Some will win...": Some will find a true, meaningful relationship, some won't, some never will. "the movie...": This cycle goes on and on with, just the players change over time.

"Don't stop believin', Hold on to that feelin'": Don't give up hope, keep searching for that meaningful relationship regardless of how difficult and trying the search is. "Streetlight people": Again, see above - everyone has their "public face" which we present. Despite our inherent shallowness, keep seeking the deeper, more meaningful connection.

I know it's popular to bash Journey and this song simply because of how popular they were in the 80's and that they to some extent defined popular music for that era - move beyond that. I'm a huge Rush fan, I love the work that Neil Peart puts into crafting his lyrics and the meaning behind them. That said, I defy you to find another song that in 19 lines more accurately sums up the human condition when it comes to seeking out someone to connect with and the loneliness everyone feels. I guarantee you a good portion of the popularity of this song is that so many people can relate to it, even if they can't exactly define why. This is a masterfully written (and performed piece of art), and deserves recognition as such.

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@Tristar I completely appreciate every word you took the time to break this down so well, seems like You wrote the song!

@Tristar LMAO... are you a dumbass. Calling people names, when you are 100% off the writer of the song, comes right out and proclaims its about his walk to jesus. Before you start throwing rocks, best make sure your in a kevlar building... l.facebook.com/l.php

That one line..."some will win, some will lose.." That line couldnt be more true. this one time i won, and then this other time, i lost. steve perry really tells it like it is.

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This song is about never giving up on love. Everyone feels lonely sometimes. This song makes me think that every time I am sad or lonely there is someone else out there who might be lonely too and that someday we will meet. It sounds dumb I guess, maybe naive or hopelessly romantic but I think its true. I "hold on to that feeling" of hope all the time.

This song is extremely special to me. My father died when I was young and always used to tell me "Keep the faith, Kris. Keep the faith." This song has never let me down and I think it's exactly that; keep the faith and don't stop believing no matter what happens. There is always something great out there as long as you believe it exists. I've experienced some rough things in my life and whenever I asked God to help me, this song would play on the radio or wherever I was.

I was supposed to graduate from college in May 2011, and I couldn't because I had to repeat my 90 hours for teaching. I knew God had a plan for me for some reason although I didn't know what. I ended up student teaching at the school attached to my Church. I could not have asked for a better experience. I honestly could not or would not have asked for a better sign from God that I have a bright future in this field.

Never give up on yourself or your dreams, keep going and NEVER stop believing.

i love this song. best journey song hands down.

I think this song is defintely about fate, hope, love, and of course, believing. We all want love/thrill/emotion.. and we try to find it, often through lust. we end up not getting it. it's saying just don't stop believing. it will happen someday.

this song is about fate. How two lonley people from two different areas are lookingand waiting for love. Everybody wants emotion(love) but not all of us are that lucky. And for those who arn't that lucky well "Dont stop believin".

<br /> <br /> Just a small town girl, living in a lonely world <br /> She took the midnight train going anywhere <br /> <br /> just a city boy, born and raised in South Detroit<br /> He took the midnight train going anywhere<br /> <br /> ( Ok so listen up because this is where you have to really start thinking... I solely hope to concey both clearly and simply to you why this song is in my mind, about prostitutes. Yes, hookers, harlots, and whores... To many times people for lack of better words " Judge a book by it's cover". I know that the first couple of lines have confused many people, but what the writer really tries to get you to do is create in your mind a character for you to get to understand, and hopefully also sympathies with by the end of the narrative. People will confuse themselves often, as they create the story in their minds with two protagonists for the song, because well they want to think it is about themselves. Though while it is an effective literary technique to put the reader in the story, I believe that this story is ment to be looked at from afar to picture a story of people we will probably never get to know. Now that I have your attention please feel free to re-read the lyrics, I have even provided my own comments on the lines for those who chose to read them ) . . . . . .<br /> <br /> ---------------------------------------------------------------------------------------<br /> <br /> A singer in a smoky room<br /> The smell of wine and cheap perfume<br /> <br /> ( when writers tell a story they know that one element of that tale is the setting, the where, the when, and sometimes the why. In the case of these lines the author, as i will call the writer or writers, the author is developing the where, by enlightening multiple of our senses to the setting. The singer gives us something to picture hearing, and maybe even watching as she is providing entertainment. The smoky room gives us something to picture smelling, and again maybe is gives us a visual of smoke in hanging in the air as it often does in a bar. The last line I will leave you to interpret, but i would ask if you try to let your imagination wander.)<br /> <br /> For a smile they can share the night<br /> It goes on and on and on and on<br /> <br /> ( Now that the author has developed a setting for us he reintroduces the protagonist [ Prostitute ],<br /> and the other character [ male Client ]. And then for whatever reason, destiny or randomness, these two people, which few people on here tend to agree on what method is the right one. Yes the male smiles and yes the pair share the night in whatever ways your imagination can take you. )<br /> <br /> Strangers waiting, up and down the boulevard<br /> Their shadows searching in the night<br /> <br /> ( Now the author ask us to picture a different setting, note that the protagonist is not necessarily present. The author shows us people on a boulevard probably one that looks much like one you've seen as it is your own creation to imagine. There shadows most typically an ominous symbol in literature describe the setting quite differently than the up beat tempo of the music. This darkness is actually quite a prevalent theme throughout. " Midnight Train", "Shadows searching in the night". )<br /> <br /> Streetlight people, living just to find emotion<br /> Hiding somewhere in the night<br /> <br /> ( These lines tell us about the people in this new scene. The streetlight's depict how they can be found on street corners, where the look for emotion, whether it is happiness because of that they feel nought, or also find sadness, because there possibly self-destructive habits lead them to repeatably find themselves in terrible situations, "On and on and on and on.".<br /> <br /> Working hard to get my fill, everybody wants a thrill<br /> Paying anything to roll the dice just one more time<br /> <br /> ( The use of the word my should suggest to the reader that the author is now speaking in first person through the protagonist. She is work hard at prostitution just to get a fill, not a T.V. or Car, like many of us including myself, look forward to saving for. But after all as we have been told many times, prostitution is the oldest profession and, "Everybody wants a thrill". There is a reason why there is a general consensus, that, "Streetlight People" as I like to call them are some of the lowest people. This is because they have said au revoir to there morals and paid the highest price and made the greatest sacrifice in selling the one thing they truly own... their bodies.)<br /> <br /> Some will win, some will lose, some were born to sing the blues<br /> Oh the movie never ends, it goes on and on and on and on<br /> <br /> ( Yes some people will win, they will be rich maybe be famous, others will lose as we all have once or twice, and, "Some were born to sing the blue's". And what better music for the author to use to describe the life of a prostitute than the most soulful, most passionate, and often the saddest ever produced. And yes this movie you have imagined for yourself, "Goes on and on and on and on".<br /> <br /> Don't stop believing<br /> Hold on to that feeling<br /> Streetlight people <br /> <br /> ( And the story ends with touching sentiments and a kind high pitched final farewell, to all those Streetlight people that obviously everyone seems to like so much. )<br /> <br /> <br /> * This is my take of the song, I hope you enjoyed how I tried to connect most every line if not word, but if you still have any questions or if you want to try to rebut me feel free to email me at [email protected] my name is Stephen Graham Hajosy and would love to hear other peoples input to a song that I personally love to sing at the top of my lungs at every home Oregon Ducks football game** <br /> <br /> <br /> <br /> <br /> <br />

it's just basically telling us that there is that special someone out there for each of us. except i think i would be the one who "sings the blues" as steve perry put it.

Love what Glee did with this. The cover is amazing, and I think it captures all the energy of the original. Wow. This was (and still is) such a FANTASTIC song!

I have always interpreted this song as to the randomness of two souls finding each other. Out of nowhere, completely unexpected, not even looking, but their hearts are open to the possibility. The conclusion of these lyrics is actually the first verse of the song.

The rest is filled with methaphors of the arduous journey, and seemingly hopeless search. It may seem like a lost cause at times, but like the title of the song says, "Don't stop believin'".

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Here’s The Story Behind 'Don’t Stop Believin’,’ The Song That Keeps On Giving

There’s no denying it: Rarely a wedding or party goes by without Journey’s “Don’t Stop Believin’” being played.

Released in June 1981, the song appeared on the rock band’s seventh album, “Escape.” Although it never made it to No. 1 on the charts, “Don’t Stop Believin’” has seeped into our culture in countless ways. The “Sopranos” series finale . That memorable “Glee” pilot episode. Broadway’s “Rock of Ages” musical. Your karaoke night. You probably know the words by heart, but you may not know the details behind the making of the song.

Journey keyboardist Jonathan Cain tells the story of the tune’s genesis in his new memoir, Don’t Stop Believin’: The Man, the Band and the Song That Inspired Generations .

In the 1970s, Cain ― then an aspiring musician ― left his hometown of Chicago for Los Angeles in hopes of landing his big break. When things didn’t go as planned, he phoned his father for some help. It turned out to be a fateful call.

“My dog got hit by a car, and I was in Hollywood, and I had to pay the vet bill. And luckily they saved her life,” Cain told HuffPost at Build Series . “I had called him for some money, for another loan. And I hated calling my dad for a loan. I said, ‘Dad, should I just give up on this thing and come home? It seems like I might be pushing it back to Chicago.’ ‘No, no, don’t come home. Stick to your guns. Don’t stop believin’. I went, ‘OK.’ Everything he would say to me somehow I would just doodle in my little notebook that I wrote songs in. That’s basically what happened. He had said to me, ‘Don’t stop believin’,’ and I took it to heart. He sent me the money, and great things started to happen.”

In 1980, Cain left his previous group, the Babys, to join Journey, replacing Gregg Rolie on keyboards. While writing songs for “Escape” with Journey singer Steve Perry and guitarist Neal Schon, Cain began to flip through his notebook.

“Steve Perry asked me, ‘Is there another idea around? We need one more song.’ And when I looked in the back of the spiral notebook, there was ‘Don’t stop believin’’ ... and I thought, ‘Well, Steve Perry would sing this if I can bring in a chorus of some kind,’” Cain said. “So I wrote this chorus, and I brought it in, and all of us together finished the song in a room. It was magical.”

Cain said they could feel the momentum of the song, particularly after recording it in the studio.

“Workin’ hard to get my fill. Everybody wants a thrill, payin’ anything to roll the dice just one more time.” - “Don’t Stop Believin’”

“I think when we finally heard the final mix, Neal looked at me, and he said, ‘There’s something special about this.’ And I said, ‘Let’s make it the first song on the album, because it sounds like it draws a listener in. Let’s make it Track 1.’ So that’s how we sequenced the album,” Cain said.

“Don’t Stop Believin’” reached No. 9 on the Billboard singles chart, but he said he doesn’t recall that it was “a huge hit.”

Years after the release of “Don’t Stop Believin,’” Perry ― the voice behind the song ― parted ways with Journey, leaving a big hole to fill. After a couple of other frontmen, the group secured a steady lead singer in Arnel Pineda , who joined in 2008.

Last year Journey was inducted into the Rock & Roll Hall of Fame. Although Perry attended the ceremony, he didn’t perform with the the band. Still, Cain thinks Perry enjoyed the moment.

“He seemed very, very vibrant and proud to be standing there with us,” Cain said. “He lives a very private life, and he chooses to keep it that way. Whenever I see him at these events, he seems very, very happy, content with his life. I know he’s gone through some troubles, like we all have. But he’s moved on.”

Cain has moved on too. He said he hopes to work on some new music with Journey soon. And you can count on the band performing “Don’t Stop Believin’” on tour this summer.

“I don’t ever get tired of it,” he said. “For me, it’s an honor to have a song that’s loved by three, four generations by now … Anyone who gets tired of a song is working off their own ego. When we’re in Journey, we check our egos at the door.”

And as for the future of “Don’t Stop Believin’”?

“It’s like Thomas the train. It keeps chugging along,” Cain said.

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Journey is an American rock band formed in 1973 in San Francisco by former members of Santana and Frumious Bandersnatch. The band has gone through several phases; its strongest commercial success occurred between 1978 and 1987, after which it temporarily disbanded. During that period, the band released a series of hit songs, including 1981's "Don't Stop Believin'", which became in 2009 the top-selling catalog track in iTunes history. Its parent studio album, Escape, the band's eighth and most successful, reached No. 1 on the Billboard 200 and yielded another of their most popular singles, "Open Arms". Its 1983 follow-up, Frontiers, was almost as successful in the United States, reaching No. 2 and spawning several successful singles; it broadened the band's ap… more »

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• Behind the Song

Behind The Song Lyrics: “Don’t Stop Believin'” by Journey

by Jacob Uitti December 15, 2021, 9:19 am

What if I told you the world’s favorite 1:58 AM song—“Don’t Stop Believin’”—came from a conversation between a dejected musician and his supportive parent?

Videos by American Songwriter

Well, that’s exactly what happened with the tune and the writer of its famous chorus, Jonathan Cain, the now-71-year-old musician and longtime keyboard player and writer of the American rock band Journey.

Sing it with us now:

Don’t Stop! Believin’! Hold on to that feelin’ Streetlight, people Don’t stop, believin’ Hold on Streetlights, people

The song, which was released on the band’s sophomore album, Escape , in 1981, later hit the Billboard and the U.K. charts at various points in its long lifespan. Later, Rolling Stone named it No. 133 of its best 500 songs.

We caught up with Cain to talk about the origins of the lyrics, which includes a phone call with his father. As Cain says, he remembers writing it like it was yesterday.

American Songwriter: Do you remember writing “Don’t Stop Believin’”?

Jon Cain: Like it was yesterday. Yeah, I remember like it was yesterday. Basically, we had one more song—[former Journey lead singer] Steve Perry said, “I think we need one more, let’s write one more song.” He said, “There must be something in that lyric book.” Because I had several spiral notebooks full of ideas and lyrics. I’m writing lyrics all the time. Even back in those days, I was working on it. I believe you use it or lose it when you’re writing lyrics.

AS: Absolutely.

JC: So, I had this idea. My dad and I had this conversation. In the 70s, I was kind of on my down and out phase. I’d lost my record deal with Warner Bros. and I had a day job and then my dog got hit by a car and I had a $1,000 vet bill. And I had called for money and I said, “Maybe I should give up on this thing dad, and come home to Chicago.” And he said, “No. You stay where you are.”

He said, “Your biggest breakthrough is right around the corner. It seems bad right now but there’s something coming and I feel it and don’t stop believing, Jon. That’s all I can say to you, don’t stop believing.” So, I wrote it and as I was talking to my father, he said, “I’ll send that money, you can pay me back someday, don’t worry about it. But your greatest breakthrough is right around the corner, just stay with it.”

JC: So, I did. And I wrote down don’t stop believing. And that was five years before Journey called me to join. So, I had this in my notebook. And we had finished all these songs and when I went home that night, I saw the title, “Don’t Stop Believin’” and I said, “That’s it!” And so, I immediately jumped on my little Wurlitzer and came up with a chorus. I mean, in about 20 minutes I had it.

And I brought it in and all I had was chords. And when I played it for the guys, they were like, “This is a great chorus.” So, we beat it around a little bit, and then Steve said, “I got an idea, why don’t we use your chords for the chorus, same ones.” He said, “Don’t change them. They’re great chords, just change the way you do it. Just do that rolling thing you did in the bass, that eighth note feel.”

And then Neil [Schon] came up with the bassline—doo-doo-doo-doo—and he showed that to Ross [Valory] and then he came up with the B-section, the “strangers waiting up and down…” Interestingly enough, musically there’s a tension and release that is constant. It’s like a theme in the song. It sort of goes to the chorus and then releases. Tension and release, tension and release.

Then we ended up with this musical version of “Don’t Stop Believin’” and interestingly enough, the chorus was introduced by Neal’s guitar. Neal just came right out and played that melody before we sing it. Which breaks all the rules. And I kept saying to Steve in the rehearsal room, are we going to go to the chorus? And he said, “No, we’re going to save it to the end. And we’re going to make them want to play it over and over again. It’s only going to be one time, they’re going to hear it and it’s going to be gone and they’re going to want to play it again.”  

I liked that philosophy, I said that was a good strategy, let’s go with it. So, we did. And we didn’t have the lyric yet for the verse and I went to Steve’s house there and it reminded me—Neal had played that interlude that sounded like a train. It was these little staccato things—diggy-diggy-diggy—it sounded like a train going down the track. And I listened to it. We had a cassette and a little blaster and I said, “This sounds like a train, Steve.”

And I said, “You know that song, ‘ Midnight train to Georgia ’ [by Gladys Knight & The Pips]? What about a midnight train going anywhere?” And he’s like, “Yeah!” and then he looked at me and he said, “That Jack and Jill song about the guy and a girl, what if we plug that concept in?” I said, “Yeah, that’s a good idea.” And then “small-town girl living in a lonely world,” you know? And then we had this little movie of these two meeting somewhere.

And I said, “They’re going to meet on Sunset Boulevard.” Because I lived right above Sunset Boulevard in Laurel Canyon and I described what Friday night looked like on Sunset Boulevard in 1974. It was a menagerie of all these people from all walks of life. Rock stars, actresses, hustlers, you name it. They were all meeting on Sunset Boulevard on Friday night to check it out. And it was this big cruise thing where the cars would be there and people would be walking up and down the street, from every different place.

I mean, L.A. in 1974 was the heart of rock and roll, it really was, on Sunset Boulevard. You had the Whiskey-a Go Go. Van Halen playing at Gazzarri’s. You had Aerosmith playing at the Starwood. You had David Bowie with his Diamond Dogs thing. All of that. It was the heart of rock and roll. So, Steve said, “Yeah!” So, strangers waiting up and down the boulevard, their shadows… ” That was Sunset Boulevard. And he totally got the movie.

JC: We saw the movie together. Now, he hadn’t been there, but I’d described the movie well enough that he was like, “Let’s do this.” And we wrote about Vegas. Paying anything to roll the dice one more time. That’s it and that’s dreaming. Like, I’m going to win, I’m not stuck where I am. I think we wanted to write that song to say it’s okay to dream, it’s okay to get out. You’re not stuck where you are. You can go somewhere and take that midnight train.

And the “South Detroit” thing I got a lot of flack for. Because there was no South Detroit. And I said, “Because it’s a mystical place, it doesn’t exist!” It’s the city of possibilities in your mind. That’s what South Detroit is. So, leave it alone. And that’s really it.

AS: And how about the chords, the keys part you play?

JC: Oh, that was just kind of leftover from The Babys, I think [Cains band before he joined Journey]. Again, it’s tension and release. So, we’re playing a sort of an augmented 3rd to a 3rd and even the B-section has tension and release to it. So, we broke the rules with the form on that because it’s ABABC, you know?

Very seldom are you going to see a song like that. And that was just the way Steve Perry was wired. When we put the song together in the studio, it was obvious that it was going to open up the Escape album. It was the one that led fans into the new sound of Journey. They hired me to change their sound [in 1980] and I did. I helped them—we all did it together. And they were very brave to take a chance on me and I’ll be forever grateful that I was able to put my signature on that album.

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Bonnie Raitt Set for ‘Just Like That’ Tour in 2022 with Lucinda Williams, NRBQ

© 2024 American Songwriter

JOURNEY's 'Don't Stop Believin'' Recognized As 'Biggest Song Of All Time'

You've heard it literally everywhere since the 1980s: on the radio of every car you've ever owned, at every major sporting event you've attended in the last 20 years (including a live performance by the band at this year's NFC Championship Game between the Detroit Lions and San Francisco 49ers ),sung by Tom Cruise , Alec Baldwin and Mary J. Blige in the film "Rock Of Ages" , and covered by the cast of the TV show "Glee" . You heard it and then stared at a black screen in horror for a full 10 seconds wondering whether your DVR wasn't set to record the full episode, and then had it running through your head while you argued with friends over whether Tony Soprano got whacked in the diner or not.

And now, JOURNEY 's timeless rock anthem "Don't Stop Believin'" has officially been declared the "Biggest Song Of All Time" by Forbes . According to the RIAA ( Recording Industry Association of America ),the hit rock song likely heard by everyone around the world is now an 18-times-platinum-certified single.

Released in October 1981 for JOURNEY 's seventh studio album "Escape" through Columbia Records , "Don't Stop Believin'" quickly became the band's signature song. Critical acclaim was instant, with Billboard praising the "fluid guitar and vocal." AllMusic declared "Don't Stop Believin'" a "perfect rock song" and an "anthem", featuring "one of the best opening keyboard riffs in rock." Neal Schon , founder and lead guitar of JOURNEY , wrote the instantly recognizable bass line, and keyboardist and rhythm guitar Jonathan Cain had kept the song title from encouragement his father gave him as a struggling musician living on Sunset Boulevard. Decades after its release, the song became the best-selling digital track from the twentieth century, with over seven million downloads.

In a 2009 interview with CBC 's "Q" cultural affairs show, former JOURNEY singer Steve Perry said he always thought "Don't Stop Believin'" had potential as a single. It was always a hit with live audiences, though it didn't get great radio play at the time it was issued, he said.

"When we were doing the song in 1981, I knew something was happening, but honestly, when I saw it in the film 'Monster' with Patty Jenkins , I started think, 'Oh my goodness there's really something.'"

He added: "The lyric is a strong lyric about not giving up, but it's also about being young, it's also about hanging out, not giving up and looking for that emotion hiding somewhere in the dark that we're all looking for. It's about having hope and not quitting when things get tough, because I'm telling you things get tough for everybody."

Current JOURNEY singer Arnel Pineda , who has been fronting the band for 17 years, told CBS News in 2012, "Even before I discovered 'Don't Stop Believin'' , it has been my motto — you know, to never stop believing in myself. The life that I've gone through, all those hardships, I never stopped believing that someday there is something magical that will happen in my life."

In 2020, at the beginning of the coronavirus pandemic, "Don't Stop Believin'" had become a rallying call for patients recovering from COVID-19 at two hospitals in New York and Michigan. The 1981 hit was being played at Henry Ford Hospital in Detroit, Michigan and the New York-Presbyterian Queens Hospital during celebrations for patients prevailing over the coronavirus.

JOURNEY features Schon , Cain , Arnel Pineda (lead vocals), Jason Derlatka (keyboards, vocals), Deen Castronovo (drums, vocals) and Todd Jensen (bass).

Since the group's formation in 1973, JOURNEY has earned 19 top 40 singles, 25 gold and platinum albums, and has sold over 100 million albums globally. Their "Greatest Hits" album is certified 15 times-platinum, making JOURNEY one of the few bands to ever have been diamond-certified, and "Don't Stop Believin'" has been streamed over one billion times alone.

JOURNEY was inducted into the Rock And Roll Hall Of Fame in 2017, and 2018's co-headlining tour with DEF LEPPARD was the band's most successful tour to date, landing them in the Top 10 year-end touring chart with more than one million tickets sold, and earning them the prestigious Billboard "Legends Of Live" touring award. March 2019 saw the release of "Escape & Frontiers Live In Japan" , a live DVD/CD set from their concert at the Budokan in Tokyo featuring the band's first-ever performances of the albums "Escape" and "Frontiers" in their entirety. JOURNEY has also received a star on the Hollywood Walk Of Fame and were inducted into the Hollywood Bowl Hall Of Fame . Additionally, the band is the subject of the award-winning documentary "Don't Stop Believin': Everyman's Journey" about the band's resurgence upon adding Pineda as lead singer after Schon discovered the Philippines native on YouTube .

JOURNEY will team up with DEF LEPPARD for a 2024 stadium concert tour of North America. The 23-city tour opens July 6 at Busch Stadium in St. Louis and concludes September 8 at Coors Field in Denver. The opening act for most of the tour dates will be fellow Rock And Roll Hall Of Famer Steve Miller and his band. Two other Rock Hall inductees will alternate as opening acts for the seven shows Miller is not playing — CHEAP TRICK and HEART .

View this post on Instagram A post shared by Neal Schon (@nealschon)

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Rock Wars: Journey says “Don’t stop Believin'.” John Mayer has a better idea.

If you want to know what’s really going on in the world, one of the best places to look is in the lyrics of popular songs. Not the moon-June stuff that corporate radio feeds America every day, but real lyrics about real subjects. 

Right now, though, who speaks with this kind of ambition in his or her popular song lyrics? With desperate refugees with no place to live, lone-wolf terrorists blowing stuff up and billionaire wage thieves running amok around the globe, does any contemporary rock writer tackle subjects like those? Or is it just party-down and getting even with heartbreakers? Anyone?

OK, there is one writer but don’t laugh when I tell you who. The troubadour in question is the unlikely John Clayton Mayer. Not the current version, famous for saying awkward things in interviews, but the John Mayer from his first two Columbia releases, when he wrote about real, “heavier” subjects. 

In those cuts, Mayer made a lot of points with his lyrics. He made the connection between lousy fathers and unhappy daughters. He popularized the term “quarter-life crisis.” And he pointed out that the world was an agreed-upon fabrication. “There’s no such thing as the real world,” he wrote in “The Real Thing,” “just a lie you have to rise above.”

But Mayer’s most compelling lyric from that era is especially relevant today. The song is called “Belief” from the album “Heavier Things” and talk about meaty lyrics: In the song Mayer expresses doubts that people’s opinions can ever be changed because of “something someone yelled real loud one time,” and whether one’s mind could be changed “by words on a sign.” He says no, at least he can’t remember a time that ever happened in the real world. 

The belief-cake is already baked, he seems to say. And that may not be good. Mayer warns that if everyone “believes,” it is going to be difficult to argue with anyone logically. 

Minds that are rigid can protect you, he admits, in an ignorance-is-bliss subtext, but getting another true believer to believe what you believe is like “punching under water,” not reliably effective. Maybe, he argues, it’s a matter of chemistry of the brain that solidifies these beliefs, in which case, well, the less we sing about it the better.

All of this discussion matters very much today. Contemporary ideologues who see everything through a particular belief system, whether it’s religious, political or both, are using up precious time we could be using to solve our problems and, in fact, may be making things worse: “We’re never gonna win the world; we’re never gonna stop the war,” he says. “We’re never gonna beat this if belief is what we’re fighting for.” 

Those calling for Civil War or a holy one, for example, or relying on one political philosophy to fit all situations, are all talking past one another. And worse news, the costs of being inflexible are soaring. 

Mayer ends the song by asking “What put a hundred thousand children in the sand?” and, killer phrasing here: “What put a folded flag inside a mother’s hand?” It’s belief. It’s knowing absolutely that you are right and have the answer and there is no need to listen to anything else.

As Mayer writes, we’ll never win in that situation. It may not be much of a battle hymn, but at least let’s hope it’s catchy.

Stewart Weiner is a longtime west coast writer and editor and publisher of the art book “RadioEYES: Great Rock Lyrics Set to Art.” He can be reached at  [email protected]

The Journey of a Future Leader: Meet Annie Weber BSBA '24

Annie Weber, BSBA ‘24

Georgia Tech Scheller College of Business students come to learn, explore, and build community. As they move forward in their careers, they take everything they've learned and use it to power innovation in industries and businesses across the globe. In celebration of Spring 2024 Commencement, we sat down with a few students to learn about their experiences and the wisdom they've gained in the process.

Meet Annie Weber , who is graduating with a concentration in Leadership and Organizational Change and a minor in Engineering and Business.

Where are you from?

Atlanta, GA

Where did you go to high school?

North Atlanta High School

Who most influenced your decision to pursue business in college?

My mom was my biggest influence in pursuing business in college. Watching her start and build her own business into the success that it is today was eye-opening to how critical a good understanding of business is.

Why did you choose Scheller College of Business?

I chose Scheller because of the high caliber of faculty, access to resources, and the variety of the curriculum. Scheller faculty and staff truly want all their students to gain the knowledge needed for them to be successful in whatever industry they pursue after their time at Georgia Tech. This is reflected in the staff they have hired, many respected and established professionals in their own right, who bring real-world experience and perspective. Scheller's location is also important. In the heart of Atlanta, with Tech Square just down the street, Scheller College is a stepping stone or doorway for many students looking for internships or jobs. Scheller offers a diverse curriculum to equip its students for their next step, and the school provides the resources for excellent career placement.

What concentration did you pursue and why?

I chose to pursue a concentration in Leadership and Organizational Change. This was largely based on my personal interests in leadership and management. I also felt that it was important to develop a strong knowledge about motivation, conflict resolution, and strategy, to name a few, for future professional teamwork settings. What is your best piece of advice to an applicant hoping to get into Scheller College?

I would encourage applicants to have a strong understanding of why they want to be a part of Scheller. Being as authentic as possible on the application allows Georgia Tech to understand your motivation for applying and why you would be an asset to the college. A large part of applying to college is believing in yourself – and if you can express that through your application, you've done your part.

What is the biggest myth about Scheller College?

I think that the biggest myth about Scheller is that the classes are basic business classes and that they are easy. Scheller classes allow students to dive into deep and multi-faceted topics. In class, you learn real skills, theory, strategy, history, implementation, and more. Business is unique because it is vital to all other majors, and Scheller does a great job of bringing that into the classroom. As a business student in the heart of Tech Square, how do you think Scheller College embodies the intersection of business and technology?

Scheller constantly incorporates innovation and change into the curriculum. Every class I've taken has had some aspect of current events or emerging technology, even the more traditional classes like Microeconomics or Financial Management. Other courses, such as Emerging Technology or Entrepreneurship, are entirely focused on business and technology and push business students to look at industry through the lens of new technologies and constant innovation. Scheller's location in Tech Square also provides students with many opportunities to be near technologically-geared businesses and start-ups that are constantly innovating. The focus on technology inside and outside of Scheller more than prepares students to enter a changing workforce.

What was your favorite course and what was the biggest insight you gained about business from it?

My favorite course was Microelectronics and Nanotechnology Revolution. I learned so much about various topics, ranging from the history of the Information Age to microprocessors, transistors, circuits, and so much more. I loved learning about microelectronics and nanotechnology, as they were topics I had never discussed before. Every class was a new and interesting topic that challenged me, and we consistently discussed cutting-edge technologies. The central business insight I took away from the class was that you can have the best piece of technology, but if you can't articulate or market what it does, it is difficult to make headway with potential investors or consumers. Business knowledge is important for everyone, no matter their major, and this class reinforced that by not only focusing on the technology itself, but also the businesses and industries that technology supports.

Who was your favorite professor and why?

My favorite professor was Chuck Easley . I took Leadership in Changing Environments and Management Consulting with him. His own experience and success in consulting show through his teaching. In his career, he has dealt with many of the scenarios we discussed at some point. His level of insight has been so interesting to hear, and I feel that his classes have been a window into different career paths. On top of his knowledge, his energy and care for his students made class informative, fun, and interactive. What activities were you involved with on or off campus, and did your business education impact those activities in any way?

I conducted recruitment logistics for three years for my sorority, Alpha Delta Pi. Being an ADPi Chi was such a rewarding experience. I worked closely with the head of recruitment to streamline processes, improve the recruitment experience for potential new members, and grow my connections with my sorority sisters and advisors. Being behind the scenes gave me insight into how hard Greek life works during the recruitment season to ensure everybody feels comfortable and accepted. 

Where did you intern/co-op during school? 

I worked my way through college for The Joshua Tree from my first year to my senior year, at times averaging 25 hours a week. I interned at Georgia Pacific , Norfolk Southern , and Step Ahead Scholars , a nonprofit that helps underprivileged students access higher education. In the fall of my senior year, I worked at Cyrano Video , a start-up that sells communications software to medical institutions. 

Where will you be working after graduation?

I will be working at Georgia-Pacific post-graduation.

Did you participate in any hands-on/experiential learning opportunities? If yes, which projects/companies did you work with, and how did you help them?

During my Denning Technology & Management Program (T&M) capstone project, I worked with Novelis to gamify recycling on college campuses. At the end of the year, we presented strategies to increase recycling rates on college campuses through gamification and we provided a recycling infrastructure analysis, a framework for gameday initiative, and a beta version of a recycling app. Who would you like to thank most for your success?

I would like to thank my parents, Katie and Scott, for always believing I could achieve whatever I put my mind to. Their support allowed me to be strong when I pushed my limits and tried new things throughout my college experience. What is a fun fact about yourself?

I am left-footed but right-handed!

What are some of your hobbies?

I love to read and listen to podcasts while I walk! Anything history-related is super interesting to me.

What are the top two items on your bucket list?

My two top bucket list items right now are hiking through Glacier National Park and sailing around the Caribbean or the British Virgin Islands.

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CM Punk: Dusty Rhodes Believing In You When No One Else Does Is Powerful

By CJ Applegate

Charlotte Flair and CM Punk remember Dusty Rhodes .

WrestleMania 40 ended in historic fashion as Cody Rhodes defeated Roman Reigns to “finish the story” and win the Undisputed WWE Universal Championship. The moment was emotional for many who have followed Cody’s journey and for those who have also been impacted by his father, “The American Dream” Dusty Rhodes.

Following WrestleMania Sunday, fellow WWE stars Charlotte Flair and CM Punk spoke to Joe Tessitore of ESPN to react to Cody finishing the story and how Dusty impacted each of them.

“I know his dad is here somewhere,” Flair said. “I’ve known Cody since he was a kid and the reason I’m here today is partly because of how much Dusty believed in me. But just knowing what this moment means — and I promise you — I don’t think his dad could have ever pictured this. Pro wrestling is in Cody’s blood, and his mom holding the title, and the story, it’s a love story. I don’t know how else to — I’m trying to hold back tears. It’s emotional.”

“It’s a legit emotional affair,” Punk said. “You said you’ve known Cody since you were kids, I feel like I’ve known you and Cody since you were both kids, and I knew Dusty. Having a guy like Dusty Rhodes believe in you when no one else does is powerful. It’s magic. I used to think I was the only one, and then he took over NXT and, man, he developed talent everywhere and possibly, it goes without saying, the best talent he possibly developed was his son Cody.”

RELATED: Cody Rhodes Shares What He Would Tell His Father After WWE Championship Win

If you use any quotes from this article, please credit ESPN with a h/t to WrestleZone for the transcription.

Colby Applegate earned his BFA in Creative Writing and is also the author of the annual "Ring Post Journal: Women's Wrestling Year in Review."

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Carnie Wilson Turned Down Ozempic for 40-Lb Weight Loss Despite Doctor Suggestion (Exclusive)

Carnie Wilson lost 40 pounds in an effort to feel better and live a healthier life, and she did it without Ozempic.

Not that it was never an option. Wilson, 55, says her doctor suggested Ozempic to aid in her weight loss, but “it just wasn’t for me.”

“I was too scared of side effects,” she exclusively told Us Weekly while discussing her new cooking show, Sounds Delicious With Carnie Wilson . “And I think it’s great. It’s worked for a lot of people, and I just don’t know what’s going to happen. I don’t think we know enough about it for this purpose.”

Instead, Wilson cut gluten and sugar from her diet, leaning on her own discipline to manage a healthier diet.

Related: Celebrities Who’ve Spoken About Ozempic for Weight Loss

“I just listened to a voice inside of me, which was, ‘gluten and sugar are not your friend,’” she explained. “You need to stop eating that. And that’s the voice I listened to. And it’s working.”

She’s started to feel better, as well. Wilson thought back to how she felt pre–weight loss, saying she experienced “just a lot of abdominal pain and just feeling bloated and gross and just completely inflamed.”

Carnie, daughter of Beach Boys cofounder Brian Wilson , hopes that her diet change and weight loss serve as examples to her two children, Lola, 18 and Luci, 14.

“It kind of makes you a better person all around,” she said. “Probably a better chef, a better mother, and all these things.”

Related: Celebrities’ Weight Loss and Transformations: Before and After Pictures

Lola and Luci are sisters, but Carnie explains they have plenty of differences, physically and socially. At a time when young women are pressured to look or behave a certain way, Carnie hopes to instill self-confidence in her kids — and that starts at home.

“I always say don’t compare yourself to other people because you are your own special person and everyone is beautiful,” she said. “Find something you like about yourself. … Self-confidence comes from believing in yourself and giving to other people.”

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Carnie isn’t the only celebrity to eschew Ozempic. Chelsea Handler stopped using it after she learned more about the drug, calling it “too irresponsible.” Scheana Shay , Kate Winslet and Kyle Richards have also spoken out against it.

Tracy Morgan and Amy Schumer , meanwhile, have both admitted to trying Ozempic, and Kelly Osbourne spoke in support of the drug, calling it “amazing.”

Sounds Delicious With Carnie Wilson premieres on AXS TV Tuesday, April 16 at 8:30 p.m. ET. Her first guest will be Sugar Ray’s Mark McGrath , with Lisa Loeb , Dee Snider and more also scheduled to appear on the show.

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The farcical saga of an impeachment trial no one wants to convene

Why fail on a Thursday when you can instead drag out that failure four or five days later, for no apparent gain?

Senate Republicans were apoplectic in early January 2020. House Democrats had impeached Donald Trump and declared him a threat to democracy — but then refused to actually send the matter to the Senate.

Democrats naively thought they could withhold the articles of impeachment to leverage more favorable rules for the Senate trial, which Republicans had no intention of implementing.

“This delay is an abuse of power & denies POTUS his day in court,” Sen. Shelley Moore Capito (R-W. Va.), one of the more pragmatic GOP lawmakers, wrote on social media . “Send it or end it!”

The next day the House speaker at the time, Rep. Nancy Pelosi (D-Calif.), realized the error of this strategy and announced she’d send her impeachment managers across the Capitol the following week, beginning a trial almost four weeks after the House’s votes.

So much for any form of consistency more than four years later.

On Wednesday, House Republicans failed to march their articles of impeachment against Homeland Security Secretary Alejandro Mayorkas to the Senate, as Speaker Mike Johnson (R-La.) had previously announced for his plan.

Instead, we live in a political world in which the most fervent opponents of Mayorkas — who believe he should be convicted in a Senate trial and removed from office — are the ones actually delaying the start of the trial.

Now, sometime next week, maybe Tuesday or Wednesday, the trial will finally begin, more than two full months after the House took the unusual step and voted to impeach a cabinet member for the first time since 1876.

In impeaching Mayorkas, Republicans have turned the most powerful constitutional duty that Congress has — removing executive branch officials for “high crimes and misdemeanors” — into a farcical journey of blunder and mismanagement.

Sen. Joe Manchin III (D-W.Va.), who spent the first three years of President Biden’s tenure as a key swing vote who frustrated liberal activists, summed up the GOP mishandling of the entire saga in a floor speech Wednesday. Manchin pledged his full support to the Democratic plan to short circuit the trial quickly once Johnson finally sends the articles over and senators are sworn in as jurors.

“It is basically something that I can’t wait to vote against and get it out as soon as it comes here,” he said.

That vote was originally going to come Thursday afternoon, if the managers had delivered the articles Wednesday. Senate Majority Leader Charles E. Schumer (D-N.Y.) has laid out a plan to follow the more than century-old mandate for starting impeachment trials at 1 p.m. each day.

But Senate conservatives realized just how quickly defeat would come if they held a trial this week, and they used back channels to the House speaker to plead with him to delay the trial until next week.

In a stunning admission of how little traction their effort to oust Mayorkas had gained, these hard-line GOP senators explained that the Senate has become so duty-bound by their Thursday afternoon departure schedule that some Republicans might just leave town or agree to quickly dismiss the trial.

“We don’t want this to come over on the eve of the moment when members might be operating under the influence of jet fuel intoxication,” Sen. Mike Lee (R-Utah) said at a Tuesday news conference.

This bungled impeachment effort is only compounded by the fact that the underlying dispute — the crisis at the border of migrants flowing into the country — comes on the single best policy issue on the Republican side. Every poll shows critical independent voters, who will decide the November elections, giving Biden, Mayorkas and Democrats terrible grades for handling the border.

The House Republican effort to impeach Biden over financial impropriety by family members has crumbled amid witnesses getting indicted on a charge of trading secrets to Russia or going on the global lam to avoid charges here.

Instead, the Mayorkas impeachment took hold as the major oversight trophy the House GOP hoped to show for its incredibly weak hold on the majority the past 15 months.

Congressional Democrats, as well as quite a few Senate Republicans, have never agreed with the House GOP’s thesis that Mayorkas violated the Immigration and Nationality Act, which mandates the detention of any deportable migrant. These critics and skeptics essentially see this as a policy dispute, given a cabinet secretary’s broad discretion to enforce laws, and that the way to handle policy disputes is through elections.

Sen. Mitt Romney (R-Utah), who voted to impeach Donald Trump twice, told reporters Tuesday that the “standard has not been met for a conviction,” and he could join Democrats in dismissing the case at the outset of the trial.

That argument rang true to three House Republicans, which is why the Mayorkas impeachment began in such farcical fashion.

On Feb. 6, Johnson and his leadership team rolled the dice to hold the vote to impeach anyway believing there were only 211 Democrats present to vote — and that they would win 215-214, despite three defections from their side of the aisle.

House Minority Leader Hakeem Jeffries (D-N.Y.) had been in touch with a hospitalized Democrat, Rep. Al Green (Texas), and got him to the floor in time to cast a vote that left the House deadlocked 215-215 .

Rather than accept defeat, Johnson used a parliamentary tactic to hold a do-over the following week, calling House Majority Leader Steve Scalise (R-La.) back to Washington after he’d been at home recovering from a bone-marrow transplant.

One extra vote was all Republicans needed — so long as they held the vote early on the evening of Feb. 13.

They feared that, about two hours after their narrowest-possible-margin impeachment of Mayorkas, Democrats would win a special election on Long Island and their margin would disappear. Indeed, Democrats won that race, and if the House had to hold another vote now on Mayorkas, and all members showed up and voted as they had before, the impeachment articles would fail on another tie vote.

Johnson immediately took the Pelosi approach to handling impeachment articles, but far outdoing the slow-moving Democrats from four years ago. House Republicans adjourned for a two-legislative break, then spent almost a month fighting over government funding.

When they finally approved the remaining funding bills, on March 22, the House again adjourned for another two-week break.

Finally, a timeline appeared for the Senate to consider the impeachment trial, mapped out between the offices of Johnson and Schumer.

Senate Republicans, who have been bitterly divided the past six months over issues related to the border and funding Ukraine’s defense against Russia, came around on the idea that almost all of them would endorse the plan to force a full impeachment trial of the cabinet secretary.

Upon returning to the Capitol Monday, Sen. Thom Tillis (R-N.C.) told reporters he did not quite fully understand the House case against Mayorkas, doubting its validity, but would vote to hold a full trial.

Aside from Lee and a handful of his far-right allies, Senate Republicans give off the vibe that they want to get come credit for voting for a full trial from conservative activists.

At the same time, their statements give off a halfhearted nature that demonstrates, deep down, little desire to turn over the Senate floor to prominent MAGA lawmakers like Reps. Marjorie Taylor Greene (R-Ga.) and Andy Biggs (R-Ariz.), two of the House managers who would try the case if it went to a full trial.

Each day so far this week, Republicans have lined up to give long speeches about impeachment and the border crisis.

Capito delivered one of them Wednesday afternoon, noting that never before had an impeachment trial been dismissed at the outset. She made no mention of her own vote in January 2021 to dismiss charges against Trump for the Capitol riot , nor did she mention her January 2020 statements demanding a speedy trial or no trial at all for the first Trump impeachment.

“This time,” she said, “it should be no different.”